Latest / The Steve Harvey Morning Show / Award-winning film producer, Aaliyah Williams, talks "Real Love," & reveals how she went from the mailroom to Hollywood!
Transcript
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- 1:02Speaker 1: last time you took a time out. I'm Ev Rodsky,
- 1:05Speaker 1: author of the New York Times bestseller A Fair Play
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- 1:11Speaker 1: of Labor, attorney and family mediator. And I'm doctor Addina Rukar,
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- 1:18Speaker 1: the science of stress resilience. Mental health and burnout. We're
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- 1:54Speaker 1: Listen to Time Out, a fair play podcast on the
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- 2:01Speaker 1: your podcast. My guest today is a Leah Williams from
- 2:07Speaker 1: Oklahoma and Arkansas. You know I had to say that
- 2:09Speaker 1: because I'm a Texas boy. I got to go let
- 2:12Speaker 1: everybody whenever somebody comes near Texas, I got little my
- 2:15Speaker 1: up front. She is a graduate of Harvard University, Peabody
- 2:19Speaker 1: Award nominated producer and founder of Just the Rebel, and
- 2:22Speaker 1: television and film production company focuses on contemporary stories that
- 2:26Speaker 1: center and celebrate Black women. I have six sisters, so
- 2:29Speaker 1: I appreciate that just the Rebels first look deal with
- 2:33Speaker 1: CBS Television Studios has been renewed for a second year.
- 2:37Speaker 1: She's on the on the show to discuss her career,
- 2:39Speaker 1: the journey, and the future of her production company, Just
- 2:42Speaker 1: the Rebble, Please work with the money making conversation for
- 2:45Speaker 1: the very first time, not the last time. A Leah Williams,
- 2:48Speaker 1: how you doing, Lia? You know I'm doing all right
- 2:51Speaker 1: this morning. It's lovely to be here with you. Well.
- 2:54Speaker 1: The beauty of this doing visual and doing video. I
- 2:57Speaker 1: can see this brilliant smile that you have is it
- 3:00Speaker 1: has to be a blessing to be able to deliver
- 3:03Speaker 1: a smile like that, especially when you meet people. You
- 3:06Speaker 1: your pitching ideas and your smile. It's sunshine, young ladies,
- 3:10Speaker 1: sunshine tell us about that and tell you about my smile.
- 3:14Speaker 1: Absolutely come because you come on out, come on the live.
- 3:18Speaker 1: This ain't the first time you've been complimented about this
- 3:20Speaker 1: fantastic smile. This smile has been you to close deals.
- 3:25Speaker 1: This smile has been you to get in building she's
- 3:28Speaker 1: not supposed to be in. I know this smiling, she's
- 3:32Speaker 1: gonna go smile you're talking about this person. Thank you
- 3:36Speaker 1: very much. But I have to give all that credit
- 3:39Speaker 1: to my mother's stay William thing that she would say
- 3:44Speaker 1: to me every day. Every morning, she would say this
- 3:47Speaker 1: to me and my sister Kia, smile and the world
- 3:50Speaker 1: will smile with you. And she would say she would
- 3:53Speaker 1: say that, and she always told us to close their
- 3:55Speaker 1: mouths and listen. I didn't always do that, but the
- 3:59Speaker 1: smile on the world will smile with you is um,
- 4:02Speaker 1: something that I've always carried with me and um, you know,
- 4:06Speaker 1: there are definitely situations where it is hard to smile,
- 4:11Speaker 1: but I definitely try to bring that into all aspects
- 4:15Speaker 1: of my life, UM, and especially in the stories that
- 4:18Speaker 1: I want to tell. For black people, I think we
- 4:20Speaker 1: deserve joy. And you know, it's one of the reasons why,
- 4:24Speaker 1: uh my logo for my company, I've wanted to find
- 4:27Speaker 1: the brightest yellow possible show case that we deserve joy.
