Latest / The Steve Harvey Morning Show / Rushion interviews Dyana Williams, a regular on TV One's UNSUNG and referred to as "The Mother of Black Music Month." Dyana helped establish June, Black Music Month.
Transcript
- 0:04Speaker 1: Welcome to Money Making Conversations.
- 0:06Speaker 2: It's to show that she is the secrets of success
- 0:08Speaker 2: experience firsthand by marketing and Brandon expert Rashan McDonald. I
- 0:12Speaker 2: will know he's giving me advice on many occasions. And
- 0:14Speaker 2: in case you didn't notice, I'm not broke. You know
- 0:17Speaker 2: he'll be interviewing celebrity CEOs, entrepreneurs and industry.
- 0:20Speaker 1: Decision make because it's what he likes to do. It's
- 0:22Speaker 1: what he likes to share.
- 0:24Speaker 2: Now it's time to hear from my man, Rashaan McDonald
- 0:27Speaker 2: money Making Conversations.
- 0:28Speaker 1: Here we go. This is Rashan McDonald had to grab
- 0:32Speaker 1: the mic because I was in there dancing because you know,
- 0:36Speaker 1: we're about to talk about some great music. I know,
- 0:38Speaker 1: I know, I know, but I'm about to mention some
- 0:41Speaker 1: song gonna bring back some memories today because next month
- 0:46Speaker 1: is that's June is a Black music month, and we're
- 0:51Speaker 1: gonna talk to music. But let me let me get
- 0:52Speaker 1: the intro started and so I can just lay everything correctly.
- 0:56Speaker 1: Welcome to money Making Conversation master Class. As you know,
- 0:59Speaker 1: I'm your whole Rashaan McDonald. Our theme is that there
- 1:02Speaker 1: is no perfect time to start following your dreams. I
- 1:05Speaker 1: recognize that we all have different definitions of success. For you,
- 1:09Speaker 1: it may be the size of your paycheck. Mine is
- 1:11Speaker 1: inspiring you. That's right, you who are listening, You who
- 1:14Speaker 1: are driving, you, who are streaming this show nationwide? To
- 1:18Speaker 1: accomplish your goals and live your very best life, It's
- 1:21Speaker 1: time to start reading other people's success stories and start
- 1:24Speaker 1: living your own. The reality is is that when I
- 1:28Speaker 1: do this show and I look at myself, cause I
- 1:29Speaker 1: get up every morning at four thirty Monday through Friday.
- 1:32Speaker 1: I get up and I tell people when I get up,
- 1:34Speaker 1: I'm not a happy It's not about a happy get
- 1:36Speaker 1: up at four thirty in the morning. But to achieve
- 1:38Speaker 1: my dream, to achieve my goals, I have to get up.
- 1:41Speaker 1: I can't hit this snooze button. I can't think about
- 1:45Speaker 1: what if somebody else did what I needed them to
- 1:47Speaker 1: do so I can be successful. In the end, your
- 1:50Speaker 1: dream is your dream. To achieve your dream, to make
- 1:52Speaker 1: your dream happen, you have to make it happen. And
- 1:54Speaker 1: I always tell people this. Everybody has a gift, not gifts.
- 1:57Speaker 1: Let's talk about that gift. Let's hone in and that
- 2:00Speaker 1: one town, that one skill, that God has given you.
- 2:03Speaker 1: Lead with that gift, and don't let your friend's family
- 2:05Speaker 1: or coworker stop you from planning or living your dreams.
- 2:08Speaker 1: I will tell people this, between the ages of eighteen
- 2:11Speaker 1: and twenty four, you are invincible, You're immortal, You're a dreamer.
- 2:15Speaker 1: Can't nobody tell you nothing. When you get forty, fifty, sixty, seventy,
- 2:20Speaker 1: get that same attitude back that can't nobody stop you,
- 2:23Speaker 1: that you're invincible, that you're gonna live forever. Because even
- 2:26Speaker 1: at eighteen, there was no guarantee that you would live forever.
- 2:29Speaker 1: So why should you not have the same mentality when
- 2:32Speaker 1: you're forty, when you're fifty and sixty, that you're going
- 2:35Speaker 1: to live forever. Because your dreams, your legacy you create,
- 2:41Speaker 1: can make you a legend, can make you a memory,
- 2:45Speaker 1: can make you a person that has changed other people's life.
