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Amin Joseph Full Interview · The Steve Harvey Morning Show

0:00
Speaker 1: My next guest is on the phone. Uh. It's the
0:03
Speaker 1: summer of four and this season three of Snowfall, crack
0:07
Speaker 1: cocaine is spreading like wildfire through south central Los Angeles,
0:10
Speaker 1: continuing this path of destruction and changing the culture forever.
0:15
Speaker 1: My next guest is making his mark in Hollywood as
0:18
Speaker 1: the lead patriarch Jerome Saint in FX hit Serious Snowfall.
0:24
Speaker 1: Please welcome to Money Making Conversation. Amon Joseph. Hey, hey, brother,
0:32
Speaker 1: my man, so so so you're in Los Angeles right now,
0:34
Speaker 1: but you're your East Coast bar right yeah. Yeah, I'm
0:38
Speaker 1: actually from Hall of New York. I was born in Queens.
0:42
Speaker 1: I grew up raising Hall Ofm. Now now are you
0:47
Speaker 1: the are you a new Hall Ofm guy? Because you know,
0:49
Speaker 1: are your old Hall of guy? Because back in the
0:52
Speaker 1: day when they wouldn't pick us up and take us
0:53
Speaker 1: up north in New York because I was, I moved
0:55
Speaker 1: in New York and now eighty eight because I moved
0:58
Speaker 1: in New York. So if he was in Lord, each
1:00
Speaker 1: side you try to take a cab who know who? Yeah, yeah,
1:05
Speaker 1: I know all about that. I was, you know, I
1:09
Speaker 1: grew up in in Halem through the Cotch era. The
1:13
Speaker 1: Sinkings era, the Juliani era, Bloomberga era. It wasn't really
1:19
Speaker 1: into the the Blasio ever that you could catch a cab. No,
1:24
Speaker 1: now you can. You can catch a cab downtown. They
1:26
Speaker 1: will actually stop for you, which is which is remarkable
1:30
Speaker 1: because you know, growing up we used to have to
1:32
Speaker 1: take African delivery cas what not. Yeah, because those are
1:37
Speaker 1: the only ones that would would stop for us. Which
1:39
Speaker 1: was actually okay because it you know, it was like
1:43
Speaker 1: you know, helping out brothers. It was you know, I
1:46
Speaker 1: mean it was like, all right, they ain't picking us up.
1:47
Speaker 1: Then we have our own cab services and that money
1:51
Speaker 1: was circulating within the community. Absolutely good. Yeah, I think
1:55
Speaker 1: I wanted to talk about that, you know, you know,
1:57
Speaker 1: because because when I wasn't living in New York. And
1:59
Speaker 1: it's really I'm telling you what really changed the game
2:02
Speaker 1: was Uber. Uber changed the game for how we were
2:06
Speaker 1: getting picked up. We are, i mean consistently because they
2:10
Speaker 1: got so competitive that they just wanted to pick up
2:13
Speaker 1: anybody anywhere. Because you go to New York right now,
2:16
Speaker 1: it does not look like especially as a Hall of
2:17
Speaker 1: area does not look like the Hall of that for sure,
2:21
Speaker 1: and and and and not at all. It's really interesting.
2:24
Speaker 1: So but guess what's still there. The Apollo is still there.
2:28
Speaker 1: Oh man, that's where I grew up, Polo Theater. So
2:32
Speaker 1: tell us about that, because I always because the average
2:34
Speaker 1: person is born and dreams of made. Look he got
2:37
Speaker 1: the speech, he got the speech. I used to listen.
2:41
Speaker 1: I used to. I used to growing up at the Apollo.
2:45
Speaker 1: I've done everything there from ussher to patch lights, to
2:49
Speaker 1: be to uh you know, run uh do a little
2:52
Speaker 1: assistant work, clerical working, all type of stuff there. Remember,
2:56
Speaker 1: I used to open the door on amateur Night. Would
3:00
Speaker 1: be every Wednesday, UM, seven pm. There's an amateur night.