- 4:33Speaker 1: I mean, yeah, even even the drama UM projects that
- 4:37Speaker 1: I have, there are some levity to them because I
- 4:39Speaker 1: do believe that, um, too many times black stories are
- 4:44Speaker 1: relegated to the trauma that we carry versus all of
- 4:48Speaker 1: the other amazing aspects that we are as a people. Well,
- 4:51Speaker 1: you know the reason I bring that up because when
- 4:53Speaker 1: you come on my show. I'm a guy. I'm a
- 4:55Speaker 1: very visual guy, and I noticed things and that's my
- 4:58Speaker 1: third eye. I can see things and as he blessings
- 5:01Speaker 1: and your smile is a blessing and a lot of
- 5:03Speaker 1: people don't realize that that's that just those simple gifts
- 5:06Speaker 1: that God give you can enable you to, you know,
- 5:09Speaker 1: make your dreams come true, enable you to o well,
- 5:12Speaker 1: create opportunities that wouldn't be available for ordinary people. And
- 5:16Speaker 1: it's it's important to take advantage of all these talents.
- 5:19Speaker 1: That's one talent, your ability is that you're very articulate
- 5:23Speaker 1: and so and you you know, because when once you
- 5:26Speaker 1: say as Oklahoma, Arkansas, Texas, you know, they always have
- 5:29Speaker 1: these stereotypes. And then when they throw this then you're black.
- 5:32Speaker 1: That's even deeper stereotypes. And then you're throwing at the
- 5:35Speaker 1: front of your resume Harvard graduate. Come on girl, come
- 5:38Speaker 1: on now, yes, yes, no, I I'm very proud of
- 5:46Speaker 1: the opportunities that you know, my my parents pushed me
- 5:50Speaker 1: towards and that I, um, you know, actively work towards.
- 5:54Speaker 1: And um, I had a wonderful experience at Harvard. Um
- 5:59Speaker 1: you know, go go in there is an eighteen year
- 6:01Speaker 1: old after growing up in the South and the Midwest.
- 6:05Speaker 1: UM was definitely a culture shock in a lot of
- 6:07Speaker 1: different ways. But it just opened me up to so
- 6:10Speaker 1: many incredible people, so many incredible experiences, UM, and UM
- 6:16Speaker 1: really shaped who I am in a lot of different ways.
- 6:19Speaker 1: And UM. You know, one thing that I will say
- 6:22Speaker 1: about a Harvard College education, like, it's not necessarily about
- 6:26Speaker 1: what you concentrated in, like what your major was. UM.
- 6:30Speaker 1: It really was a curriculum that challenged you to think
- 6:33Speaker 1: and how do you um open up your perspective on
- 6:37Speaker 1: the world. UM. And so uh and you know, so
- 6:41Speaker 1: many of the people that I met UM from that
- 6:44Speaker 1: time are still uh a huge part of my life
- 6:48Speaker 1: in a lot of different ways. UM. I you know,
- 6:52Speaker 1: I'm I'm a little sad this morning because this weekend
- 6:55Speaker 1: I lost one of my dearest friends who lost her
- 6:57Speaker 1: battle with cancer. Double Harvard graduate Christia Donaldson, who was
- 7:02Speaker 1: a big sister to me and also a beacon in
- 7:05Speaker 1: terms of her entrepreneurial journey UM as the founder of
- 7:09Speaker 1: Thank God I'm Natural hair product line. UM. But anyway,
- 7:14Speaker 1: Harvard was a wonderful experience and I'm super glad that
- 7:16Speaker 1: that's part of who I am, Well, you know, I'm
- 7:19Speaker 1: a cancer survivor. So when then in one I lose
- 7:21Speaker 1: a friend, use a caller, a friend and I don't
- 7:25Speaker 1: know her, but I know she fought the same battle.
- 7:27Speaker 1: And I'm fighting all the time. Because just because you
- 7:28Speaker 1: surviving doesn't necessarily mean the cancer is not going to
- 7:31Speaker 1: come back. But what it does allow me to understand
- 7:34Speaker 1: that you have to live your life and your dreams
- 7:36Speaker 1: are possible as long as you planned them. So and
- 7:39Speaker 1: I see you as a planner, you know, because of
- 7:41Speaker 1: the fact that you have never let stereotype stereotype of
- 7:44Speaker 1: being an African American female, stereotype coming from the South,
- 7:47Speaker 1: coming from Oklahoma, orcanshol and then you went to Harvard,
- 7:51Speaker 1: you graduated, How did you migrate to Los Angeles? Leah,
- 7:56Speaker 1: you know it was it was it was a fun,
- 7:58Speaker 1: windy world. Um. I didn't necessarily, you know, coming from
- 8:02Speaker 1: having Southern black parents. After going to Harvard, they were like, Okay,
- 8:05Speaker 1: you're going to meddle school. You going to in school?
