Latest / The Steve Harvey Morning Show / Homecoming
Transcript
- 0:10Speaker 1: Warning.
- 0:10Speaker 2: The following episode includes tantric astrology, station Wagons a Go,
- 0:15Speaker 2: and folk song, The PBS Kids Show Arthur, the scattering
- 0:20Speaker 2: of ashes, backscratches, and coming to term with the father's passing.
- 0:25Speaker 2: Sensitive listeners, please take care.
- 0:31Speaker 3: This is Peter Kaplan, the leterdary editor at the New
- 0:34Speaker 3: York Observer.
- 0:35Speaker 4: Editors were like movie directors, and they work with the writers.
- 0:39Speaker 3: He had this old piece of advice that I think
- 0:42Speaker 3: about a lot. When one of his writers was struggling
- 0:45Speaker 3: with writer's block. Ke'd say, take out all your material
- 0:49Speaker 3: and write a beginning, and then another and another, and
- 0:53Speaker 3: keep going, and pretty soon you'll have this page full
- 0:57Speaker 3: of beginnings. Even if that doesn't lead you where you
- 1:01Speaker 3: want to go, you can step back and admire it
- 1:05Speaker 3: and think, isn't that a beautiful thing? I've always loved
- 1:11Speaker 3: that image. A bouquet full of beginnings promises paths to explore,
- 1:19Speaker 3: and I wonder does it work the same for endings
- 1:27Speaker 3: from Kaleidoscope and I hear podcast I'm Mongish particular. This
- 1:33Speaker 3: is Skyline Drive in chapter one car Mines. This is
- 2:28Speaker 3: me on my last full day in India. I've been
- 2:30Speaker 3: to the car since four am. And I couldn't sleep
- 2:33Speaker 3: the night before from sheer excitement. In Chennai, Mark said
- 2:38Speaker 3: I wouldn't find the resolution I needed in astrology. I
- 2:41Speaker 3: wasn't going to soothe my heartache with a reading or
- 2:43Speaker 3: find direction and prophecies. The thing is I was still
- 2:48Speaker 3: clinging desperately to this idea of making a joyous astrology
- 2:51Speaker 3: show and ignoring my emotions. He said I needed something else.
- 2:55Speaker 3: He said, you need to go to that home. And
- 2:58Speaker 3: I knew what he meant. Somewhere along our trip I
- 3:03Speaker 3: had told him about Gin House, an old family home
- 3:06Speaker 3: tucked away and hobly a town in the southern state
- 3:09Speaker 3: of Karnataka. As a kid, I spent so many summers there,
- 3:14Speaker 3: playing badminton on the lawn, reading on the veranda, dipping
- 3:17Speaker 3: my toes in the well out back, and just soaking
- 3:20Speaker 3: in all this love and attention that my relatives there
- 3:23Speaker 3: gave me. Until I was in my teens, I thought
- 3:26Speaker 3: Jin House got the name because of all the warmth
- 3:28Speaker 3: and entertaining and celebrating that took place there. But the
- 3:32Speaker 3: Gin actually referred to the cotton gins and working mills
- 3:35Speaker 3: in the back. But this house and the grounds wasn't
- 3:39Speaker 3: just a wondrous place for me to spend my summer
- 3:41Speaker 3: days running around and exploring. The house was a life
- 3:45Speaker 3: raft for both my grandfather and my father when each
- 3:49Speaker 3: of them was at sea. When my grandfather lost his
- 3:52Speaker 3: businesses in his old age, this is where he picked
- 3:55Speaker 3: himself up and focused on his writing. When my father
- 3:58Speaker 3: had failed out of college just fifteen, this is where
- 4:01Speaker 3: his aunt pleaded for him to be sent to be
- 4:04Speaker 3: given one more chance. So he came, and he flourished,
- 4:09Speaker 3: and it was just as magical and transformative for him.
- 4:12Speaker 3: It's where he stood third in all university exam and
- 4:15Speaker 3: learned woodworking and swam and the giant water tank out back,
- 4:19Speaker 3: and embraced his cousins like siblings. And it's where, through
- 4:24Speaker 3: the love of his aunt, he finally learned firsthand what
- 4:27Speaker 3: it was like to have a mother. For months now,
- 4:33Speaker 3: I felt incomplete in the absence of my father. I
- 4:36Speaker 3: don't really have a sense of who I'm supposed to be.
- 4:40Speaker 3: I've kept moving, trying to tell myself I was okay,
- 4:43Speaker 3: putting my energy into the startup for this show. I
- 4:47Speaker 3: hadn't actually cried, And as my wife Lizzie has told me,
- 4:52Speaker 3: I've been distant.