3:05
Speaker 1: Um that's been going on since the nineteen forties. And
3:10
Speaker 1: I would open the door. I would have my little
3:12
Speaker 1: boat tie on, a little tuxedo shirt, my black pants
3:15
Speaker 1: starts and everything with the shiny black shoe and I
3:19
Speaker 1: would open the door and I'd open it up and
3:21
Speaker 1: I say, welcome to the Apollo of the Bond and
3:24
Speaker 1: legends of me. That was my little I had to
3:27
Speaker 1: say that thing about a thousand tons of night, bro.
3:30
Speaker 1: But you know, but it seems like that's the this
3:33
Speaker 1: is what you wanted to do, you know. I would
3:35
Speaker 1: tell you about degrees in mathematics. So I eventually became
3:38
Speaker 1: a stand up comedian and then became a sitcom writer,
3:41
Speaker 1: and I started managing talent. And now I'm just I'm
3:44
Speaker 1: a talent myself now a personality, I won't say, as
3:47
Speaker 1: well as an entrepreneur. So tell me about the fact
3:50
Speaker 1: that he's a young African American and you see this
3:54
Speaker 1: bigger than life theater, like you said, since the forties,
3:57
Speaker 1: you know, from everybody, every legends play there. Even Steve
4:01
Speaker 1: Harvey hold that many years and really launched his career
4:05
Speaker 1: from Showtime All the Apollo. The show Time at Apollo
4:08
Speaker 1: was the TV show that he launched his career. How
4:10
Speaker 1: important to that that building or that culture play in
4:14
Speaker 1: your life today? Well, um, to me, you know, of course,
4:20
Speaker 1: um is my backyard. I'm I'm you know, I'm a
4:23
Speaker 1: hometown kid. But I honestly think that the Apollo Theater
4:26
Speaker 1: as an epicenter for black entertainment in the world. If
4:30
Speaker 1: you look at the if you look at the Legacy
4:33
Speaker 1: the um you know, everyone from Percy Sutton um too
4:40
Speaker 1: to like you said, uh, Steve Harvey to to Monique too.
4:47
Speaker 1: I've seen Corn performed there the late Michael Jackson, Um,
4:52
Speaker 1: Diana Ross Um, the Temptations. As a little as a
4:57
Speaker 1: little kid, fourteen years old, I would see these legendary
5:01
Speaker 1: performances Patti LaBelle and then also the stage performances, the
5:06
Speaker 1: plays that would come up there, George Sea Wolf ringing
5:09
Speaker 1: Harlem up there, and you know, like I said, even
5:12
Speaker 1: Bill Clinton playing his saxophone on the Apollo stage. Seeing
5:16
Speaker 1: all of the politicians like uh, Charlie Rangle and and
5:22
Speaker 1: and Al Sharpton, and and seeing drives for the community
5:27
Speaker 1: when our legends like James Brown died to see his
5:33
Speaker 1: funeral procession come down a hundred and twenty fifth Street
5:36
Speaker 1: and stop pay respect at the Apollo Theater. Um, it's
5:40
Speaker 1: just a lot of legacy. It's a lot of hallam there.
5:43
Speaker 1: I feel like it's um that's what's in me, you
5:46
Speaker 1: know what I mean, Like I'm i um yeah, It's
5:50
Speaker 1: just a part of my upbringing is like second nature.