- 8:07Speaker 1: Like what graduate school are you doing? And I really
- 8:10Speaker 1: wasn't clear. Um. So I worked in financial services in
- 8:14Speaker 1: New York and Chicago and strategy. UM and I did
- 8:17Speaker 1: like every you know, other good graduate of my class
- 8:21Speaker 1: was preparing my applications to business school. UM and gratefully
- 8:25Speaker 1: I am an alum of the Ron Brown Scholar program.
- 8:29Speaker 1: And they put on a conference. Um the first time
- 8:32Speaker 1: they put on a conference about the arts and entertainment industry.
- 8:35Speaker 1: UM and UH, a wonderful man, Charles King, gave a
- 8:39Speaker 1: fireside chat about his life as a super agent, and
- 8:41Speaker 1: I was like, oh my god, this is so interesting.
- 8:43Speaker 1: It was like the first time that I heard the
- 8:45Speaker 1: phrase like, you know, the intersection of art and commerce,
- 8:49Speaker 1: which was so interesting to me. UM. Malcolm d Lee
- 8:52Speaker 1: gave a talk about how he had, you know, put
- 8:55Speaker 1: together the best man and UM, I just connected with
- 8:57Speaker 1: a lot of different folks that showed me that there
- 9:00Speaker 1: was this creative path that I didn't realize was a
- 9:04Speaker 1: real career. UM and so I was unfulfilled in what
- 9:08Speaker 1: I was doing. I was doing well, but it just
- 9:10Speaker 1: didn't completely feel all every aspect of who I am.
- 9:14Speaker 1: And so UM, I took the leap. I quit my job.
- 9:18Speaker 1: You know, I had friends out in l A who
- 9:20Speaker 1: were in very studies as a film school, and I
- 9:22Speaker 1: moved out to l A, drove across country from New
- 9:25Speaker 1: York and UM a week after I got here, after
- 9:28Speaker 1: having some informational UH coffees and conversations with literally anyone
- 9:34Speaker 1: that I could connect within my network, UM, I started
- 9:38Speaker 1: working in the mail room at Endeavor, one of the
- 9:41Speaker 1: major talent agencies which is now called w ME. But
- 9:45Speaker 1: UM I started in the mail room. After two weeks,
- 9:49Speaker 1: one of the partners put me in the motion picture
- 9:52Speaker 1: lit group, which was a great experience to really kind
- 9:55Speaker 1: of get to know the industry UM and hone my
- 10:00Speaker 1: my ability to you know, read scripts, understand different writers
- 10:03Speaker 1: and directors, get a sense of what my taste was
- 10:07Speaker 1: in a lot of different ways. And you know, from
- 10:09Speaker 1: that one year of working at the agency, UM one
- 10:13Speaker 1: of the agents connected me with my first job out
- 10:16Speaker 1: of the agency, working for an incredible producer, Effie Brown.
- 10:21Speaker 1: Let's go back to that mail room experience, because a
- 10:23Speaker 1: lot of people don't realize that that is how you
- 10:25Speaker 1: break into the big agency world is the mail room.
- 10:29Speaker 1: And UH a lot oftentimes the mail room doesn't come
- 10:32Speaker 1: with pay, and your situation would and so a lot
- 10:35Speaker 1: of people don't know that. You know, so you work
- 10:38Speaker 1: in the middle. This did come with pay. Was a
- 10:40Speaker 1: lot of pay. Right, so it feels like no pay
- 10:44Speaker 1: don't I'm just feels like no pay coming from you know.
- 10:47Speaker 1: I I was had a decent salary and four oh
- 10:51Speaker 1: one kme. So like my dad was like, so we wait.
- 10:56Speaker 1: And this is the funny point about this conversation that
- 10:58Speaker 1: you're having with your parents, Like when I when I
- 11:00Speaker 1: told my mom and dad, you know, I go to
- 11:02Speaker 1: your age and get a math degree, mind and sociology
- 11:05Speaker 1: and then I go work for IBM, and I tell
- 11:07Speaker 1: them I'm equit to be a stand up comedian. So
- 11:09Speaker 1: that's the extreme. Okay, that's what I told my parents,
- 11:11Speaker 1: all right, and they went, okay, we love you, but humble.