- 4:54Speaker 5: Now that I haven't like him to complain about me the.
- 4:57Speaker 6: Way you want to play.
- 4:59Speaker 1: I'm happy to compla about you.
- 5:00Speaker 3: On like ORL. Right.
- 5:03Speaker 5: So I have mentioned over and over in the show
- 5:06Speaker 5: that I'm not entirely present, and I know I definitely
- 5:10Speaker 5: feel that, But can you talk a little bit about
- 5:12Speaker 5: your perspective on that.
- 5:15Speaker 1: I mean, I've said to you that I think that
- 5:18Speaker 1: this show and working on this has been a wonderful gift,
- 5:24Speaker 1: because if you aren't given something like that, then you
- 5:29Speaker 1: are one who puts things away. It's not good for
- 5:31Speaker 1: a person. It's not good for you, it's not good
- 5:34Speaker 1: for any person. So I'm glad that you're not doing that.
- 5:37Speaker 1: But also you basically have like a job on a
- 5:40Speaker 1: job at a time when the kids are also reading.
- 5:44Speaker 1: It's been a hard time to have you be kind
- 5:47Speaker 1: of constantly either literally not there or there, but you know,
- 5:51Speaker 1: half there, you're like half in and half out.
- 5:53Speaker 6: I can think about that Dmitri Martin quote where he
- 5:57Speaker 6: said that I guess he lost both his parents a
- 6:00Speaker 6: pretty quick succession, or lost one of his parents and yeah,
- 6:04Speaker 6: a mom in college or something, and he wrote a
- 6:07Speaker 6: line that was losing a parent is the first hardest thing, Yeah.
- 6:12Speaker 1: Your dad is who you are and how you imagine
- 6:16Speaker 1: your future, which I think has been a lot of
- 6:18Speaker 1: this experience views like okay, well kind of person am
- 6:22Speaker 1: I going to be? And with my life trajrectory. I
- 6:25Speaker 1: think that like grief is gigantic, it's like swimming in
- 6:29Speaker 1: an ocean and like finding shallow parts where you can
- 6:32Speaker 1: kind of stand for a bit and then you know
- 6:35Speaker 1: the mariana try and it won't be for very long,
- 6:39Speaker 1: but it's just like you keep swimming and hopefully over
- 6:44Speaker 1: time you find warmer and shallower waters. That is, using
- 6:49Speaker 1: the same metaphoricous. You've become a stronger swimmer through this,
- 6:52Speaker 1: and we can't be a part of that, you know.
- 6:55Speaker 1: So yeah, maybe you've been less present, but maybe that's
- 6:58Speaker 1: just natural, you know. Maybe the best thing we could
- 7:01Speaker 1: do is kind of try to take care of ourselves
- 7:05Speaker 1: for the meantime and be there when you come back.
- 7:08Speaker 3: And it's not that I think visiting gin House will
- 7:10Speaker 3: solve that feeling for me exactly, but I wonder if
- 7:14Speaker 3: it could put me on firmer footing, that is, if
- 7:17Speaker 3: we ever make it there. This drive feels endless, which
- 7:23Speaker 3: was always my Dad's favorite kind. We racked up over
- 7:27Speaker 3: three hundred and fifty thousand miles in our Bulbo station wagon,
- 7:30Speaker 3: the one my family got when I was four, driving
- 7:33Speaker 3: across Nova, Scotia and West Virginia, the Outer Banks where
- 7:36Speaker 3: that one time we drove to Quebec City because our dog,
- 7:39Speaker 3: Shap who was ill with a thyroid disease, needed to
- 7:42Speaker 3: drink holy water from Saint Anne depaucre A Cathedral there.
- 7:47Speaker 3: We'd adopted our dog from a Catholic family, and somehow
- 7:50Speaker 3: my mom got the idea that we need to respect
- 7:52Speaker 3: my dog's religious background, so we did anyway. We spent
- 7:57Speaker 3: those hours a mile singing and arguing, playing word games.
- 8:01Speaker 3: We pulled over to sample peaches and found streams to
- 8:04Speaker 3: cool our heels in, and we asked for directions, lots
- 8:08Speaker 3: of directions. And after hours of driving, when the sky
- 8:14Speaker 3: turned dark and our stomachs were full, the car got quiet.