5:53
Speaker 1: I seed. You know, so many people perform there, so
5:57
Speaker 1: many nights looking at the being backstage or being way
6:02
Speaker 1: up in the balconies and watching and one day thinking
6:05
Speaker 1: that I would be able to to grate that stage
6:09
Speaker 1: and be a performer that I am now, um, it
6:12
Speaker 1: started from me being a little kid thirteen years old
6:14
Speaker 1: working there. That's awesome, that's AWESO. We're speaking to uh
6:17
Speaker 1: Amon Joseph, one of the stars of the Snowfall. Let's
6:22
Speaker 1: talk about this story. You know when I when I
6:26
Speaker 1: go back to series that it's really interesting when you
6:29
Speaker 1: talk about uh, cocaine or crack or drug, drug movies
6:35
Speaker 1: or series. The series that stands out was New Jack
6:41
Speaker 1: City with U whether that came, that came, blew me away?
6:46
Speaker 1: Uh or what's this knife? Should have been nominated for
6:48
Speaker 1: an oscar based on his Nino Brown character, and then
6:52
Speaker 1: then this was just then. But but this Snowfall has
6:56
Speaker 1: that same uh. You know, you know you're doing something bad.
7:00
Speaker 1: You know it's not good, but you the characters are
7:03
Speaker 1: so developed that you that you feel a support system
7:07
Speaker 1: as a viewer for the characters. Tell us about that
7:11
Speaker 1: because you know what I'm saying, Because we can watch
7:12
Speaker 1: these you know, like Godfather movies, and we can root
7:15
Speaker 1: for you know, all them, and they go wow, but
7:18
Speaker 1: you know, these are these are bad people, but we
7:21
Speaker 1: fall in love with the actors that were stylized and
7:25
Speaker 1: and and so when I watched so Far as I
7:27
Speaker 1: were wild, They're they're actually accomplishingly. And when I say that,
7:30
Speaker 1: that's why I bring up New Jack City. New Jack
7:32
Speaker 1: City was man. Every character was so clearly defined and
7:36
Speaker 1: and and you you rooted for him and you and
7:38
Speaker 1: you knew they were denounced their behavior, but you went, wow,
7:41
Speaker 1: that was really good. The takeaway from that are you
7:44
Speaker 1: getting Are you receiving that same response from the character
7:48
Speaker 1: that you're playing and the other characters on the series. Yeah,
7:54
Speaker 1: that's a very layered, layered question, because you do have
8:00
Speaker 1: the There is a part of the glorification of the
8:05
Speaker 1: of the of the drug dealer, all the villain period um.
8:10
Speaker 1: A big part of escapism and entertainment is living out
8:15
Speaker 1: fantasies that you would not do in real life. And
8:19
Speaker 1: a lot of times that comes from the villain, the
8:22
Speaker 1: person that is selling drugs or the person that has
8:26
Speaker 1: some maniacal scheme of being filthy, rich and um, not
8:31
Speaker 1: living up to the consequences that we would in everyday
8:35
Speaker 1: life and the social responsibility, the conscience. Um. So yeah,
8:41
Speaker 1: I I understand how an audience can get wrapped up
8:46
Speaker 1: in to a glorification of these type of of these
8:50
Speaker 1: type of characters, but then I also think that what
8:55
Speaker 1: good writers and good storytellers do is you try to
8:59
Speaker 1: bring in a humanity. Um that isn't just about toting
9:02
Speaker 1: a gun and wearing big chains, are having you know
9:06
Speaker 1: a lot of uh sex and cars, and you know
9:12
Speaker 1: that you look at the the trajectory of people of
9:18
Speaker 1: a family that for their own individual reasons and collectively
9:25
Speaker 1: they embark on selling drugs as a family business. But
9:29
Speaker 1: it's a family and we all relate to family. So
9:33
Speaker 1: I think that that's the way that the writers, definitely
9:36
Speaker 1: with Snowfall, have have sort of made the audience endeared
9:43
Speaker 1: to these characters because it is a family. We see
9:46
Speaker 1: them eat as a family unit, We see them take
9:49
Speaker 1: care of each other, we see them responsible for each
9:52
Speaker 1: other's well being, and I think that that's the kind
9:56
Speaker 1: of thing that put you at odds with oh my god,
9:59
Speaker 1: they're doing something bad, but I root for them because
10:03
Speaker 1: I know somewhere inside them intrinsically there's good and there's
10:08
Speaker 1: and you know what I mean. So absolutely absolutely, you
10:11
Speaker 1: know the basis of all those series, you really look
10:14
Speaker 1: at the human condition. We usually find these traits within
10:19
Speaker 1: ourselves and our family members are you know, um so
10:23
Speaker 1: it's complicated. You know, I totally agree with what you're saying.
