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A new exhibition of the Pre-Raphaelite Rossettis at Tate Britain in London explores the 'radicalism' of Dante Gabriel, Christina and Elizabeth (Siddal), and their 'revolutionary' approach to life, love and art in Victorian Britain. It emphasises Elizabeth as artist rather than muse, and charts the emergence of the Pre-Raphaelites through to Gabriel’s famous romanticised female portraits. However, despite their popularity, views of the Rosettis' art are often polarised. To discuss whether the Rossettis are radical or overrated, Samira is joined by the curator of the exhibition, Carol Jacobi…
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