- 2:48Speaker 1: I remember when I was diagnosed for cancer, and when
- 2:52Speaker 1: you get diagnosed for cancer, the thing about it is
- 2:54Speaker 1: that your light flashes before your eyes, and all I
- 3:00Speaker 1: could think about was my future. But I settled down,
- 3:05Speaker 1: I realized what I had done in my life. At
- 3:08Speaker 1: that point, I was really comfortable if cancer was going
- 3:14Speaker 1: to bring an end to my life. Unfortunately for me,
- 3:17Speaker 1: it has not. So you have to live each day
- 3:21Speaker 1: with a goal, with a desire to understand that when
- 3:25Speaker 1: you wake up, have a sense of purpose when you
- 3:27Speaker 1: wake up, have a goal. When you have that goal,
- 3:30Speaker 1: achieve the plan that you are trying to achieve out
- 3:33Speaker 1: of that and don't let nobody stop you from achieving.
- 3:36Speaker 1: I guess she's that person. One of my favorite people
- 3:39Speaker 1: I interview on my shows. You know sometimes on NPR
- 3:42Speaker 1: you can't like promote or say you like something, but
- 3:44Speaker 1: I gotta say I like her. She's one of my
- 3:46Speaker 1: favorite people. My guess it's Deana Williams. She's the broadcaster, celebrity, strategist, curator,
- 3:52Speaker 1: live event producer, celebrating fifty years in the music, broadcasting
- 3:56Speaker 1: and entertainment industry. Professional. That's what she is. She's the
- 3:59Speaker 1: person that's been there. Because it's really interesting and we're
- 4:02Speaker 1: going to talk about this. We talk about longevity because
- 4:05Speaker 1: when you're successful, you really doesn't think about longevity. To
- 4:09Speaker 1: you get to that longevity part and then somehow you
- 4:13Speaker 1: get nervous because you look it back, look back on
- 4:15Speaker 1: what you've achieved, and you wonder if you can continue
- 4:18Speaker 1: to achieve that some of the archives are really now
- 4:20Speaker 1: in the library of Congress co founder. Check this out,
- 4:23Speaker 1: Black Music One. It's on the National Museum of African
- 4:26Speaker 1: American Music and Nashville Board. A regular TV wants Unsung
- 4:30Speaker 1: and is referred to as the mother of Black Music One.
- 4:35Speaker 1: She's established and she's going to get a big proclamation
- 4:37Speaker 1: in the city of Philadelphia. Please welcome the one and
- 4:41Speaker 1: only the Money Making Conversation Masterclass, Deanna Williams.
- 4:44Speaker 3: How are you doing, Diana, ooh blushing, I'm another collar.
- 4:50Speaker 3: Oh my goodness for san Now you know I love,
- 4:54Speaker 3: love any opportunity to interact with you for a myriad
- 4:57Speaker 3: of reasons. One, you are so inspiring. You are when
- 5:02Speaker 3: we talk about success, you are helping. You're giving the
- 5:05Speaker 3: blueprint to listeners, to viewers of success because you are
- 5:10Speaker 3: bringing on the air people who are grustlers, grinding and hustling,
- 5:16Speaker 3: and you are a master grustler. So I'm honored to
- 5:20Speaker 3: be with you today. I'm wc Okay, all right now,
- 5:24Speaker 3: my daughter went to she went she attended school there,
- 5:28Speaker 3: and shout out to David Lynton and.
- 5:30Speaker 1: The oh David Lynton, he's sitting in here. Okay, he's
- 5:33Speaker 1: sitting in the room, and I didn't know that that's
- 5:38Speaker 1: my boy. You know, he got me on over here
- 5:40Speaker 1: boy too, because you know, everybody has a dream, and
- 5:43Speaker 1: I was talking about that earlier. But when you say, like,
- 5:46Speaker 1: I remember when I when out, I left IBM, and
- 5:49Speaker 1: I wanted to pursue a career as a standing comedian.
- 5:51Speaker 1: I just wanted to do it. You know, I was
- 5:53Speaker 1: just I was twenty six years old at the tem
- 5:54Speaker 1: cauld't nobody tell me nothing, because I felt that I
- 5:58Speaker 1: had to do it. And a lot of people said,
- 5:59Speaker 1: don't do it. You're leaving a great job like IBM.
- 6:02Speaker 1: And then thirty came, and then forty came. And I
- 6:04Speaker 1: really tell you this to be honest, that it wasn't
- 6:06Speaker 1: into my forties did I really realized that I had
- 6:10Speaker 1: a gift, that I had the ability to do things
- 6:14Speaker 1: that everybody else wanted to do. And people were starting
- 6:16Speaker 1: to come to me for advice and starting to understand
- 6:19Speaker 1: that I had a different way I looked at things
- 6:21Speaker 1: when it came to marketing and branding. When I did
- 6:24Speaker 1: this show, bringing people like you on the show. Let's
- 6:27Speaker 1: talk about that journey in the early years when you
- 6:30Speaker 1: were just a voice, but you were an incredible voice.