10:28
Speaker 1: For any series Is or Netflix called the Narco Serious Family,
10:32
Speaker 1: the Power Serious Family. And then to hear you, that's
10:35
Speaker 1: exactly the key component the relatable. What's relatable. You can't
10:39
Speaker 1: be related and nobody can relate to a drug deal
10:41
Speaker 1: little body, but you can't relate to the family structure.
10:45
Speaker 1: Care for the mom, the dad, the parents and sisters,
10:48
Speaker 1: the brothers, the uncles, how they intertwine, and how some
10:52
Speaker 1: are some are against it, some are understanding, some of saying,
10:55
Speaker 1: hey man, what are the options do I have? Okay,
10:57
Speaker 1: just the hand I've been dealt with and I'm gonna
10:59
Speaker 1: win with this. That was some good acting right there.
11:01
Speaker 1: Mr Joseph, you know that you think I think you
11:04
Speaker 1: think they could cast me? Man, Oh my god, it's
11:12
Speaker 1: great talking to do we have another break coming up.
11:14
Speaker 1: I want to getting more detail about your characters and
11:16
Speaker 1: some other work that you're doing. We're having a great fun,
11:18
Speaker 1: a lot of fun on the show. Money making conversations. Then, um,
11:22
Speaker 1: hey my man, thank you for coming on my show.
11:24
Speaker 1: We'll be right back to hear more about you. Let's
11:29
Speaker 1: talk about let's talk about life. In general, we're talking
11:32
Speaker 1: about money making conversation. Lets talk about opportunity that we
11:34
Speaker 1: talk about money making conversations, Let's talk about what you're
11:37
Speaker 1: trying to do to be successful. That's what money making
11:40
Speaker 1: conversation is all about, how you can be successful. On
11:43
Speaker 1: my show as Mr Joseph, he's one of the stars
11:47
Speaker 1: from the Serious X f x C. I gotta do
11:49
Speaker 1: all these different characters because he told me I could,
11:51
Speaker 1: I could do some sides, you know for the series,
11:53
Speaker 1: Uh Snowfall. Now, this series was created by the late
11:58
Speaker 1: I want to say late and uh great, the John Singleton. Uh.
12:02
Speaker 1: He created I remember when the show was announced for
12:04
Speaker 1: f X and and for the series to continue. That
12:10
Speaker 1: means that the structure of the show's writers, the producers,
12:14
Speaker 1: the actors was in place. The structure was in place,
12:17
Speaker 1: and they have this type of character development to show
12:20
Speaker 1: us set in South Central, UM when a lot of
12:23
Speaker 1: a lot of people in the South Central community can't
12:26
Speaker 1: get upset because that labels their community. But it's set
12:29
Speaker 1: in nineteen eighty four. Okay, that was the year of
12:32
Speaker 1: the Olympics in Los Angeles four and so well, I
12:37
Speaker 1: think it was one of the cornerstone change when Carl
12:39
Speaker 1: Lewis wont all his gold medals and Great Luke Bainis
12:43
Speaker 1: was diving off the off the board and all that stuff,
12:46
Speaker 1: and Mary lou Reddon was making tends. That was eighty
12:50
Speaker 1: four in Los Angeles. Was changed the game for the Olympics,
12:53
Speaker 1: for America moving forward, you know, because the seventy six
12:56
Speaker 1: only thing we had was Bruce Jenna on the wei's box.