- 8:19Speaker 3: My mom and sister would fall asleep, my dad kept
- 8:21Speaker 3: pushing ahead, and me I'd stare out the window. We
- 8:27Speaker 3: moved across highways and country roads, often until one or
- 8:30Speaker 3: two in the morning. Sometimes I tried to find the
- 8:33Speaker 3: rhythm of the tower lights, guessing when the next beam
- 8:36Speaker 3: would shine down on the car. Often I'd look higher,
- 8:40Speaker 3: wishing on the first star I spotted, or tracing my
- 8:43Speaker 3: fingers across constellations both reel and imagine. And eventually I'd
- 8:51Speaker 3: given to sleep, knowing that in this car, under this
- 8:55Speaker 3: magnificent sky, I could close my eyes feeling safe. I've
- 9:01Speaker 3: loved always moving forward, and now as I stare out
- 9:08Speaker 3: the window at rural Canotica, I finally finally let tears
- 9:14Speaker 3: stream down my face and I let go of everything
- 9:18Speaker 3: I've been holding. In chapter two, White Magic, this is
- 9:40Speaker 3: doctor Vijay satan Ryan, a tantric astrologer from.
- 9:45Speaker 7: The age of File.
- 9:46Speaker 4: That's the only thing I know about life is to
- 9:49Speaker 4: how to heal people.
- 9:51Speaker 3: For all of the astrologers we'd met or hunted for
- 9:53Speaker 3: in China, there were so many disappointments except for this one.
- 9:59Speaker 3: Around town. Doctor Vej has a reputation as a quote
- 10:02Speaker 3: five star astrologer, and he agreed to meet with us
- 10:05Speaker 3: after his TV appearance that morning. To tell you the truth,
- 10:08Speaker 3: I did not have high hopes the words five star
- 10:11Speaker 3: TV astrologer, I mean I pictured an astro televangelist. And
- 10:16Speaker 3: as we waited in his sitting room, sweating from the
- 10:19Speaker 3: chennai heat. All I was thinking about was how many
- 10:21Speaker 3: days we'd wasted and what were we really going to
- 10:24Speaker 3: learn here? But when he welcomed us into his humble
- 10:28Speaker 3: office with just enough space for a desk and some chairs,
- 10:32Speaker 3: it just felt different.
- 10:35Speaker 4: I'm not a normal person to live a normal life.
- 10:38Speaker 3: He's right, Very little about doctor Vij's story is normal.
- 10:44Speaker 3: Before him, his parents had six daughters.
- 10:47Speaker 4: My great grandfather told my mother and my father stating
- 10:51Speaker 4: that U seven baby will be a son, and by
- 10:55Speaker 4: what shiping Khali mark Khali, the genes will be changed
- 10:59Speaker 4: from a feed people may.
- 11:01Speaker 3: Through prayers and offerings, they supposedly changed the sex of
- 11:04Speaker 3: their child, But that meant he'd also have to carry
- 11:07Speaker 3: the burden of sustaining the family business. Vijay practices tantric astrology.
- 11:12Speaker 3: In astrology he refers to as white magic, it's about
- 11:16Speaker 3: using esoteric knowledge to reduce people's pain and relieve them
- 11:20Speaker 3: of their negative karmic pressures. It can mean reversing curses,
- 11:24Speaker 3: preventing infidelities, fighting witchcraft, and as he tells me, there
- 11:29Speaker 3: are fewer than one hundred people in all of India,
- 11:32Speaker 3: maybe even half of that who practice it. His father
- 11:35Speaker 3: and grandfather did this work too, and every day he'd
- 11:38Speaker 3: watch as they absorb people's pain.
- 11:41Speaker 4: So I see people often coming to my great grandfather
- 11:44Speaker 4: and my father. They used to cry, they used to screen.
- 11:49Speaker 3: Vijai did this for eighteen years and then he left.
- 11:53Speaker 3: He couldn't take the emotional toll. He hated that people
- 11:56Speaker 3: would come to him and ask him to use tantric
- 11:58Speaker 3: astrology for these evil reasons, to lure across against their will,
- 12:02Speaker 3: or to put a curse on someone, things that went
- 12:06Speaker 3: against the ethics that his grandfather and father practiced. So
- 12:09Speaker 3: he fled. He went to the UK. He got a
- 12:12Speaker 3: good job in fashion and marketing and merchandising. But however
- 12:17Speaker 3: far he ran, he just couldn't get away my.
- 12:21Speaker 4: Great grandfather, he called me. You might be in London
- 12:24Speaker 4: these days, but I'll be buying by September nine, two
- 12:27Speaker 4: thousand and nine, and you're supposed to be here to
- 12:29Speaker 4: take care of your father, and you cannot take your grandma.
- 12:34Speaker 3: For him, it was an act of devotion, seeding his
- 12:37Speaker 3: own dreams for his family, because his love for his
- 12:40Speaker 3: father and his grandfather was that strong. But before he
- 12:44Speaker 3: could accept the mantle. His father had one final test
- 12:48Speaker 3: for him.