- 6:33Speaker 1: And when did you realize that you were seeing things
- 6:36Speaker 1: and giving advice to people that was a little bit
- 6:38Speaker 1: different than they were getting anyplace else.
- 6:42Speaker 3: Well, salute to you again for helping craft the careers
- 6:45Speaker 3: of many super successful individuals. I wish i'd met you
- 6:49Speaker 3: younger in life difference. But the person who inspired me
- 6:53Speaker 3: there were two people other than my parents, my mother
- 6:56Speaker 3: Nancy Newman and my father George Williams. And other than
- 6:59Speaker 3: my parents and my grandparents, my family, my foundation, it
- 7:03Speaker 3: was my ex Kenny Gamble and my best friend Kathy Hughes,
- 7:09Speaker 3: who was the founder of everything with the one in It,
- 7:12Speaker 3: Urban one TV, the Dollar one, everything. And so those
- 7:18Speaker 3: are the individuals that helped shape me. But a good
- 7:21Speaker 3: friend of mine, Hubert Law said to me when I
- 7:23Speaker 3: was in college. He says, you have a great voice.
- 7:25Speaker 3: You should do radio. So he was one of my
- 7:28Speaker 3: you know, he was one of my early advocates. So
- 7:31Speaker 3: I would give credit to those individuals. And a gentleman
- 7:34Speaker 3: by the name of Van j And lastly, the person
- 7:38Speaker 3: who gave me my first job with health benefits, his
- 7:42Speaker 3: name Bob Nighthawk Terry, and he saw the movie Talk
- 7:46Speaker 3: to Me. He was in the movie with P. D. Green.
- 7:49Speaker 3: Nighthauw Terry was the gentleman who came in with the dogs.
- 7:52Speaker 3: That was my former boss who gave me my first
- 7:55Speaker 3: job in radio.
- 7:56Speaker 1: Well know, not today. You know you got to have
- 7:58Speaker 1: that boys back in the day. You have to talk
- 8:00Speaker 1: certain way, got to have a voice. And as about personality,
- 8:03Speaker 1: you really get really don't have to talk like you talk?
- 8:06Speaker 1: Are the way everybody to have the articulate every word
- 8:10Speaker 1: came I clear, But now everybody throw out the word authentic,
- 8:13Speaker 1: you know, organic, relatable. How is that? How have you
- 8:17Speaker 1: seen that? Has that changed the business?
- 8:20Speaker 3: You know? Back I come from the era of radio personalities,
- 8:23Speaker 3: where people who are very vibrant personalities like Frankie Crocker, Yes,
- 8:28Speaker 3: By Higginson, who is the woman who inspired me, who
- 8:31Speaker 3: was also on the air at WBLS in New York
- 8:34Speaker 3: on one O seven point five. Uh. You know it
- 8:37Speaker 3: kind of got wortered down at a certain point. But
- 8:40Speaker 3: I think radio personalities we come for that tradition. You know,
- 8:44Speaker 3: the great Jocko Henderson and Georgie Woods, the guy with
- 8:49Speaker 3: the goods. These are legendary broadcasts. Mary Mason Louise Williams Bishop.
- 8:54Speaker 3: That's that's what I come from. And while I am
- 8:56Speaker 3: currently celebrating my fiftieth anniversary, I've seen all kind of
- 9:00Speaker 3: changes in radio broadcasting. But at the end of the day,
- 9:05Speaker 3: it's personalities. People want to hear a voice that they trust,
- 9:10Speaker 3: they can rely upon, that they can set their watch.
- 9:13Speaker 3: Oh wait, we don't set our watches anymore, but you
- 9:17Speaker 3: know what I mean. They want they want that familiarity,
- 9:20Speaker 3: they want somebody who feels like family. And that's the
- 9:23Speaker 3: style of radio that I've always engaged. And even though
- 9:26Speaker 3: now I'm doing talk radio, I've done music radio my
- 9:30Speaker 3: entire career. But I'm a guest commentator on w u
- 9:33Speaker 3: r D, which is progressive black talk radio in Philadelphia,
- 9:37Speaker 3: So I get to do what you do.
- 9:40Speaker 1: What you do, well, we know the beauty of you know,
- 9:42Speaker 1: because you threw out a name. You know, you throw
- 9:44Speaker 1: out a name just in my ex nite.
- 9:46Speaker 3: Which one, oh my EXX you know, Piker Rock of
- 9:50Speaker 3: my family and my very very dear friend Kenny Gamble,
- 9:54Speaker 3: who is one of the architects of the found of
- 9:56Speaker 3: Philadelphia with his partners.