12:59
Speaker 1: With nineteen eighty four change the game. So with that's setting,
13:02
Speaker 1: with that backdrop, tell us about your character and when
13:06
Speaker 1: you when you audition for the character or the motivational
13:09
Speaker 1: angles that you took interesting um for auditioning. For auditioning,
13:19
Speaker 1: I I didn't go the what seemed like the low
13:26
Speaker 1: hanging fruit um, which would have been to put on
13:31
Speaker 1: a heavy UM. What I would think is a Los
13:36
Speaker 1: Angeles UH native accent um, to have a body UM
13:44
Speaker 1: to basically walk in as a characterature of things that
13:48
Speaker 1: I've seen on television UM indicative of what four UH
13:54
Speaker 1: would have been. And I did, you know, I did
13:57
Speaker 1: research the music at the time. I did UM. I
14:01
Speaker 1: did look at a lot of you know, the clothing
14:04
Speaker 1: and and truthfully I looked at it and not threw
14:08
Speaker 1: all that a way, I um, something told me go
14:11
Speaker 1: deeper than that, and um, where that led me was
14:15
Speaker 1: that fact that this man Jerome Saint, as a grown man, um,
14:21
Speaker 1: when we meet him in eighty four. I mean, he
14:23
Speaker 1: was probably born in the fifties. Um, so his influence
14:30
Speaker 1: would be the sixties music, the seventies music, not necessarily
14:36
Speaker 1: what's going on in eighty four, very similar to myself.
14:40
Speaker 1: I'm born in eighty My times was the late nineties,
14:45
Speaker 1: So that's what as a grown man, that's what. Well,
14:48
Speaker 1: you know, you put on some late nineties music, early
14:51
Speaker 1: two thousands, that's my time. That's when I was in college,
14:55
Speaker 1: you know what I mean. So I had to look
14:56
Speaker 1: at it a little deeper than just going, oh, well,
14:59
Speaker 1: eighty four, let me put on some chucks and gang banging. No,
15:04
Speaker 1: this man mother ship. Yeah he's influenced, Yeah, yeah, you
15:12
Speaker 1: go Boosey. He's influenced, uh by the Panthers. He's influenced
15:20
Speaker 1: by the Vietnam War. And once I started looking at that,
15:25
Speaker 1: it started making me. It reminded me of my uncle's.
15:29
Speaker 1: It reminds me of my cousins that I grew up with,
15:32
Speaker 1: and looking at those men at that time that wasn't
15:34
Speaker 1: really into the exact sad of that moment because they
15:38
Speaker 1: were throwbacks to another era. They just happened to be
15:42
Speaker 1: living at time. So that's kind of some of the
15:44
Speaker 1: stuff that I first started layering the character with. And
15:49
Speaker 1: it gave me a strong It gave me a strong
15:51
Speaker 1: foundation to build him to build on because that that
15:56
Speaker 1: character is my my era when I when I listened
15:59
Speaker 1: to you laid out, it's very relatable to me because
16:02
Speaker 1: you know, I was exposed to the JFK assassination, I
16:06
Speaker 1: was exposed to the market, the King assassination. I didn't
16:10
Speaker 1: I understood the ramifications of the Vietnam War, you know.
16:15
Speaker 1: And then and then Shaft, the movie came out. Sneaking
16:19
Speaker 1: in watching Shaft, you know, I wasn't an age. Wow,
16:23
Speaker 1: and he's with a white woman, you know, that was
16:26
Speaker 1: that was shocking. You know that this is the era
16:28
Speaker 1: that I grew up in. So so so and then
16:30
Speaker 1: as as as I kept growing and evolving as a person,
16:33
Speaker 1: graduated from high school, going to college, the eight four,
16:37
Speaker 1: like I said, that was the year of the Olympics.