- 11:17Speaker 1: So you go from Oklahoma, Texas, go to Harvard, right,
- 11:20Speaker 1: got this great job in New York, drive across the country,
- 11:23Speaker 1: and you're working in the mayor room for way less money.
- 11:26Speaker 1: Talk about that conversation, because that's where a lot of
- 11:28Speaker 1: people don't understand that you have to sacrifice and then
- 11:32Speaker 1: also time you got to take a step back to
- 11:34Speaker 1: take it, to take some steps. I don't know if
- 11:36Speaker 1: that's a step back though, you know, when you when
- 11:38Speaker 1: I hear people say that, because that's part of the
- 11:40Speaker 1: process because you said going out on faith. When you're
- 11:43Speaker 1: going out on faith, that means that there's a plan
- 11:46Speaker 1: in process, and you know, like you know, and I know.
- 11:48Speaker 1: If you want to get in the big agency, you
- 11:50Speaker 1: gotta get in that mail room. And when you're the
- 11:51Speaker 1: able mayor room, you have to be humble on top
- 11:54Speaker 1: of your job. You keep walking around there with no attitude.
- 11:56Speaker 1: You get to see all the top game you get
- 11:58Speaker 1: to see stars come through those wars. You can mega
- 12:01Speaker 1: producers and directors that you read about in the entertainment magazines.
- 12:05Speaker 1: So you can't be oh my god, and so you
- 12:08Speaker 1: have to be professional all the time. So when I
- 12:11Speaker 1: don't really see as a step backwards when I hear
- 12:13Speaker 1: people say that, because you said it from the beginning,
- 12:15Speaker 1: rachae I went on faith, Faith is a plan. I
- 12:19Speaker 1: would tell people you have to have a plan when
- 12:21Speaker 1: you do something on faith. I'm sorry. And then, but
- 12:24Speaker 1: what did your parents say when they told you you
- 12:26Speaker 1: told him he was in the mail room. That's the funny,
- 12:28Speaker 1: but that's the part of the conversation I want to
- 12:29Speaker 1: hear a little. My dad was like, wait a minute,
- 12:35Speaker 1: so you're telling me that you went to Harvard and
- 12:38Speaker 1: now you're basically a goper. Like and I was like, okay, Dad,
- 12:46Speaker 1: I want you to read this book the mail room.
- 12:48Speaker 1: Like he was trying. He was just you know, he
- 12:51Speaker 1: was trying to work with Try to work with your doughter.
- 12:54Speaker 1: You're trying. He's like, I don't understand. But like they
- 12:58Speaker 1: were super supportive. I was like, listen, and I'm giving
- 13:00Speaker 1: myself two years to figure this out. Um. And I
- 13:05Speaker 1: you know, I worked there was a company that I
- 13:08Speaker 1: had studied for the g MAP with that thankfully allowed
- 13:12Speaker 1: me to start working for them. And so I while
- 13:14Speaker 1: I was working for you know, all my jobs, working
- 13:18Speaker 1: for different people as an assistant, I was also tutoring
- 13:22Speaker 1: for the GMAT on the side. You would have different
- 13:24Speaker 1: clients and teaching classes virtually, so that supplemented my income. Also,
- 13:29Speaker 1: you know, writing coverage scripts to add add money. So
- 13:32Speaker 1: you just do what you gotta do. And then, um,
- 13:34Speaker 1: you know, my path was always working for other people
- 13:37Speaker 1: while also making content on my own with different writers
- 13:41Speaker 1: and directors in my network, um and building that way. Um.