- 10:00Speaker 1: Don't go past that too fast, now, you know, South
- 10:02Speaker 1: of Philadelphia. Come that music. We gotta talk about that
- 10:05Speaker 1: music loop, Okay, because you see a lot of people
- 10:07Speaker 1: don't know all they is the artists all if they
- 10:11Speaker 1: hear the singer, they don't know who the master behind,
- 10:14Speaker 1: mastermind behind, I miss you.
- 10:18Speaker 3: You know Kenny Gamble, Leon Hoff, the great Drummer, Young Love,
- 10:24Speaker 3: the Ojs, Kenny Gamble again and Leon Hull ain't no
- 10:27Speaker 3: stopping us now, Big Fadin and Whitehead, Gin and John
- 10:31Speaker 3: great producers and songwriters.
- 10:33Speaker 1: That's just a few, y'all. Because of the fact that
- 10:37Speaker 1: you know, the soul trained thing.
- 10:40Speaker 3: The soul Trained theme with Don Cornelius was done by
- 10:43Speaker 3: Gambling Huff and it featured the three degrees and mss
- 10:48Speaker 3: turn off the lights, my my borrow a cup of sugar,
- 10:52Speaker 3: neighbor and my best friend until he made his transition.
- 10:56Speaker 3: Theodore pender Grass, Teddy Pendergrass Girl.
- 11:00Speaker 1: That was my song back in the day, boy, turn
- 11:02Speaker 1: off get me excited because now going back to my
- 11:08Speaker 1: younger days, when you know when when when a slow
- 11:12Speaker 1: song meant something back in the club dates, Yeah, you know,
- 11:15Speaker 1: you look across the you look across the floor and
- 11:19Speaker 1: made eye contact. That's all you needed. If she looked
- 11:22Speaker 1: your way, you looked that way, and you just did
- 11:24Speaker 1: the head now, the head up or the head to
- 11:27Speaker 1: the right of the head up, and she went cool.
- 11:31Speaker 1: Then y'all made our way to the floor and.
- 11:34Speaker 3: Exactly exactly, and you know what, Sad Jones, mel Lewis,
- 11:38Speaker 3: Gambling Huff died two albums. I believe with them, the
- 11:42Speaker 3: great Dexter Wanzelle, who was coming from a jazz tradition
- 11:46Speaker 3: as well. So incredible musicians. They called from the Philadelphia
- 11:51Speaker 3: Orchestra string layers and then they had the fiercest rhythm section.
- 11:55Speaker 3: I love the music of the sound of Philadelphia, Philadelphia.
- 11:59Speaker 1: International, you know the music, but it had a message
- 12:02Speaker 1: in it too a lot of times, you know, like
- 12:04Speaker 1: wake up everybody, they're sleeping in.
- 12:07Speaker 3: Harold Melvin and the Blue Notes again with Teddy Pendergrass.
- 12:11Speaker 1: Family Reunion for the Old James, the reunion.
- 12:16Speaker 3: I got to have. And you know what, how about
- 12:19Speaker 3: I always loved my mama. Dambling huffros that one as well,
- 12:22Speaker 3: and I always loved my mama come on, my favorite girl.
- 12:27Speaker 1: Well, you know the thing the thing about it is
- 12:29Speaker 1: that are we are now this generational Okay? You know
- 12:34Speaker 1: you had pop but then you had rock and then
- 12:37Speaker 1: you had the mothership landed. You know, it landed. You
- 12:41Speaker 1: know it landed. When I was playing basketball in the
- 12:43Speaker 1: early seventies, when the when the when the pea fonk came,
- 12:46Speaker 1: make mother funk the phone come on now. But nobody
- 12:51Speaker 1: was stopping them boys in Philadelphia.
- 12:54Speaker 2: No, not at all.
- 12:55Speaker 3: And they were inspired. I thought, I heard you say,
- 12:59Speaker 3: Barry Gordy. Barry Gordy and Motowns and Detroit set the
- 13:03Speaker 3: standard for Gamble and Huff. They actually flew out. Gamble's
- 13:07Speaker 3: first airplane ride was to Detroit to visit Motown, where
- 13:11Speaker 3: they were interested in speaking to them to be songwriters
- 13:15Speaker 3: producers at Motown. And when Gamble and Huff saw what
- 13:19Speaker 3: Barry Gordy had done. And if you've ever been to
- 13:21Speaker 3: the studio, which I'm sure you have, absolutely in a house,
- 13:25Speaker 3: it's small, no way, all that great, big music from
- 13:30Speaker 3: all those artists Stevie Wonder, Martha Reeves and the Bandelas,
- 13:33Speaker 3: Mary Wilson, Diana Ross and the Supremes, the Temptations, you're.
