Latest / The Steve Harvey Morning Show / Kaleidoscope recommends: Afghan Star
Transcript
- 0:13Speaker 1: Afghanistar Episode one, light camera action. Welcome back to Afghanistan.
- 0:25Speaker 1: Please put your hands together for the host, the director,
- 0:29Speaker 1: the producer, the.
- 0:30Speaker 2: Man who built this show, Daoud Zidiki.
- 0:39Speaker 3: It's around eleven o'clock. I'm so thirsty, I'm so angry.
- 0:45Speaker 3: I'm so exhausted that I can't think about anything.
- 0:48Speaker 1: It's September two thousand and five, just a few years
- 0:52Speaker 1: after the Taliban were driven out of Afghanistan, and Daoud
- 0:55Speaker 1: Sidiki has barely slept in days. He's been pulling all
- 1:00Speaker 1: nighters to get the first episode of a new TV
- 1:03Speaker 1: show out. It's called Afghanistar, and nothing like it has
- 1:08Speaker 1: ever aired in Afghanistan before. But right now daoude is
- 1:20Speaker 1: so exhausted he's about to pass out. So instead of
- 1:24Speaker 1: sticking around to watch the show.
- 1:25Speaker 3: Go live, I just drove to my house and went home,
- 1:30Speaker 3: and my mom opened the door and I just went
- 1:34Speaker 3: to the bit with my offsclots.
- 1:38Speaker 1: Daoud collapses into a deep sleep and he doesn't wake
- 1:41Speaker 1: until late the next morning.
- 1:44Speaker 3: At that time, he didn't have the electricity at Cobble
- 1:47Speaker 3: that much like I didn't have a chance to listen
- 1:49Speaker 3: to radio or TV or anything.
- 1:51Speaker 1: But as soon as he's up. He's in a panic.
- 1:54Speaker 1: He has no idea how the show's been received. Are
- 1:58Speaker 1: there people cheering in the street? M are calling for
- 2:01Speaker 1: his head? He spent two sleepless months of his life
- 2:08Speaker 1: on this thing. Did anyone even watch? Also, he's late
- 2:15Speaker 1: for work, like really late. That would throw some clothes on,
- 2:22Speaker 1: jumps in his car, his hand shaking as he turns
- 2:24Speaker 1: on the radio, the chimes of the clock playing at
- 2:28Speaker 1: the top of the hour, and then the.
- 2:35Speaker 3: Headlines against afghanst Star.
- 2:42Speaker 4: Afghanstar is one of the most shows in the country.
- 2:45Speaker 2: This is a new type of show and the people
- 2:47Speaker 2: are watching it, following it intensely, seeing only this time.
- 2:51Speaker 3: Hours during generators long and starts. Oh my god, what happened?
- 3:06Speaker 1: The answer to that question is going to define his life.
- 3:13Speaker 1: It will take him on a journey from the back
- 3:15Speaker 1: rooms of a makeshift TV station in Cobble all the
- 3:19Speaker 1: way across the globe.
- 3:22Speaker 3: I was a celebrity of the country everywhere. I was
- 3:26Speaker 3: like on the skies.
- 3:29Speaker 1: He will watch as his country is transformed.
- 3:33Speaker 3: Lights, mikes and cameras.
- 3:35Speaker 1: It's a different kind of battle in Afghanistan, one that
- 3:38Speaker 1: has the whole nation watching. Osma because in the aftermath
- 3:45Speaker 1: of the Taliban you still see rubble everywhere. There really
- 3:49Speaker 1: was an American idol for Afghanistan.
- 3:53Speaker 5: We cannot let the darkness come over us again. We
- 3:57Speaker 5: have to fight back with music.
- 4:03Speaker 1: Afghan Star helped heal a nation torn apart by violence.
- 4:08Speaker 5: Between all the explosions and all the disappointment, that was
- 4:13Speaker 5: light in the darkness.
- 4:19Speaker 1: It allowed its people to fall in love with music
- 4:22Speaker 1: again and eventually had them running for their lives.
- 4:29Speaker 5: And knew he had the gun, And I said to him,
- 4:33Speaker 5: if I get captured, please shoot me.
- 4:36Speaker 6: In the head.
- 4:51Speaker 1: I'm John Legend from Kaleidoscope and iHeart podcasts. This is
- 4:57Speaker 1: Afghan Star.
- 5:01Speaker 7: Then make a numba eat a go Damn Buddha, Let
- 5:07Speaker 7: no more Ruda as maas John bad.
- 5:15Speaker 2: Name Mother.
- 5:27Speaker 1: Chapter one, Friday Night Lights. Every once in a while,
- 5:33Speaker 1: there's a moment when the world seems to halt, when
- 5:38Speaker 1: streets fall quiet and people call one another to stop
- 5:41Speaker 1: everything and turn on the television. They gather in apartments
- 5:45Speaker 1: and living rooms, huddle onto sofas and floors. They sit together, transfixed.