16:39
Speaker 1: That was eighty four. You know, when when the Olympics
16:41
Speaker 1: came there, they remodeled Los Angeles, you know, and they
16:45
Speaker 1: changed the layout of it. And so to here this
16:48
Speaker 1: whole infrastructure's new infrastructure called crack cocaine coming in and
16:52
Speaker 1: flooding the system. That really is powerful. Where you talked
16:56
Speaker 1: about it, Suddenly your character became really super relatable to
17:00
Speaker 1: me because I can understand any internal anger that he had,
17:05
Speaker 1: an eternal hey man, you know, I'm doing what I
17:07
Speaker 1: gotta do. And also this is this is the this
17:10
Speaker 1: is the hand that's been given to me. Sometimes you
17:13
Speaker 1: gotta deal with it. So you're just you laying out
17:15
Speaker 1: that whole process. That's always like to talk to individuals
17:18
Speaker 1: who do these fascinating characters, because it isn't not it's
17:22
Speaker 1: not just reading lines and walking in. It's about what's
17:26
Speaker 1: this the journey of this character, which is the age
17:28
Speaker 1: of the character, Because you can't walk into a nineteen
17:30
Speaker 1: eighty four set talking two thousand, nineteen exactly wow. And
17:38
Speaker 1: and like I said, you can't go into nineteen with
17:41
Speaker 1: the nineteen eighty four character that's a grown man and
17:43
Speaker 1: let the influences of that character be the date the
17:48
Speaker 1: time that he's playing. So like I said, he's he's
17:52
Speaker 1: influenced by that by the sixties, in the in the seventies,
17:56
Speaker 1: and like you mentioned Schaft, you know, um, whereas the
18:01
Speaker 1: young men, um. You know, my nephew Franklin and his
18:07
Speaker 1: friends Kevin and Leon, they're inspired by the Godfather because
18:12
Speaker 1: that's this is their time and they're looking at the
18:14
Speaker 1: Godfather and they're going, hey man, I'm shooting up all that.
18:18
Speaker 1: And for your Room, it's like, yo, the movie was good,
18:21
Speaker 1: but for me, it's Shaft. When it's Shaft goes to Africa,
18:25
Speaker 1: I mean it's it's it's Black Caesar, you know what
18:29
Speaker 1: I mean, it's a different Come on, Jim, it's Jim
18:32
Speaker 1: Kelly the mac thing, right, those are the influence your room,
18:39
Speaker 1: super fly baby, that's the influences that's gonna make your
18:43
Speaker 1: Roome Saint who he is. He's looking up to know
18:46
Speaker 1: Tony Montana because he's a grown man, you know. So
18:50
Speaker 1: that's where some of his crane tanker you know, he's
18:53
Speaker 1: a little crane tanker is. You know, you kind of
18:55
Speaker 1: would know it all because he's seen done a lot
18:58
Speaker 1: and um. But it that's where I'm getting a lot
19:01
Speaker 1: of those influences. Are they powerful when they're relatable to me?
19:04
Speaker 1: And they're relatable to that. That makes your character authentic
19:06
Speaker 1: because it's coming from a from a source and so
19:09
Speaker 1: when you're talking, I can understand you a lot better.
19:12
Speaker 1: Now Now at this point of the series, we like
19:13
Speaker 1: about episode nine, So can you can you let us
19:16
Speaker 1: know what's coming up or can you just give us
19:20
Speaker 1: a cliff note of what has happened on this series
19:22
Speaker 1: so we can be ready for the final episodes or
19:25
Speaker 1: the coming up. Well, I don't I'm not sure if
19:28
Speaker 1: I can give spoilers for nine. Come on, man, they
19:32
Speaker 1: do it all the time. Come on night, Joe's come
19:34
Speaker 1: on man, they have coming up. They have a coming up.