- 13:40Speaker 1: Right there, you know, because sometimes we be in the mix,
- 13:42Speaker 1: and so you know, it's like it's like you just
- 13:44Speaker 1: be rolling through it and you don't realize you understand
- 13:48Speaker 1: what's happening, but you don't really appreciate it because it's
- 13:52Speaker 1: just happening. And you enjoyed a moment because greatness was
- 13:56Speaker 1: all around you from those sounds and artists. And what
- 14:01Speaker 1: was your head at at that moment?
- 14:04Speaker 3: Yeah, very great question. I often reflect back to it.
- 14:07Speaker 3: I knew that great things were happening. I was very
- 14:10Speaker 3: cognizant of the fact that I was around tremendously talented people,
- 14:16Speaker 3: not just my man, but the people that he signed
- 14:19Speaker 3: to the roster. Junie carn is godmother to our children.
- 14:23Speaker 3: Gamble and I had three children, so I was I
- 14:26Speaker 3: was aware, and I was on the radio. So I
- 14:28Speaker 3: was on the air the first at WBLS. Then I
- 14:32Speaker 3: went into television for a minute. Then I came back
- 14:35Speaker 3: to Philly and I was on w DAS one oh
- 14:37Speaker 3: five point three when it is a monster heritage station
- 14:41Speaker 3: absolutely in Philadelphia, and that's the station where you know
- 14:45Speaker 3: great like for instance, there's a woman named Patty Jackson.
- 14:49Speaker 1: She has been on the air full Letdeana see, that's
- 14:52Speaker 1: where you bring friends on because you got to remind
- 14:54Speaker 1: them of the blessings they've given us. If you've watched
- 14:57Speaker 1: TV ones on song, you've seen her, you have seen
- 15:00Speaker 1: Deanna Williams. You already heard all this music. So when
- 15:03Speaker 1: you try to go back and get one of those
- 15:05Speaker 1: those greats, they gonna roll her end and go queen
- 15:08Speaker 1: start talking. Give give us the truth, because you know
- 15:12Speaker 1: the truth because you saw it all You saw. Not
- 15:15Speaker 1: only you saw it, you played it, you participated. You
- 15:17Speaker 1: were at the concerts, used at the events where the
- 15:20Speaker 1: music was revolutionizing the sound, but it was all coming
- 15:24Speaker 1: off the East coast, and then you had Detroit, then
- 15:27Speaker 1: you had the West Coast, those sounds and that music.
- 15:29Speaker 1: And I be remiss because I want you to go
- 15:31Speaker 1: back and talk about my girl, Patty Jackson, because I cannot.
- 15:35Speaker 1: She's done so much for my career. She's done so
- 15:37Speaker 1: much as you've done for my career being able to
- 15:40Speaker 1: give me a voice and give them the talents that
- 15:42Speaker 1: I've worked with a voice. Because people don't understand black
- 15:45Speaker 1: radio is a little bit different in our community because
- 15:49Speaker 1: black radio tells us how to vote. Black radio tell
- 15:52Speaker 1: us where to go, tell us about the weather, tell
- 15:54Speaker 1: us how to get up in the morning, tell us
- 15:55Speaker 1: when to go to bed, tell us makes us feel
- 15:57Speaker 1: good about our said. It makes us party that I
- 16:00Speaker 1: says remind us of respect. Black radio is powerful and
- 16:04Speaker 1: it should never go away because of the fact it's
- 16:07Speaker 1: an emotional tool to our future.
- 16:09Speaker 3: Do you agree exactly? I completely totally agree. Black radio
- 16:13Speaker 3: is the clarion voices of our community and it has
- 16:16Speaker 3: been and will continue to be as long as humanity exists.
- 16:19Speaker 3: And prior to the break, what I was saying about
- 16:21Speaker 3: Patti Jackson is that she has been on the air
- 16:24Speaker 3: in the same time slot for thirty years. Unheard of, white, purple,
- 16:30Speaker 3: polka dot orange. She is a voice in the community
- 16:35Speaker 3: and as you reference my career celebrating fifty years, Patti
- 16:39Speaker 3: Jackson and I are part of a group called the
- 16:41Speaker 3: Inaugural thirty thirty Black women broadcasters from all over the country.
- 16:48Speaker 3: Our archives last Friday were installed into the Library of Congress.
- 16:55Speaker 3: We started the morning out at the White House with
- 16:58Speaker 3: Steve Benjamin and you know the new Press Secretary, well,
- 17:02Speaker 3: she's a year in her position, Carine Jean Pierre and
- 17:08Speaker 3: Erica who's in charge of African American media, Erica Lowe.