- 5:52Speaker 1: You know these moments. The moon landing, a royal wedding,
- 6:06Speaker 1: and Princess of weddings. These moments can be joyous and triumphant,
- 6:12Speaker 1: like everyone watching as a hobble gymnast somehow sticks a landing,
- 6:26Speaker 1: or unimaginable, like the day the towers fell and then
- 6:31Speaker 1: it's flapped out.
- 6:32Speaker 3: It looks like it's it at it's light.
- 6:34Speaker 7: Tangle into the world's race that I can see.
- 6:36Speaker 8: I can see flames now coming out the side.
- 6:38Speaker 2: Of the building, and the smoke.
- 6:39Speaker 1: Continuets to blow. These are moments of cultural importance, when
- 6:48Speaker 1: everyone drops what they're doing to gather around a screen. Well.
- 6:55Speaker 1: In Afghanistan, for about fifteen years, these moments have and
- 7:00Speaker 1: every Friday night it's March two thousand and six, New
- 7:12Speaker 1: Year's in Cobble. The city should be bustling, two lip festivals,
- 7:17Speaker 1: I've gotten polo tournaments, old men wearing colorful clothes walking
- 7:21Speaker 1: the streets, spitting poetry. People should be gathering in mosques
- 7:26Speaker 1: to raise giant banners and cheer. But instead of it's
- 7:31Speaker 1: a ghost town. The only signs of life are coming
- 7:35Speaker 1: from a few houses and apartments, lights flickering from the windows.
- 7:41Speaker 1: But look closer and you see why. In each of
- 7:45Speaker 1: these homes there's a tiny television perched in the corner
- 7:50Speaker 1: and huddled around its warm glow. Are people so many
- 7:55Speaker 1: people packed in so tightly that you can barely see
- 7:58Speaker 1: the ground. They're all there to watch Afghan Star. In
- 8:13Speaker 1: one of these apartments, on one such sofa is Omit Nazami.
- 8:17Speaker 1: He's relaxing now, but he's been fielding calls all day,
- 8:21Speaker 1: trying to help his friends out.
- 8:23Speaker 8: The people that they didn't have electricity. They keep calling,
- 8:26Speaker 8: do you have power? You have electricity?
- 8:28Speaker 1: Tonight?
- 8:29Speaker 8: Can you tell me who is eliminated.
- 8:31Speaker 1: To watch Afghan Star? People across the nation have pulled
- 8:35Speaker 1: their resources and shared their homes.
- 8:38Speaker 8: You could see a family member that he is sitting
- 8:40Speaker 8: in a corner of the room and he's so upset.
- 8:42Speaker 8: She's so upset, and they say, come on, have food,
- 8:45Speaker 8: have dinner. No, I'm not doing well tonight. My favorite
- 8:48Speaker 8: contestant just got eliminated.
- 8:50Speaker 1: He didn't deserve it. Everyone takes it seriously because this
- 8:55Speaker 1: show means everything to them. So why was watching a
- 9:05Speaker 1: talent show so important to these people? Well, before we
- 9:09Speaker 1: answer that question, maybe I should tell you a little
- 9:12Speaker 1: bit about myself, because I know what you're thinking. Why
- 9:15Speaker 1: is John Legend hosting a show about Afghanistan. Well, there's
- 9:20Speaker 1: the talent show connection. For sure. You might have seen
- 9:23Speaker 1: me on the Voice. You have so much passion that
- 9:25Speaker 1: you also have discipline. I would love for you to
- 9:29Speaker 1: be on the team of the defending voice champion. That's me,
- 9:37Speaker 1: that's me, But this is about something deeper. Music is
- 9:42Speaker 1: my life. When I was growing up, I heard it
- 9:48Speaker 1: at home in the car. At church every Sunday, we
- 9:51Speaker 1: would sing in the gospel choir. My grandfather was the pastor,
- 9:55Speaker 1: my mother was the choir director, my grandmother the church organist.
- 9:59Speaker 1: It was my the whole world. After college, I dropped
- 10:06Speaker 1: out of a solid career in management consulting because I
- 10:10Speaker 1: couldn't stop thinking about music. And then the other day
- 10:16Speaker 1: I was reading the news and the story popped up.
- 10:20Speaker 1: It had a crazy headline, the Taliban burned a pile
- 10:25Speaker 1: of musical instruments because they're immoral. The photo showed four
- 10:32Speaker 1: men standing around a fire, just a regular garbage fire.
- 10:38Speaker 1: But then you look closer and you see strings, mangled guitars,
- 10:45Speaker 1: the shelves of these beautiful harmoniums all charred up. I
- 10:52Speaker 1: thought it. He's from Afghanistan's Ministry for the Promotional Virtue
- 10:55Speaker 1: and prevention of vice, created a bonfire from a number
- 10:58Speaker 1: of seased instruments and allowed speaker in her province over
- 11:02Speaker 1: the weekend. The idea that anyone would destroy all these
- 11:10Speaker 1: things that bring us so much.
- 11:12Speaker 9: Joy and life. It's heartbreaking, but that image, it's the
- 11:20Speaker 9: key to understanding why Afghanistar was so important, why a
- 11:26Speaker 9: TV show could get a nation.