- 12:49Speaker 4: You know, I wish to explain about an incident my
- 12:52Speaker 4: great dad, who taught me how to live and how
- 12:55Speaker 4: to be ethically right, to have the good rapp o
- 12:59Speaker 4: good people.
- 13:00Speaker 3: The only question he asked me. Then I learned that
- 13:04Speaker 3: I shudder when I hear this. His dad wanted Vijay
- 13:07Speaker 3: to predict his time of death. It feels cruel, masochistic.
- 13:14Speaker 3: I mean, there are things you just don't want to know.
- 13:16Speaker 3: And the idea of being forced to tell your parent
- 13:19Speaker 3: when they're going to die, let alone being forced to
- 13:22Speaker 3: be accurate about it, I can't fathom it. But Vijay's
- 13:27Speaker 3: dad was asking him to put his craft over his emotion,
- 13:30Speaker 3: to tell his brain to eclipse his heart.
- 13:33Speaker 1: And I was shouted.
- 13:34Speaker 4: I was just looking at him like that, and he
- 13:37Speaker 4: told me, now, I'm a ya guru, I'm your mentor.
- 13:41Speaker 3: I'm asking you, you see. And then Vijay, who'd already
- 13:46Speaker 3: question whether this was the right line of work for
- 13:48Speaker 3: his life, for his happiness, had to summon all his
- 13:52Speaker 3: courage and look his father in the eye and tell
- 13:55Speaker 3: him that.
- 13:56Speaker 4: You'll have a kardi cust Between March twenty twenty one
- 14:02Speaker 4: till twenty first stop.
- 14:05Speaker 3: It was one of the hardest moments in Vijay's life,
- 14:08Speaker 3: but for his dad, it was everything he wanted for
- 14:12Speaker 3: his son.
- 14:13Speaker 4: Then, my dad told me you'll be a you know,
- 14:16Speaker 4: worthful person and you'll do real great things. But unfortunately
- 14:21Speaker 4: I lost my great dad, who is my guru and
- 14:23Speaker 4: my mentor on eight of March twenty twenty one.
- 14:26Speaker 3: On my lap. I'm sure there are moments as an
- 14:29Speaker 3: astrologer where you just don't want to be right and
- 14:32Speaker 3: my heart breaks for him, but in some strange way,
- 14:37Speaker 3: I also envy him. Vijay knew the exact moment his
- 14:41Speaker 3: father would die. He didn't have to watch his father
- 14:43Speaker 3: writhing in pain, wondering how long it would go on,
- 14:46Speaker 3: or make a decision about when to give him the
- 14:49Speaker 3: morphine to let him go. So I asked him about
- 14:53Speaker 3: the power of his craft, these remedies he uses to
- 14:56Speaker 3: help other people, and if he could have healed his
- 14:58Speaker 3: father poss si we postponed that death.
- 15:01Speaker 4: If that does re return in their chart, no worship
- 15:07Speaker 4: or no uh you know, Libertie can't save her life.
- 15:11Speaker 3: His glassy eyes betray the emotional distance and astrologer is
- 15:15Speaker 3: supposed to keep. But as he talks, it occurs to
- 15:18Speaker 3: me that I too, am the bearer of a lineage,
- 15:22Speaker 3: the first son of a first son who was also
- 15:25Speaker 3: desperately prayed for. And what were the responsibilities I ignored
- 15:30Speaker 3: and the duties I turned my back on that led
- 15:33Speaker 3: me to this room here? Chapter three, backscratch. This is
- 15:58Speaker 3: the main roto Jin how but you'll never spot it
- 16:01Speaker 3: unless you know where you're going. In fact, it's been
- 16:04Speaker 3: so many years now that suras the wonderful driver I've hired,
- 16:08Speaker 3: and I have to pull over to ask for directions
- 16:10Speaker 3: to landmarks nearby. Finally we find this little gate with
- 16:16Speaker 3: a watchman sitting, and then the long dirt drive into
- 16:19Speaker 3: pure greenery. To me, Jin House has always felt like
- 16:23Speaker 3: this secret garden, and it doesn't take long for the
- 16:26Speaker 3: chaos of the business district to disappear behind you. The
- 16:30Speaker 3: house probably isn't what you're expecting. It's a mid century home,
- 16:35Speaker 3: minimalist elegance in red and white, with a welcoming veranda
- 16:39Speaker 3: and beautifully kept lawns and gardens. On one hand, the
- 16:43Speaker 3: place is simple. It's just three bedrooms and a kitchen,
- 16:47Speaker 3: with the center hall that works as both living and
- 16:49Speaker 3: dining room, but it's set in this oasis. The veranda
- 16:54Speaker 3: looks out onto this beautiful lawn, perfect fatias and receptions
- 16:59Speaker 3: and badman. The roof doubles his dance floor or a
- 17:03Speaker 3: launchpad for paper airplanes. Over the next few hours, I'll
- 17:09Speaker 3: wander the grounds. The housekeeper, who's been instructed to make
- 17:12Speaker 3: me lunch all of my favorites, will overfeed me the
- 17:16Speaker 3: same way my grandaunt would have insisted. I'll lays on
- 17:19Speaker 3: a couch and thumb through books because there are so
- 17:23Speaker 3: many books here in every room, and I'll sit on
- 17:26Speaker 3: the veranda, just staring and thinking. Decades ago, i'd sit
- 17:33Speaker 3: on this veranda in the early evenings with my grandfather
- 17:36Speaker 3: when he'd break from his writing and pour himself a
- 17:38Speaker 3: small peg of whiskey, and we trade stories as we
- 17:42Speaker 3: watched out into the monsoons. This is where he told
- 17:45Speaker 3: me to always carry a pen with me, to make
- 17:47Speaker 3: sure I could write down my ideas at any moment.