- 17:11Speaker 3: It was incredible, but shout out to all those women
- 17:15Speaker 3: for their illustrious careers and being voices on the regular
- 17:20Speaker 3: in our community. As you said, Rashaan, where do you
- 17:24Speaker 3: go vote? Who's coming to town? What place did you need? What?
- 17:28Speaker 3: You know? It's voting, it's time to register, where to go,
- 17:31Speaker 3: where to get help, where to get social services? Where
- 17:34Speaker 3: who's hiring? Job theres That's what we do. We do
- 17:38Speaker 3: more than just play feel good music. We are the
- 17:41Speaker 3: voices in our community to alert, to inspire, to inform.
- 17:47Speaker 1: We know it was really interesting. Like I'm from Houston, Texas.
- 17:49Speaker 1: I can remember or stationed down there called Magic one
- 17:52Speaker 1: h two. I can tell you right now today the
- 17:55Speaker 1: very first song that that station played in nineteen seventy
- 17:59Speaker 1: seven when it came on with to get Talk on
- 18:00Speaker 1: Johnny Guitar Watson.
- 18:02Speaker 3: So one do you remember real Mother?
- 18:05Speaker 1: For you?
- 18:05Speaker 3: Oh? Yes?
- 18:06Speaker 1: And you know. And so that's how powerful music is
- 18:10Speaker 1: because it can lock you into an emotion. It can
- 18:13Speaker 1: also inspire you to be great. Now when you talk
- 18:17Speaker 1: about black music, when I cannot get off this air
- 18:19Speaker 1: is talk. Let people hear the story of how that
- 18:22Speaker 1: came about, how you very instrumental alone with mister Gamble
- 18:26Speaker 1: and coming about tell us about how black music Mark
- 18:28Speaker 1: came about and now it is recognized every June.
- 18:32Speaker 3: Well credit goes to Kenny Gamble. Again, we were a
- 18:35Speaker 3: couple at the time, so obviously as a couple we
- 18:38Speaker 3: worked together on everything, including the children. But Gamble went
- 18:42Speaker 3: to Nashville and he saw what the Country Music Association
- 18:46Speaker 3: was doing with their unity, carving out a region calling
- 18:50Speaker 3: it Music City, being very smart about the economics of
- 18:54Speaker 3: the creativity, and he said, we need to do that
- 18:57Speaker 3: in the black music industry. And so he came back
- 19:01Speaker 3: under the offices of another organization that he established called
- 19:05Speaker 3: the Black Music Association. June Black Music Month was born
- 19:09Speaker 3: and Clarence avonz who's known to many in the industry
- 19:12Speaker 3: and outside as the Godfather, called the White House as
- 19:17Speaker 3: President Carter's administration to host an event at the White
- 19:22Speaker 3: House for the Black music industry. And it was a
- 19:24Speaker 3: little bit of everybody. Billy Eckstein was there, Chuck Berry,
- 19:28Speaker 3: Evelyn Champagne, King, MFSB Dexter, Wanzell, Andre Crouch, They all
- 19:33Speaker 3: performed and in the audience was Barry White, Gloge Robert Gordie,
- 19:40Speaker 3: just Frankie Crocker, myself, Dabele and I you know. It
- 19:44Speaker 3: was my first time going to the White House. So
- 19:46Speaker 3: June seventh, nineteen seventy nine, Jimmy Carter declared June Black
- 19:52Speaker 3: Music Month, and that was forty four years ago, and
- 19:54Speaker 3: we've been celebrating ever since. Myself as well as DJ
- 19:58Speaker 3: ed Wright, worked Withamble for the further establishment of June
- 20:02Speaker 3: Black Music Month. And in two thousand, I went to
- 20:06Speaker 3: President Clinton, I went to Congress, I got legislation passed
- 20:10Speaker 3: a bill called the Black Music Month Bill, acknowledging the
- 20:15Speaker 3: multi billion dollar industry that black music is all genres.
- 20:19Speaker 3: With Sean, you know, it's not just it's all genres,
- 20:23Speaker 3: but the number one genre in the world right now
- 20:25Speaker 3: is hip hop music as we celebrate fifty years of
- 20:28Speaker 3: hip hop. So that was the origin Gamble, ed Wright
- 20:32Speaker 3: and myself carving out a month for us to highlight.
- 20:36Speaker 3: That doesn't mean that July first, we don't celebrate black music.
- 20:40Speaker 3: It's the three six ' five celebration. But June is
- 20:44Speaker 3: a concentrated period of time for us to elevate and celebrate.
- 20:48Speaker 1: Now, now this is amazing when I hear all this conversation,
- 20:50Speaker 1: because you know, you can say, you know, hip hop
- 20:53Speaker 1: is the number one stream music but guess what he's
- 20:56Speaker 1: sampling from.