- 11:29Speaker 1: To come to a halt. Because when the Taliban were
- 11:36Speaker 1: in power the first time in the nineties, they did
- 11:41Speaker 1: everything they could to rid the world of music. Clerics
- 11:49Speaker 1: would tear out the ERDs of cassettes and string them
- 11:52Speaker 1: up from trees. Morality police went around smashing radios and
- 11:58Speaker 1: boomboxes with hammers. They conducted brutal raids on houses and
- 12:04Speaker 1: terrified people into submission. Think about that for just one second.
- 12:12Speaker 1: Think about all the songs you listen to today on
- 12:19Speaker 1: your commute or bopping around the house. The music you
- 12:25Speaker 1: heard in your car or hummed to yourself at the
- 12:29Speaker 1: grocery store. Think about the soundtrack of your life, from
- 12:36Speaker 1: the lullabies your mom sang, to road trips with friends,
- 12:42Speaker 1: piano lessons to first dances. Try to picture all.
- 12:48Speaker 9: Of that he raised.
- 13:00Speaker 1: Think about the absence of music. That's what happened in
- 13:06Speaker 1: Afghanistan on Silas. And the thing is, we tend to
- 13:22Speaker 1: take shows like The Voice and American Idol for granted,
- 13:26Speaker 1: shows that you binge when you want to zone out.
- 13:32Speaker 1: But here in Afghanistan, Afghanistan became a beacon, a reminder
- 13:42Speaker 1: to a shell shocked nation that it had permission, the
- 13:46Speaker 1: freedom really to sing again, to use their voices. Chapter
- 14:11Speaker 1: two An impossible Dream. So back to Dairud, the guy
- 14:17Speaker 1: we met at the top of the show. Long before
- 14:20Speaker 1: he set out to make Afghan star. He was already
- 14:23Speaker 1: a badass when the Taliban banned music. He kept adding
- 14:27Speaker 1: to his cassette collection, even though it could mean a
- 14:30Speaker 1: jail sentence or possibly death. At night, He'd traveled to
- 14:36Speaker 1: underground dance parties and hang out with Kabo's cultural dissidence,
- 14:39Speaker 1: people who'd risk their lives for art. He watched Bollywood
- 14:43Speaker 1: movies and fell in love with the heroes, and so
- 14:47Speaker 1: once the Taliban fell, he was determined he wanted to
- 14:51Speaker 1: be on screen, to be a star. And that's when
- 14:56Speaker 1: he met someone who changed his life. I named Sad Mosenne.
- 15:01Speaker 1: The walls are going to come to our rescue and
- 15:04Speaker 1: perhaps it's time for us Afghans, ourselves in our own ways,
- 15:09Speaker 1: to find a way out for the country. Sad had
- 15:12Speaker 1: launched a radio station in Kabu and then a TV
- 15:16Speaker 1: network that made news and soap operas and music shows,
- 15:20Speaker 1: and it wasn't long before Daoud found his way to
- 15:23Speaker 1: Sad's office to ask for a job.
- 15:26Speaker 3: Oh my god, this is my place, that's where I
- 15:29Speaker 3: want to be.
- 15:30Speaker 1: The two quickly hit it off.
- 15:32Speaker 3: We would like having jokes and fun and chit chat.
- 15:37Speaker 3: Give us this chance to be ourselves.
- 15:40Speaker 1: In a lot of ways. Sad story couldn't be more
- 15:42Speaker 1: different than Daoud's. He left Afghanistan in the seventies. We
- 15:47Speaker 1: took refuge in places like the US and Australia and
- 15:49Speaker 1: Europe because we were forced out of our homeland. Then,
- 15:53Speaker 1: in October two thousand and one, after American troops invaded
- 15:57Speaker 1: Afghanistan to topple the Taliban regime, So'd sinsed an opportunity.
- 16:02Speaker 1: It feels like a calling to go back. In his
- 16:04Speaker 1: mid thirties, at the time, Sad thinks this is it.
- 16:08Speaker 1: Afghanistan doesn't have a stock market, the media is dead.
- 16:13Speaker 1: He can do something. Before long Sad wants to change
- 16:18Speaker 1: the whole culture of Afghanistan, and he knows there's no
- 16:22Speaker 1: better way than through the small screen. He's determined to
- 16:26Speaker 1: make a splash. He's going to import soap operas and
- 16:30Speaker 1: put women news anchors on air. But most of all,
- 16:35Speaker 1: he wants to try out a new kind of show,
- 16:38Speaker 1: one that has never been seen in Afghanistan before American
- 16:43Speaker 1: Idol but Afghan And as if that isn't hard enough,
- 16:49Speaker 1: he wants to put it out in just a couple
- 16:51Speaker 1: of months to beat any competition to the idea. The
- 16:56Speaker 1: thing is, if this is going to work, Sad needs
- 16:59Speaker 1: someone he can try to handle it, someone who loves music,
- 17:02Speaker 1: someone who can pull favors and hustle to get this
- 17:05Speaker 1: to air. And that's when he starts yelling for someone
- 17:10Speaker 1: to get him daoude Chapter three, just go make a
- 17:24Speaker 1: show to hear Daoud tell it. The conversation didn't take
- 17:30Speaker 1: that long.