- 17:50Speaker 3: It's something I still do. This is where I learned
- 17:53Speaker 3: about how much he loved my dad, about how sometimes
- 17:57Speaker 3: he'd squeeze him too hard because he couldn't express his love.
- 17:59Speaker 3: And this is where I first heard the story about
- 18:04Speaker 3: the backscratch. We all still tell it. I tell it,
- 18:09Speaker 3: and this is how it starts. When my dad was
- 18:13Speaker 3: just a kid, just seven or eight, my grandfather came
- 18:16Speaker 3: in from out of town and sat next to him
- 18:19Speaker 3: on a bed. Shanta, my sister, tells it.
- 18:23Speaker 8: The story goes about Budge was traveling for work a lot,
- 18:27Speaker 8: and back and forth to goa so I don't think
- 18:29Speaker 8: he was able to really be there that often. And
- 18:32Speaker 8: so one day he came to visit Dad and they
- 18:36Speaker 8: were sitting on the edge of the bed and just talking.
- 18:39Speaker 3: Ruby, my kid, tells it.
- 18:41Speaker 9: So when I was about seven or eight, he was
- 18:45Speaker 9: lying in bed and his dad just came in from
- 18:48Speaker 9: that town. And he came and Salon is in his bed,
- 18:53Speaker 9: and baba Ja said, Dad.
- 18:56Speaker 3: You know, and I'm trying to be the best father.
- 18:59Speaker 9: I it's hard going up with down mom, But.
- 19:02Speaker 3: Is there anything I can do for you? Is there
- 19:04Speaker 3: anything that's missing?
- 19:07Speaker 9: Thought? And he thought, and then he finally said, you know,
- 19:11Speaker 9: I've just fend.
- 19:12Speaker 8: When his back itches, his mom comes and scratches it
- 19:15Speaker 8: for him.
- 19:16Speaker 3: And peered off and he starts scratching My dad's back
- 19:19Speaker 3: for longer than the little Tyke needed.
- 19:23Speaker 8: But Joe was so heartbroken to hear that.
- 19:25Speaker 9: And they're just thinking, my son's growing up without a mother.
- 19:30Speaker 8: This is such a simple thing, This is last thing
- 19:32Speaker 8: I can do. Flee and just sat and scratched his back.
- 19:44Speaker 3: Chapter four Ashes see it. It's February sixteen, twenty twenty three.
- 19:53Speaker 3: We're on a boat on the Indian Ocean, not far
- 19:56Speaker 3: from Covid Beach in South Goa beautiful. It's where my
- 19:59Speaker 3: dad used to spend his weekends as a kid.
- 20:03Speaker 9: Night you go on as.
- 20:05Speaker 3: It's my mom, my wife, the kids, and my aunt
- 20:08Speaker 3: someone all here together and my dad. Of course, we've
- 20:14Speaker 3: got his ashes in a glorified shoe box that's printed
- 20:17Speaker 3: to look like a clip art version of Heaven. I
- 20:19Speaker 3: guess the waves are mild this morning, and the water
- 20:24Speaker 3: is so blue. We spot pods of dolphins frolicking in
- 20:29Speaker 3: the waters and racing alongside.
- 20:32Speaker 10: Us by dozensop.
- 20:37Speaker 3: Do you see him? There's this flock of seabirds flying
- 20:40Speaker 3: in front. They stayed just ahead of us, like they're
- 20:43Speaker 3: pulling us away from the sunkiss coast threaded with coconut
- 20:46Speaker 3: trees and into something even more serene. We don't talk.
