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Left of the Dial, Beetlejuice's Day-O, and Jeremiah was a Bullfrog E119

Grief has a soundtrack—and so does joy. We open with a heartfelt salute to Catherine O’Hara, tracing how a single scene, a laugh line, or a voice can linger long after the credits, then wander into the wild terrain where memory and music meet. From Beetlejuice’s dinner table possession to Home Alone’s enduring comfort, we reflect on how film and song become the waypoints we use to navigate time. That doorway leads us to a run of resonant passings and timeless cuts: Demond Wilson’s place in Sanford and Son and the instant-transport power of Quincy Jones’ Street Beater, the exuberant lift of…

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