- 17:31Speaker 3: And I remember exactly this sentence, like you said, I
- 17:36Speaker 3: want you to make this show happen. I don't know
- 17:40Speaker 3: how go and make this show for us. That was
- 17:43Speaker 3: a big expectation, Like I knew this is not a
- 17:48Speaker 3: small show, this is something big. I didn't know how
- 17:51Speaker 3: to start, what to do, what will happen.
- 17:54Speaker 1: Sad is watching Daoud carefully waiting for an answer.
- 17:57Speaker 3: And after five to ten seconds pause, I said, okay,
- 18:02Speaker 3: I will make.
- 18:03Speaker 1: It, and then Sad hands him a DVD.
- 18:09Speaker 3: He gave me Australian Idol DVDs and he told me
- 18:15Speaker 3: go and watch this and try to make something like this.
- 18:19Speaker 1: Okay, that's it. That's the only guidance. He had a
- 18:25Speaker 1: few Australian Idol DVDs and now he has about sixty
- 18:30Speaker 1: days to go make the thing. So he puts the
- 18:32Speaker 1: DVDs into the machine and hits play.
- 18:35Speaker 7: I'm just gonna find my note.
- 18:42Speaker 1: What what sort of music do you like? To listen
- 18:44Speaker 1: to it and lock everything. I leve all styles of music.
- 18:47Speaker 2: App yes, mom, it's nothing kie.
- 18:54Speaker 1: Immediately he starts scribbling down notes as fast as his
- 18:57Speaker 1: hand will let him.
- 18:59Speaker 3: The stages, the lighting, and I don't have any clue
- 19:02Speaker 3: how it works.
- 19:04Speaker 1: He's never done anything like this before, never produced a
- 19:07Speaker 1: live show of any kind. He has so many things
- 19:11Speaker 1: he has to figure out. Singers, stage lighting, He's trying
- 19:15Speaker 1: to understand the format, the camera angles, the different components,
- 19:19Speaker 1: and he's trying to work out what he should tackle. First.
- 19:22Speaker 3: Okay, people are coming, and then audition happens, and then
- 19:27Speaker 3: come to judges.
- 19:31Speaker 1: He thinks maybe if he starts with a few judges,
- 19:34Speaker 1: he can build from there.
- 19:36Speaker 9: That's good.
- 19:36Speaker 3: I thought, that's one of the eazy things that they
- 19:38Speaker 3: can do in one or two days.
- 19:42Speaker 1: Except with Afghanistar, nothing's ever that easy. Back in two
- 19:46Speaker 1: thousand and five, Afghanistan didn't have pop stars. There were
- 19:50Speaker 1: no cool girl groups, no singers that shot to fame
- 19:54Speaker 1: on social media. Basically, not many good candidates to be
- 19:57Speaker 1: a judge on a reality show. But Daoud has an idea.
- 20:02Speaker 1: The one thing people hire performers for is weddings, so
- 20:06Speaker 1: he starts reaching out to random wedding singers.
- 20:10Speaker 3: I introduced myself and said, okay, this is the idea
- 20:13Speaker 3: of we want to make a music talent show. I
- 20:16Speaker 3: want you guys to be my judges.
- 20:18Speaker 1: He promises to put them on air, make them famous,
- 20:21Speaker 1: but all he's getting is blank stares. So Daoud explains
- 20:26Speaker 1: it in more detail. He talks about the performances, the exposure,
- 20:31Speaker 1: the spotlight.
- 20:32Speaker 3: And they said no, we can't come to this show.
- 20:36Speaker 1: Daoude is taken aback. He can't get his words out
- 20:39Speaker 1: fast enough.
- 20:40Speaker 3: Why why this is a good opportunity. You guys can
- 20:43Speaker 3: gain more name for yourselves and that will help you
- 20:46Speaker 3: to reach more people and people will know you.
- 20:49Speaker 1: But these singers haven't seen a show like this and
- 20:51Speaker 1: they don't think it will work. Nothing Daoud says can
- 20:55Speaker 1: change any of their minds. He's completely deflated. This was
- 20:59Speaker 1: supposed to be the easy part. And that's when he
- 21:04Speaker 1: gets another call from Sad. Sad tells him not only
- 21:08Speaker 1: do I need you to find male judges, I also
- 21:11Speaker 1: want a female judge.
- 21:14Speaker 3: When he said that, a break almost I said, what
- 21:18Speaker 3: you are talking about, Sade? What's going on with you?
- 21:21Speaker 3: Do you know you're an abon'stan. There was still people
- 21:28Speaker 3: supporters of Toliban, people with different opinions, more traditional, more religious.
- 21:36Speaker 3: They were against these ideas.