- 20:58Speaker 3: Often from R and B in jazz, no question about that.
- 21:04Speaker 3: And tribe call quest with a Q tip. They definitely
- 21:09Speaker 3: borrowed liberally sampling from jazz and R and D.
- 21:13Speaker 1: Absolutely Now the National Museum of African American African American
- 21:17Speaker 1: Music in Nashville, Now, what is that museum in Nashville.
- 21:23Speaker 3: The museum is in Nashville because it became a partnership
- 21:26Speaker 3: between the public and private sector and they raised, we raised,
- 21:31Speaker 3: I'm on the board, hundreds millions of dollars necessary to
- 21:36Speaker 3: build the museum. So people overlook and I didn't know
- 21:40Speaker 3: this either, Rashaan, that Nashville a rich tradition and gospel
- 21:46Speaker 3: as well as jazz. Jimmy Hendricks was there in the
- 21:49Speaker 3: late sixties. Jimmy Jimmy Hendricks was living in Nashville. So
- 21:54Speaker 3: and country music. I know some people want to dispute this,
- 21:58Speaker 3: but the reality it came from black people. White people
- 22:01Speaker 3: developed their own style of country music. But country music
- 22:05Speaker 3: and black folks and the blues and gospels always in Nashville.
- 22:09Speaker 3: And the biggest ambassadors around the world in the eighteen
- 22:14Speaker 3: hundreds were the Fifth Jubilee Singers and people overlook that
- 22:19Speaker 3: as well.
- 22:19Speaker 1: Well, you know that a lot of people forget all that,
- 22:21Speaker 1: you know, the Tennessee, Alabama. You know, if you look
- 22:24Speaker 1: at you know, the whole when you look at the
- 22:26Speaker 1: Aretha Franklin, her story when she was going down to Alabama,
- 22:30Speaker 1: you know, muscle shows, that's what she was going down
- 22:34Speaker 1: that she was going all the way down there to
- 22:36Speaker 1: get the best musicians and with some white boys.
- 22:39Speaker 3: And absolutely local musicians. And hey, all those early Aretha
- 22:45Speaker 3: Franklin songs that we loved were backed a lot of
- 22:48Speaker 3: white boys and black people too. Bernard Party was a
- 22:53Speaker 3: great drummery.
- 22:55Speaker 1: I wonder why she's an on song all the time.
- 22:59Speaker 1: It's like, I just I'd actually like to just shut
- 23:01Speaker 1: up and just let us talk, because you're so elegant,
- 23:03Speaker 1: first of elegant in your tone, and also the information
- 23:07Speaker 1: you just throw out, you know, is like now, you know,
- 23:11Speaker 1: like I said, you know, it's never too late to
- 23:12Speaker 1: manage somebody. So you know, we'll talk later off there,
- 23:14Speaker 1: you know, you know I should have met you earlier.
- 23:19Speaker 3: Now, sure we're connected forever. So. Nashville is the home
- 23:25Speaker 3: of the National Museum of African American Music, located on
- 23:29Speaker 3: Fifth and Broadway in the heart of downtown Nashville. One
- 23:33Speaker 3: side is the original Grande olopri the other side is
- 23:36Speaker 3: the Bridgestone Arena. So we are like in the heart
- 23:39Speaker 3: of downtown and we cover all genres and sub genres
- 23:44Speaker 3: of Black music from Phil Hollows straight through to hip
- 23:48Speaker 3: hop right now. So you gotta, you gotta come see
- 23:51Speaker 3: the museum. And I encourage everyone to go to n
- 23:54Speaker 3: M a a m dot org. That's name a'am and
- 23:59Speaker 3: that's the acronym of the museum, so you can peruse it.
- 24:03Speaker 3: You can see our galleries. We have seven galleries, fifty
- 24:06Speaker 3: six thousand square foot facility, a contemporary, her story and
- 24:11Speaker 3: history Museum of Music.
- 24:13Speaker 1: Congratulation. Now you've got a big proclamation coming up in
- 24:17Speaker 1: Black Music Monty Wise, in Black Music Month. I wonder
- 24:20Speaker 1: why this happened in Philadelphia, but tell us about it,
- 24:24Speaker 1: and you know, I will tell you this. I was
- 24:27Speaker 1: honored recently at the Black Media Awards and went over there,
- 24:30Speaker 1: and you know, you don't get old when people recognize you.
- 24:35Speaker 1: It doesn't get.
- 24:35Speaker 3: Old in the fact that you have congratulations. You deserve it.