19:38
Speaker 1: You know. The folks get real mad at me when
19:40
Speaker 1: I when I get mad at even if I say,
19:43
Speaker 1: even if I say, you know, old no, gonna be
19:45
Speaker 1: crazy tonight. People be like, don't spoiling every Let's just
19:51
Speaker 1: get out of the bag, you know. But but what
19:56
Speaker 1: I can't tell you. Let's just do That's what I
19:58
Speaker 1: can't tell you. Okay, thank you? This series. Um in
20:03
Speaker 1: my opinion from episode seven of of this third season, UM,
20:11
Speaker 1: we to me, this series took there's a pivot. There's
20:17
Speaker 1: a pivot into a more dangerous world for the family,
20:23
Speaker 1: the community, and definitely the major players of people that
20:28
Speaker 1: are are that Franklin cares about. We can see that
20:33
Speaker 1: with his girlfriend that was supposed to go to Spellman,
20:36
Speaker 1: that now is you know, heavily indulged in in in
20:41
Speaker 1: crack usage. Um, we see things crumbling and we see
20:46
Speaker 1: the responsibility, We see some of the all out some
20:49
Speaker 1: of the effects of what this drug is doing to
20:51
Speaker 1: some of the people closest to him. And um, episode nine,
20:57
Speaker 1: after episode eight, where we just watched a man that
21:02
Speaker 1: was almost like a father figure. We're talking about, you know,
21:05
Speaker 1: the police officer next door, the father to your first love,
21:10
Speaker 1: your first girlfriend. Um, we're talking about you know, Franklin
21:17
Speaker 1: said that just took this man's life because of the
21:21
Speaker 1: implications of what this man knows about, you know, dealings
21:25
Speaker 1: with the CIA and FBI and just this big world.
21:29
Speaker 1: Who could imagine, you know, this kid could be in
21:32
Speaker 1: college right now with his smarts, he could easily be
21:37
Speaker 1: he could easily be working for any fortunate company. He
21:40
Speaker 1: could be his own entrepreneur right now in a different
21:43
Speaker 1: game other than you know, than cocaine. And I just
21:48
Speaker 1: think that as we hit into nine first of all
21:51
Speaker 1: the audience is going to be completely laid out this episode.
21:56
Speaker 1: There's no way to see what's coming and and truthfully
22:00
Speaker 1: is going to follow up in episode ten that's just
22:03
Speaker 1: gonna be even more of shock. Awe. Um. Yeah, I've
22:08
Speaker 1: told people take a sedative before tonight. You know, get
22:12
Speaker 1: you get you, get your little seduta, get your little
22:17
Speaker 1: something that we will be mad at money make conversation.
22:20
Speaker 1: We shall you let that dude, doctor, but some piece
22:23
Speaker 1: in your pipe, right because uh, because it's gonna it's
22:27
Speaker 1: gonna be a lot of anxiety at the end of
22:31
Speaker 1: this series. Um wrapping up the season three it really
22:35
Speaker 1: I think the writers, um you have executed and the
22:40
Speaker 1: directors um have come through. And it's just a tribute
22:44
Speaker 1: to all writing staff on Snowfall, you know, but Dave
22:49
Speaker 1: and Drawn and and you know this is during the
22:52
Speaker 1: time actually lost John Singleton lost John in episode Uh
22:59
Speaker 1: we lost John. We didn't have John from eight for
23:02
Speaker 1: eight going forward on the last episode we've had them
23:05
Speaker 1: forward seven. So so I'm really proud that these are
23:10
Speaker 1: some of my favorite episodes and where the series is going.
23:13
Speaker 1: I love talking to you man, You're also be talking
23:15
Speaker 1: to Amon Joseph One of the stars of the FX series,
23:18
Speaker 1: Uh Snowfalls. Uh hum A favorite? Can you come back
23:21
Speaker 1: on my show? God, I know you got other projects
23:23
Speaker 1: you're working on, but I was so caught up in
23:26
Speaker 1: who you are, so caught up in this series. Every
23:28
Speaker 1: Wednesday you can catch on f X Snowfalls. Please come
23:32
Speaker 1: back on my show, sir, Thank you, Thank you,