- 21:40Speaker 1: Daoud is losing it on the phone. He's thinking that
- 21:43Speaker 1: Taliban have only just left blue jeans, women returning to schools,
- 21:48Speaker 1: that stuff is just starting to come back. But putting
- 21:52Speaker 1: a woman on TV in a position of power that
- 21:56Speaker 1: feels like something this society isn't ready for yet. The
- 22:01Speaker 1: task feels so insane. He can't stop himself from yelling
- 22:05Speaker 1: into the phone.
- 22:06Speaker 3: I can't find a man to be a judge of
- 22:09Speaker 3: our true you are asking me to find a woman.
- 22:12Speaker 3: Are you crazy?
- 22:15Speaker 1: But sah, he's an optimist. He knows he's asking too
- 22:19Speaker 1: much of Daoude, but he's also got a lead, an
- 22:24Speaker 1: aspiring politician, and he says, just talk to her.
- 22:31Speaker 3: She was like shocked, what are we talking about. I'm
- 22:36Speaker 3: not a musician. I'm not a good choice for this.
- 22:40Speaker 1: But as Daoude keeps talking to her, he sees an opening.
- 22:44Speaker 3: I said, okay, I see you in a different interviews
- 22:49Speaker 3: and says thing about the presence of women and the
- 22:52Speaker 3: society in media and politics and all the things. If
- 22:56Speaker 3: you are not participating, then tomorrow, don't blame me if
- 23:01Speaker 3: I don't have any lady, any representative of women in
- 23:06Speaker 3: my show.
- 23:07Speaker 1: One guilt trip later and she's on board. That's one
- 23:11Speaker 1: judge down. Then Daoud's colleague suggests an old singer from
- 23:16Speaker 1: the villages, so Daoud gives him a call.
- 23:18Speaker 3: He just cuted me in the middle and said, you
- 23:20Speaker 3: guys are paying me. I said yes. He said, don't
- 23:23Speaker 3: worry about don't explain to me. I will come whatever
- 23:25Speaker 3: the show is.
- 23:27Speaker 1: He's so in need of money that he doesn't even
- 23:29Speaker 1: let Daoud finish his pitch.
- 23:31Speaker 3: Okay, I have two judges, he.
- 23:34Speaker 1: Just needs three to pull this off. So he approaches
- 23:37Speaker 1: a local music shop.
- 23:38Speaker 3: On it there was a guy he was okay singer
- 23:42Speaker 3: and he had a very good music instrument shop.
- 23:46Speaker 1: He also just released a song that was playing on TV,
- 23:49Speaker 1: which for Daoude is good enough. Daoud consults his Australian
- 23:55Speaker 1: Idol DVDs. He's officially checked off the first item find judges.
- 24:01Speaker 1: Now it's time for the fun part. Chapter four, Meet
- 24:11Speaker 1: the Stars. On audition day, Daoud is up early. He's
- 24:17Speaker 1: heading into the city center.
- 24:18Speaker 3: And rented one of the biggest rooms of this five
- 24:22Speaker 3: star hotel and in the middle of Coobol.
- 24:24Speaker 1: At that time, Daoud is thinking it's only been about
- 24:27Speaker 1: three years since the Taliban were in power. He has
- 24:30Speaker 1: no idea if even ten people will show up.
- 24:34Speaker 3: I went there at eight forty five. When I get close,
- 24:40Speaker 3: the streets are jammed. I thought, okay, Cobbol is a
- 24:43Speaker 3: big city, maybe that's normal traffic, but this is an
- 24:46Speaker 3: unusual jam.
- 24:50Speaker 1: Daoud elbows his way through the crowds, thinking what is
- 24:54Speaker 1: going on? He can't work it out.
- 24:56Speaker 3: Oh my god, police is there? Security is there?
- 24:59Speaker 9: This is a chaos.
- 25:00Speaker 1: As Thoud gets closer to the hotel, he realizes that
- 25:04Speaker 1: all of this chaos is his fault.
- 25:08Speaker 3: And now I see a big crowd of people in
- 25:12Speaker 3: front of the hotel.
- 25:13Speaker 1: These people have heard his advertisements and they've come to audition.
- 25:18Speaker 1: Plus they brought all their friends and family for support.
- 25:21Speaker 3: Security. If the hotel is so angry on us, like,
- 25:24Speaker 3: you guys are crazy? What's going on with you? What
- 25:27Speaker 3: type of show is this? What you guys are doing?
- 25:30Speaker 1: Hundreds of people have turned up and now they're all
- 25:33Speaker 1: crammed into the hotel lobby.
- 25:35Speaker 3: We had space for one hundred and twenty people. We
- 25:38Speaker 3: got these people and we took them upstairs and started
- 25:42Speaker 3: the audition.
- 25:43Speaker 1: The judges are sitting side by side at a long table.
- 25:47Speaker 1: On the wall behind them is a red banner with
- 25:49Speaker 1: a few yellow stars scattered across it and images of
- 25:53Speaker 1: men and women singing into microphones. This is about as
- 25:56Speaker 1: close as he can get to Australian idol on his budget.