- 20:52Speaker 3: I look at my mom and aunt tearing up. My
- 20:55Speaker 3: son Henry is crying and he's in Lizzie's arms. Meanwhile,
- 21:00Speaker 3: Ruby thinks this is a joy ride, arms up in
- 21:02Speaker 3: the air. ADU wouldn't want us to be sad, as
- 21:05Speaker 3: they put it, and Ruby's right in a way. After
- 21:09Speaker 3: a few minutes of more intentional silence, where we sit
- 21:13Speaker 3: rock gently by the waves and our feelings, my mom
- 21:16Speaker 3: and I climbed to the very back of the boat.
- 21:19Speaker 3: She asked me to sing a chant when she can't
- 21:21Speaker 3: muster one. My dad loved Jay Nick, and we lean
- 21:34Speaker 3: over the railing to say goodbye one final time. I
- 21:44Speaker 3: still don't believe in astrology. But doctor v Jay, the
- 21:48Speaker 3: tantric astrologer I'd visited, and I had told me I
- 21:51Speaker 3: would carry my grief for seven more months. It would
- 21:55Speaker 3: be seven more months before I'd finally be myself again.
- 21:58Speaker 4: You'll come hold of this and you will long be
- 22:03Speaker 4: laying what you are now.
- 22:08Speaker 3: That was August. It's the end of February. Now, by
- 22:13Speaker 3: the time I'm back in the States, seven months will
- 22:16Speaker 3: have passed. Chapter five. The first hardest thing This is
- 22:36Speaker 3: April twenty twenty two. Doctor Kamar's prediction about my father
- 22:40Speaker 3: falling ill had come true, and I'd raced down to
- 22:42Speaker 3: Atlanta a few times to be with him. But now
- 22:46Speaker 3: I'm saying bye to my dad as I head back
- 22:48Speaker 3: to New York. This is him and his lazy boy,
- 22:53Speaker 3: with a bowl of pistachios on his stomach and a
- 22:56Speaker 3: mystery paperback by his side, both smiling. Because the doctor
- 23:01Speaker 3: has a plan. The chemo should give him three months,
- 23:05Speaker 3: there's a chance he'll have much longer. This is me
- 23:10Speaker 3: getting a call that very same night, soon after my
- 23:13Speaker 3: plane hit the tarmac at LaGuardia, that my father had
- 23:16Speaker 3: to be rushed to the emergency room. This is him,
- 23:21Speaker 3: days later, still in the hospital, telling my sister that
- 23:25Speaker 3: I can't make you happy and I can't make sense.
- 23:33Speaker 3: This is him holding my mom's hand, telling her over
- 23:36Speaker 3: and over how beautiful she is, telling her she's always
- 23:39Speaker 3: been his only head.
- 23:44Speaker 4: So cute.
- 23:46Speaker 3: This is me walking into the hospital to relieve my mom.
- 23:50Speaker 3: It's my turn to spend the night with him, but
- 23:52Speaker 3: my mom tells me that the fight is over, that
- 23:54Speaker 3: my only mission is to bring him home so he
- 23:56Speaker 3: can pass amongst his loved ones. This is me signing
- 24:04Speaker 3: the Forum for Hospice, knowing that when the morphine kicks in,
- 24:08Speaker 3: it'll knock him out. These will be my last moments
- 24:18Speaker 3: with him conscious. Do you know who's waiting at home
- 24:20Speaker 3: for you? You don't know? Do you want to see Barkley?
- 24:25Speaker 3: This is me shaving him one last time. I'm just
- 24:27Speaker 3: going to shave a little bit on your face. They're
- 24:31Speaker 3: barber style. I use a warm washcloth to soften the
- 24:35Speaker 3: subtle I gently lather his face. I take my time
- 24:40Speaker 3: with each stroke. This is me putting my cologne on him.
- 24:45Speaker 3: Do you remember that you used to put after shave
- 24:48Speaker 3: on me? Yeah. He used to laugh and joke and
- 24:53Speaker 3: tell stories as I watched him shave as a kid.
- 24:55Speaker 3: And then he'd spray a scent into the heel of
- 24:57Speaker 3: his palms and rub them into my cheek and tiny circles,
- 25:02Speaker 3: warning me of how it might sting. This is me
- 25:06Speaker 3: playing in messages, an old going song from his sister
- 25:09Speaker 3: and nephew, a message from my aunt.
- 25:11Speaker 8: Someone I love you so.