- 24:38Speaker 1: Thank you know, a congratulations on you because of the fact,
- 24:41Speaker 1: I'm just reminding everybody that you know, when people knock
- 24:45Speaker 1: on your door, they call you or remind you of
- 24:48Speaker 1: what you're doing now or what you've accomplished. It's truly
- 24:51Speaker 1: a blessing. And for you to be honored in Philadelphia
- 24:56Speaker 1: in Black music monk, tell us about it and tell us,
- 24:59Speaker 1: h you expectations. Are they gonna let you talk or
- 25:02Speaker 1: you gonna take their wood? You're gonna walk around, take
- 25:04Speaker 1: some photos? What's going on?
- 25:06Speaker 3: Oh, that's beautiful. We're gambling. I as two of the
- 25:08Speaker 3: founders that live still in Philadelphia, are being recognized by
- 25:11Speaker 3: Philadelphia City Council on June eighth, and we are receiving
- 25:16Speaker 3: proclamation for our work as the co founders of June
- 25:19Speaker 3: Black Music Month and still living. We're champions of music
- 25:23Speaker 3: in Philly. I'm on the board of the Recording Academy,
- 25:26Speaker 3: which is the Grammy organization. Gamble is still very active
- 25:30Speaker 3: in perpetuating culture amongst black folks and others in the
- 25:34Speaker 3: city of Philadelphia. So we are very excited and our
- 25:38Speaker 3: children very excited about parents recognized.
- 25:42Speaker 1: They just thought they just need to have a party
- 25:44Speaker 1: out there, you know. Missus Me and Missus Jones be
- 25:48Speaker 1: jamming the train, the sound of Philadelphia, it just be
- 25:52Speaker 1: you know, did the ship a horseship of horseship of
- 25:55Speaker 1: come on nine? They can just they can. It's really
- 25:58Speaker 1: amazing the genius. You have put the word genius because
- 26:03Speaker 1: it's something that that that I can't comprehend. My degree
- 26:07Speaker 1: is in math, so I know understand logic. I understand numbers.
- 26:10Speaker 1: I understand two plus two is four. But the creativity,
- 26:13Speaker 1: the process of being able to manipulate sound and put
- 26:16Speaker 1: together words and make those words just resonate not only
- 26:21Speaker 1: years but decades later. And the fact that you were
- 26:25Speaker 1: part of that is still a part of that. Being
- 26:27Speaker 1: able to tell this story on my show today, I
- 26:30Speaker 1: just want to thank you. I want to thank you
- 26:32Speaker 1: for taking the time to come one masterclass.
- 26:35Speaker 3: Oh thank you Rashaan for everything. Like I said, what
- 26:37Speaker 3: you do, you are a master.
- 26:39Speaker 1: I appreciate that. But again, let me just tell you
- 26:42Speaker 1: this now. You know, I'm just letting everybody know the
- 26:44Speaker 1: world know. She said, I wish I'd have met you earlier,
- 26:46Speaker 1: because you know, this is about the This is about
- 26:48Speaker 1: the fourth time I've interviewed you, Diana, Okay, and every
- 26:52Speaker 1: time we always say we're gonna get together. Remember the
- 26:54Speaker 1: first time we supposed to, we were working on some
- 26:56Speaker 1: TV show where we're gonna go, We're gonna be like
- 26:58Speaker 1: the Master sitting over here and you know, talk to
- 27:01Speaker 1: young people trying to make careers out of that went
- 27:03Speaker 1: no where because guess what, we didn't talk no more.
- 27:06Speaker 3: Okay, it's not too late. It's it's never too late.
- 27:09Speaker 3: That's an advocate of it. It's never too late to
- 27:11Speaker 3: actualize your dreams.
- 27:13Speaker 1: She threw out a word that I knew nothing. I
- 27:15Speaker 1: never heard, actualize because you know why I would never
- 27:18Speaker 1: say that, because I will fumble through it.
- 27:20Speaker 3: Actual You wouldn't know, you wouldn't.
- 27:26Speaker 1: I love the other incredible congratulations and you know, uh,
- 27:32Speaker 1: this is live this Live radio. I wanted people hear.
- 27:36Speaker 1: It's gonna get syndicated nationally through all my HBCU campuses
- 27:40Speaker 1: that carry my show and podcasts. But more importantly, you
- 27:43Speaker 1: are a You are an incredible person. Thank you for
- 27:46Speaker 1: coming on Money Making Conversation master Class, the one that
- 27:50Speaker 1: Queen she's the mother of Black music man that we
- 27:53Speaker 1: celebrate every June DA.
- 28:02Speaker 3: We'll be right back with more Money Making Conversations Masterclass
- 28:06Speaker 3: with rough Shawn McDonald,