- 26:00Speaker 1: One by one, people step into the room to audition.
- 26:04Speaker 3: Some of them were dancing, some of them were singing
- 26:07Speaker 3: like English songs. Some of them like Indian songs.
- 26:11Speaker 1: There's just one problem.
- 26:12Speaker 3: They thought they are very good singers, genuinely, but they
- 26:19Speaker 3: were terrible singers.
- 26:21Speaker 1: Got me Hevy lights On Gote heavy light us On,
- 26:39Speaker 1: I why why His Australian Idol DVDs have taught him
- 26:49Speaker 1: that terrible singing is a big part of what makes
- 26:51Speaker 1: these shows great. Everyone knows the audience loves shower singers
- 26:56Speaker 1: and karaoke hogs and people who think they're great because
- 26:59Speaker 1: they're says they are. But as contestant after contestant walks
- 27:04Speaker 1: up to the mic belting out awful sounds, that dude
- 27:08Speaker 1: starts to get nervous. Where were the people you could
- 27:11Speaker 1: actually root for?
- 27:20Speaker 2: No no, no, no no no no no no no
- 27:22Speaker 2: no no no no no no no no no no.
- 27:27Speaker 1: But just when all seems lost, like the show might
- 27:30Speaker 1: fail because no one here can hold a tune, a
- 27:33Speaker 1: young guy steps in front of the judges.
- 27:37Speaker 2: Zendiggiecausafer, Hey, you casufer.
- 27:48Speaker 1: Koy some.
- 27:50Speaker 2: Johnny Coy John Hey you can yes Sie the girl.
- 28:04Speaker 1: And Daou thinks this is who I've been waiting for.
- 28:09Speaker 7: Gooy so.
- 28:11Speaker 2: Johnny goodie joy.
- 28:35Speaker 1: Hey, it's John Legend If you've been listening, you already
- 28:38Speaker 1: know that Afghanstar is a tale of resistance and hope.
- 28:43Speaker 1: For fifteen years, Afghanstar was a beacon, but when the
- 28:47Speaker 1: Taliban returned to power, they shut the show down along
- 28:51Speaker 1: with so many Afghan rights. They banned music, education for
- 28:55Speaker 1: girls and women, and they continue to clamp down on
- 28:59Speaker 1: everyone freedoms. But there are ways to show your support.
- 29:04Speaker 1: We've teamed up with AWA Studios and their incredible graphic
- 29:08Speaker 1: artists to illustrate some of the most extraordinary moments in
- 29:12Speaker 1: this podcast. There is a unique print for each episode,
- 29:17Speaker 1: bringing to life powerful moments that are moving and inspiring,
- 29:22Speaker 1: and there's an unforgettable print based on a painting from
- 29:26Speaker 1: superstar artist Raza that represents the spirit of hope embodied
- 29:31Speaker 1: by the show. Art and music have the power to
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- 29:44Speaker 1: be donating to the Nore Initiative, a nonprofit working to
- 29:47Speaker 1: ensure that every Afghan girl has access to education and opportunity.
- 29:55Speaker 1: For more information on our collaboration with AWA, the artworks
- 29:59Speaker 1: available to listeners and to learn more about the NORE Initiatives'
- 30:04Speaker 1: efforts to educate, support independent media, and transform lives across
- 30:09Speaker 1: the region. Head to the link in our show notes below,
- 30:17Speaker 1: Chapter five. Shakib had.
- 30:37Speaker 2: I was driving a van, you know like Uber and Lyft.
- 30:43Speaker 2: While I driving, I was singing a lot and there
- 30:48Speaker 2: was the passengers always saying like, oh you have a
- 30:51Speaker 2: good advice.
- 31:00Speaker 1: Oh no leg In the behind the scenes biographies you
- 31:08Speaker 1: get about contestants on reality shows, you often hear about
- 31:12Speaker 1: the feel good the way Shakib likes to dance to Bollywood,
- 31:16Speaker 1: the way his favorite passenger won't get out of the
- 31:18Speaker 1: car until he's done an encore. But this is not
- 31:22Speaker 1: a normal reality show. This is taking place in Afghanistan.
- 31:31Speaker 1: That is the picture.
- 31:32Speaker 2: That's my father there.
- 31:35Speaker 1: He was a peaceful person.
- 31:39Speaker 2: I you gonna tell you about something, Let me smoke
- 31:42Speaker 2: a sign, give me one minute.
- 31:48Speaker 1: Not long ago, Shakiv's father was murdered.
- 31:52Speaker 2: It's too hard if you see your father in peace,
- 31:56Speaker 2: you know, like dam dum dum, dun dumb someone coming
- 31:59Speaker 2: in sociding them. And the legs is somewhere, you know,
- 32:02Speaker 2: the head is somewhere, the body is you.
- 32:05Speaker 1: Know, like his older brother was murdered too.
- 32:13Speaker 2: My brother was always playing soccer. He was crazy about soccer. Wow,
- 32:21Speaker 2: during halftime, the rockets come there and you know, boom.