- 25:15Speaker 3: Much, so so much, some whispers of things I needed
- 25:21Speaker 3: him to know, and hoping he hears you know we
- 25:25Speaker 3: love you so much? Shit, Yeah, you know you're a
- 25:29Speaker 3: wonderful Dad. This is me in the back of an
- 25:34Speaker 3: Atlanta ambulence taking him home. This is me staring out
- 25:38Speaker 3: into traffic, collecting out the back window, caressing his hair,
- 25:42Speaker 3: pushing it across his forehead, gripping his hand repeatedly, desperately
- 25:47Speaker 3: trying to communicate my love with each squeeze, not knowing
- 25:51Speaker 3: what's getting through. This is me tracing my fingertips gently
- 25:57Speaker 3: down his papery skin, kissing his forehead, scratching his back
- 26:02Speaker 3: gently for way too long because I still can epilogue.
- 26:41Speaker 3: This is my friend aj.
- 26:44Speaker 10: Of all types of interesting.
- 26:46Speaker 3: Way back at the beginning of the show, he told.
- 26:48Speaker 6: Me curiosity and gratitude are my two favorite virtues, and
- 26:52Speaker 6: I agree.
- 26:53Speaker 3: I think both lead to a richer life. There was
- 26:56Speaker 3: always so much to be curious about, so much to
- 26:58Speaker 3: be grateful for. But as I try finally to end
- 27:03Speaker 3: this show, I keep thinking about another drive. In twenty seventeen,
- 27:17Speaker 3: we just moved to Atlanta so I could take a
- 27:19Speaker 3: job in podcasting. That Thanksgiving, we headed up I ninety
- 27:23Speaker 3: five to my cousin Shanta's to be with my parents
- 27:26Speaker 3: and sister and cousins and dogs. Everyone was just so happy,
- 27:31Speaker 3: cooking together, making gingerbread houses, drinking cider, wandering through a
- 27:36Speaker 3: farm that saw down the perfect Christmas tree. And then
- 27:40Speaker 3: when the weekend was over and it was finally time
- 27:43Speaker 3: to say goodbye and the anxiety of a new work
- 27:46Speaker 3: week had started to settle in, Lizzie turned to me
- 27:49Speaker 3: and she said, why don't we skip I ninety five?
- 27:53Speaker 3: Why don't we take the long way home? That afternoon
- 27:57Speaker 3: we drove across Skyline Drive, the famous Skyland Drive, the
- 28:02Speaker 3: one that stitches a path along the edge of the
- 28:04Speaker 3: Blue Ridge Mountains as you drive through the Shenandoah National Park.
- 28:09Speaker 3: At the time, our kids were seven and four, and
- 28:12Speaker 3: back then when they used to ask how long till
- 28:15Speaker 3: we get there? Lizzie and I would relay the time
- 28:17Speaker 3: in episodes of the PBS show Arthur, like it's five
- 28:22Speaker 3: Arthurs till we're home, which meant two and a half hours.
- 28:26Speaker 3: But somehow, on this one hundred mile parkway, we didn't
- 28:29Speaker 3: have to answer that question once. We just marveled at
- 28:34Speaker 3: all the red and yellow painted across the tree tops,
- 28:38Speaker 3: and the fog that rolled in and out across the
- 28:40Speaker 3: blue and purple mountaintops, and the way the light played
- 28:43Speaker 3: favorites with parts of the valley below and somewhere along
- 28:47Speaker 3: the way, as the kids started to nod off and
- 28:50Speaker 3: Lizzy squeeze my hand, and as we watched the sunset,
- 28:53Speaker 3: I realized who I became in that moment, in the
- 28:56Speaker 3: driver's seat, steering an endless road, and I know who
- 29:00Speaker 3: I can be. I don't have to waste time endlessly
- 29:04Speaker 3: obsessing about the future. I can choose moments like this,
- 29:08Speaker 3: the ones that make my heart leap. I can choose
- 29:12Speaker 3: the long way home over and over and never regret it.
- 29:17Speaker 3: And I can fill the time I have left because
- 29:20Speaker 3: I understand how precious that time is with a series
- 29:25Speaker 3: of skyline drives.
- 29:29Speaker 10: High am, it's all see.
- 29:36Speaker 11: Weeply like a whirlone.
- 29:43Speaker 10: Myuscars are hiding.
- 29:51Speaker 11: My branches.
- 29:51Speaker 10: Don't shoe you sigh of.
- 29:59Speaker 11: It's all a street roots like a new bomb. Your
- 30:13Speaker 11: wind is blowning.
- 30:20Speaker 10: And over I go. But now I see a storm
- 30:29Speaker 10: cloud up in the disk and a terrible old man
- 30:39Speaker 10: a beautiful show.
- 30:42Speaker 11: So take me down, easy, take me down, easey, Let
- 30:50Speaker 11: me land softly.