- 32:27Speaker 1: So now Shakiv is alone in providing for his mother
- 32:31Speaker 1: and sister. He thinks auditioning is a waste of time,
- 32:35Speaker 1: but his mom won't take no for an answer.
- 32:40Speaker 2: My mom, you know, took me there like case and
- 32:42Speaker 2: don't worry.
- 32:43Speaker 1: I gotta pray for you. So she drives him to
- 32:47Speaker 1: the audition with his cousins in tow and watches as
- 32:51Speaker 1: Shakiv is welcomed onto the stage by Daoud. Like many
- 32:56Speaker 1: of the contestants, Shakiv sings a song by one of
- 32:59Speaker 1: the own famous Afghan singers, Ahman Sahir a k a.
- 33:04Speaker 2: The Afghan elvis Ahmazare was my favorite.
- 33:10Speaker 1: As mama, as me.
- 33:18Speaker 4: As me, they got me.
- 33:30Speaker 2: As the matz me as mesafer me kum deblah bosi
- 33:44Speaker 2: so it they got me kum.
- 33:50Speaker 1: The judges like it so much they ask him to
- 33:53Speaker 1: perform another.
- 33:55Speaker 2: And then I sing farhad daya song mm hmm, blundyitoza
- 34:06Speaker 2: javonido and they was like, make noises like that.
- 34:17Speaker 3: Over to Mamo all along the.
- 34:25Speaker 1: A smile spreads across his face. Shakid is a natural
- 34:30Speaker 1: and with that, Afghanstar has its first real contender.
- 34:35Speaker 2: When I was selected, you know, like my mom was crying.
- 34:39Speaker 1: She was so happy.
- 34:43Speaker 2: She was like hugging me and saying, Snai, proud of you.
- 34:47Speaker 1: I I knew it.
- 34:48Speaker 2: You're gonna make it.
- 34:57Speaker 1: Chapter six, the race. Too many people have shown up
- 35:06Speaker 1: for the audition. Daoud has hundreds of contestants on tape,
- 35:10Speaker 1: but people are still queuing outside begging to be heard.
- 35:15Speaker 1: Before long, Dawood has to reverse course. All the advertisements
- 35:20Speaker 1: telling people to come an audition are pulled from TV
- 35:23Speaker 1: and radio and they're replaced with the opposite.
- 35:28Speaker 3: And we made I advertise to people that please don't come.
- 35:34Speaker 3: The show is finished, the recording is done, Please don't
- 35:37Speaker 3: come to this area.
- 35:40Speaker 1: Dawoud feels good about his recordings. He has all the
- 35:43Speaker 1: tape he needs, but now he's got an even bigger
- 35:47Speaker 1: task editing. The first episode is airing in just a
- 35:51Speaker 1: few days now.
- 35:53Speaker 3: I have like tons of footage in front of me
- 35:57Speaker 3: and I need to make a show from this. A
- 36:00Speaker 3: huge responsibility. Oh my god, I have like a mountain
- 36:05Speaker 3: on my shoulders.
- 36:07Speaker 1: And right now that mountain is looking. Mount ever is tall.
- 36:12Speaker 1: Remember this is two thousand and five, so before they
- 36:15Speaker 1: can edit anything, they need to transfer the footage to
- 36:18Speaker 1: their computers. And these aren't high tech machines. They're doing
- 36:21Speaker 1: this on a shoe string, so it takes them two
- 36:24Speaker 1: full days. Time is slipping away. That wood is frantically editing.
- 36:30Speaker 1: He doesn't even have time for sleep.
- 36:33Speaker 3: And nine pm we need to have a show on
- 36:37Speaker 3: air because we already advertised Afgne Star Show is coming.
- 36:41Speaker 1: But it's eleven am and only half of the show
- 36:44Speaker 1: is rending.
- 36:45Speaker 3: I have the bit stress. I have like working under
- 36:48Speaker 3: the hardest stress in my life at that moment, especially
- 36:53Speaker 3: after twelve o'clock, when whenever the time is getting close,
- 36:57Speaker 3: my dispressure goes up.
- 37:01Speaker 1: After a few hours, thou would starts to relax, but
- 37:08Speaker 1: then he realizes he's missing something.
- 37:12Speaker 3: Where is the beginning and end of the show? My god,
- 37:15Speaker 3: I don't have announcement to say, Hi, welcome to afghanist
- 37:18Speaker 3: Our show. I am the Ouzedigree. This is the first time.
- 37:22Speaker 3: Thank you so much for watching.
- 37:24Speaker 1: In the chaos of the auditions, they forgot to record
- 37:27Speaker 1: an intro.
- 37:28Speaker 3: Like I have two three hours to the show. Being aired,
- 37:34Speaker 3: but slowly, slowly getting darker. And it's Friday that most
- 37:37Speaker 3: of our colleagues left the office.
- 37:40Speaker 1: That gets up from his desk and starts running around
- 37:43Speaker 1: the office looking for someone to help. But everyone who
- 37:46Speaker 1: knows how to operate a camera has gone home except
- 37:49Speaker 1: for one guy, a cameraman who works for the news team.
- 37:53Speaker 3: Okay, ask him, you need to come with me. He
- 37:55Speaker 3: was not interested. They need to talk to my manager.
- 37:58Speaker 3: I said, just take your camera.
- 38:01Speaker 1: You're Mike.
- 38:02Speaker 3: Come with me, please.
- 38:04Speaker 1: That would cannot believe he's wasting the last minutes of
- 38:07Speaker 1: daylight trying to persuade this guy to roll some film.
- 38:10Speaker 3: We drove to this hotel again, but that would needs.
- 38:15Speaker 1: The opener to be stylish, so he makes a pit
- 38:17Speaker 1: stop at a nearby music store.
- 38:19Speaker 3: I got one of the guitars in my shoulder. I
- 38:22Speaker 3: kind of make a style for myself for the first show,
- 38:25Speaker 3: and I basically recorded my introduction in this hotel. Run
- 38:31Speaker 3: back to Tolo TV and put it in front.
- 38:33Speaker 2: Of the show.
- 38:39Speaker 1: The show is airing at nine PM, and now at
- 38:42Speaker 1: two minutes before nine, they only have the first twelve
- 38:45Speaker 1: minutes lined up and ready to go.
- 38:47Speaker 3: I'm running between the control room and the editor like,
- 38:51Speaker 3: or you finish, please export, please.
- 38:52Speaker 1: But the computers are moving too slowly. Part two of
- 38:56Speaker 1: the show isn't ready and the ads are almost over.
- 39:00Speaker 1: Is racing between rooms begging people to just export whatever
- 39:03Speaker 1: they have.
- 39:04Speaker 3: We put some extra advertisement to give us a little
- 39:07Speaker 3: bit of time.
- 39:08Speaker 1: They start patting the show with extra ads to give
- 39:11Speaker 1: them cushion. Part two is ready, it goes on air,
- 39:14Speaker 1: but Part three is so far behind, so they play
- 39:17Speaker 1: more commercials. They do that over and over again. Daoud's
- 39:22Speaker 1: blood pressure is through the roof.
- 39:24Speaker 3: Basically, I run from the control room and edit room
- 39:28Speaker 3: for the entire show, and the show was aired, and
- 39:33Speaker 3: I'm exhausted, so I don't care about anything right now.
- 39:43Speaker 3: I just delivered the show. It's fine. I didn't see
- 39:45Speaker 3: the show. I don't know what it looks like, how
- 39:48Speaker 3: it feels like, what it is. I put something on.
- 39:51Speaker 1: Air, and as you know, thou doesn't stick around to watch.
- 40:09Speaker 1: He needs to go to bed, so it won't be
- 40:14Speaker 1: until morning that he turns on his car radio and
- 40:17Speaker 1: finds out the show he just aired has kicked off
- 40:22Speaker 1: a revolution.
- 40:33Speaker 8: It was something new like never before in the history
- 40:36Speaker 8: of Afghanistan.
- 40:38Speaker 3: Moving a visor from one house to another house. It
- 40:42Speaker 3: was kind of like moving a truck full of drugs.
- 40:46Speaker 9: I think it was called Devil's Star by some people.
- 40:49Speaker 5: They actually said that my head should be cut off,
- 40:54Speaker 5: and whoever that cuts off my head and brings it
- 40:56Speaker 5: to them, they will go to heaven.
- 41:00Speaker 1: That's this season on Afghanis Stars.
- 41:05Speaker 4: Asma John Name done by Your de What do Gilia?
- 41:36Speaker 1: Afghanistar is a Kaleidoscope production in collaboration with iHeart Podcasts,
- 41:42Speaker 1: produced by samas dot Audio and hosted by me John
- 41:46Speaker 1: Legend from samas dot Audio. The series producer is Mira Kumar.
- 41:52Speaker 1: Our executive producers are Joe Sykes and Dasha Listitsina. Mix
- 42:01Speaker 1: and sound designed by Jeff Imptman, Story editing by Joe Sikes,
- 42:08Speaker 1: with original composition by Kyle Murdoch, Recording engineer Tim McClain.
- 42:16Speaker 1: Chapter artwork by A W A Studios Ramushamony from Kaleidoscope.
- 42:24Speaker 1: The executive producers are Kate Osborne, Mengesh Hatikadur Oz Volisian
- 42:29Speaker 1: and Costas Linos from iHeart. The executive producers are Ali
- 42:34Speaker 1: Perry and Katrina Norbel. Social Media by Dara Potts and
- 42:39Speaker 1: Vaheeny Shoori Special Thanks to Tom Freston, Lizzie Jacobs, Will Pearson,
- 42:50Speaker 1: Carrie Lieberman, Nikki Etore, Bob Pittman, John Sykes, con O
- 42:55Speaker 1: Byrne Sad Mussenni and the Moussenni family, Matthew Anderson, an
- 43:00Speaker 1: Axo Alonso, whoa, oh, thank you