- 30:54Speaker 10: Back in your arm.
- 31:03Speaker 3: Oh man, I cannot thank you enough for listening to
- 31:06Speaker 3: the show. Like all podcasts, our show growth through word
- 31:10Speaker 3: of mouth. So if you liked Skyline Drive, tell a friend,
- 31:13Speaker 3: post about it on social media, or write us a
- 31:16Speaker 3: little review. We read them all because we are obsessives
- 31:19Speaker 3: and a few of us are geminised, and also we
- 31:22Speaker 3: just like the feedback. Also, there's been too much crying,
- 31:26Speaker 3: so Anna give us a dope beat. Skyline Drive is
- 31:45Speaker 3: a production of Kaleidoscope and iHeart Podcast. If you like
- 31:49Speaker 3: the show, you should know my incredible team carried me
- 31:51Speaker 3: across the finish line. So thank you so much to
- 31:54Speaker 3: Mary Philip Sandy, our supervising producer, Mitra Bunshahi, our producer,
- 31:59Speaker 3: Mark Lotto, my story editor, and Anna Rubinovo, who produced
- 32:02Speaker 3: and elevated the sound of all of these shows along
- 32:05Speaker 3: with through Chivareu and soundboard. I am truly indebted to
- 32:10Speaker 3: all of you. Everyone keeps asking me about the theme
- 32:13Speaker 3: song bought me aka Spencer Stevenson wrote the gorgeous score
- 32:17Speaker 3: for this season. Also, I'm so grateful to the musicians
- 32:19Speaker 3: whose music lifted me in my very lowest moments before
- 32:23Speaker 3: I started writing with including him man Shu Suri who
- 32:26Speaker 3: read the episode Warning Mo and Azatti Records, Peter Matthew Bauer,
- 32:30Speaker 3: Raginder Alaf Mohman, Vinnie De Sai, Lush Life Motor Sales,
- 32:35Speaker 3: and James Henry Junior, who's stunning stunning song closed out
- 32:39Speaker 3: this episode. Also my aunt Indu Gersape and my cousin
- 32:43Speaker 3: Annan Gerzape for singing that beautiful go In folk song.
- 32:47Speaker 3: Thank you to Simon and Argrin Bukshi, all the participants, Geene, Michelle, Annie,
- 32:52Speaker 3: George and our house astrologers, Doctor Kumar and Janelle Belgrave.
- 32:56Speaker 3: The show is executive produced for iHeart by Mickey Tour
- 33:00Speaker 3: and Katrina Norvell. Thank you to my partners at Kaleidoscope,
- 33:04Speaker 3: especially Ozwalishan who encouraged me to tell this story and
- 33:07Speaker 3: gave me the room to tell it as we co
- 33:09Speaker 3: founded this business, but also Kate Osborne and Costas Linos.
- 33:13Speaker 3: Thank you to our investors and board for backing this
- 33:16Speaker 3: crazy project. Thank you to Vahiney Shory for managing the
- 33:20Speaker 3: social media for this show on top of everything else.
- 33:23Speaker 3: Special thanks to Ali, Nathan Connell, Will and Bob at iHeart.
- 33:28Speaker 3: I want to give my family some extra love, but
- 33:31Speaker 3: especially Lizzie and Henry and Ruby and also Sarah then
- 33:35Speaker 3: Shanta and as always a big big thank you to
- 33:40Speaker 3: my Alma and my dad, Lalita and Omeish who I
- 33:44Speaker 3: thank my lucky stars for I'm Mongish Hitticular. Thank you
- 33:49Speaker 3: so so much for listening.
- 33:53Speaker 7: Sometimes I care a lot.
- 33:56Speaker 8: Usually I don't even care about time.
- 34:00Speaker 4: Sometimes I'm sometimes.
- 34:03Speaker 7: Sometimes ecept sometimes from sometimes sometimes I'm.
- 34:09Speaker 11: Times sometimes sometimes sometimes sometimes.
- 34:13Speaker 10: Sometimes sometimes sometimes sometimes sometimes.
- 34:16Speaker 7: Sometimes I'm passive fits, sometimes I pass to fit. Sometimes
- 34:19Speaker 7: I stay sober. Sometimes it's past the fits. Sometimes I'm hustling.
- 34:22Speaker 7: Sometimes I'm lacking it. Sometimes I got the ship, sometimes
- 34:25Speaker 7: I'm lacking it. Get low, man, there'll be too much vanity.
- 34:29Speaker 10: How to live life or my life will to wapities.
- 34:31Speaker 5: Listen, I love the man.
- 34:32Speaker 4: This is my reality always.
- 34:34Speaker 10: I could use the word paperty lapity, bagrity