- 13:45Speaker 1: And so you know, most of the times I would
- 13:48Speaker 1: work with people who were very supportive of that. Sometimes
- 13:51Speaker 1: that conflicted and you had to kind of I had
- 13:53Speaker 1: to kind of navigate that UM. But as my career
- 13:56Speaker 1: went on, you know, it all merged and so my
- 14:00Speaker 1: jobs at UM, like when I got to working at Macro, UM,
- 14:05Speaker 1: that was my job was to make content. And I
- 14:08Speaker 1: always told Charles it was my dream job at the time,
- 14:11Speaker 1: which was wonderful because I got to learn from him
- 14:13Speaker 1: and people like Poppy Hanks and Can Roth and UM
- 14:17Speaker 1: really had a lot of UM I'd say, license to
- 14:22Speaker 1: not just do short form content, but also to explore
- 14:26Speaker 1: and learn about long phone content. And so you know,
- 14:30Speaker 1: one of the first digital projects that I brought up
- 14:32Speaker 1: in UM became the television show Hint to Side that
- 14:36Speaker 1: is now in its second season on Netflix. UM and
- 14:39Speaker 1: I was the one that brought in the movie Really Love,
- 14:43Speaker 1: written by Felicia Pride and directed by Angel Christie Williams,
- 14:47Speaker 1: who also co wrote the script, and UM, you know,
- 14:51Speaker 1: after after making that movie, we'll be right back with
- 14:54Speaker 1: more money making conversation with television and film producer Leoh Williams,
- 14:58Speaker 1: It's finally here, the season of celebration, and no matter
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- 15:12Speaker 1: make those traditions special. Plus you'll find gifts for all
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- 15:53Speaker 1: dot com. What grows in the forest trees, sure no
- 15:58Speaker 1: one else grows in the forest, imagination, a sense of wonder,
- 16:02Speaker 1: and our family bonds grow too, because when we disconnect
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- 16:13Speaker 1: The forest is closer than you think. Find a forest
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- 16:19Speaker 1: Org Brought to you by the United States Forest Service
- 16:22Speaker 1: and the AD Council. And we're live here outside the
- 16:26Speaker 1: Perez family home, just waiting for the And there they go,
- 16:30Speaker 1: almost on time. This morning. Mom is coming out the
- 16:33Speaker 1: front door strong with a double arm kid carry. Looks
- 16:35Speaker 1: like dad has the bags daughter he is bringing up
- 16:38Speaker 1: the rear. Oh but the diaper bag wasn't closed. Diapers
- 16:42Speaker 1: and toys are everywhere. Oh but mom has just nailed
- 16:47Speaker 1: the perfect car seat buckle for the toddler. And now
- 16:50Speaker 1: the eldest daughter, who looks to be about nine or ten,
- 16:53Speaker 1: has secured herself in the booster seat. Dad SIPs the
- 16:56Speaker 1: bad clothes and they're off. Ah, but looks like m
- 17:00Speaker 1: doesn't realize your coffee cup is still on the roof
- 17:02Speaker 1: of the car. And there it goes. That's a shame
- 17:07Speaker 1: that mug was a fan favorite. Don't sweat the small stuff.
- 17:10Speaker 1: Just nailed the big stuff, like making sure your kids
- 17:12Speaker 1: are buckled correctly in the right seat for their agent's eyes.
- 17:15Speaker 1: Learn more than n h t s A dot gov
- 17:16Speaker 1: slash the right Seat. Visits h T s A dot
- 17:20Speaker 1: gov slash the Right Seat Brought to you by NITZA
- 17:23Speaker 1: and the AD Council. This is ra Sean McDonald. Welcome
- 17:27Speaker 1: back to money making conversations as I continue my conversations
- 17:30Speaker 1: with television and field producer Leah William Let's pump, Let's
- 17:33Speaker 1: pump the brakes now right now? Oh really, low, okay,
- 17:36Speaker 1: really look now, that's that's what we're gonna talk a
- 17:38Speaker 1: little detail about this because you know, as soon as
- 17:41Speaker 1: I read that, it said iconic love story a k A.
- 17:45Speaker 1: Love Jones, you know. Okay, you know, and they got
- 17:48Speaker 1: my titcher right there. They got my titcher right there,
- 17:52Speaker 1: love Chum, that's my movie right there. Okay, Nia long
- 17:56Speaker 1: come on now smoking word. Well it's funny because so
- 18:02Speaker 1: I you know, when I first found out about the script, Um,
- 18:06Speaker 1: I had been following Angel for a while. I really
- 18:09Speaker 1: loved her short films. Um, you have become very friendly
- 18:13Speaker 1: and brand in the same you know, black filmmaker circles.
- 18:17Speaker 1: And she was on the set of a project that
- 18:19Speaker 1: I produced, Collamer Park Um. She is also on BT
- 18:24Speaker 1: Plus right now. Park is right in uh don't preach
- 18:28Speaker 1: y'all right, Beautiful Area, Grateful, wonderful digital series created by
- 18:36Speaker 1: this wonderful women, and she happened to be on set
- 18:39Speaker 1: supporting her friend Mel Jones and Um, she came up
- 18:43Speaker 1: to me when I was going I was gonna go
- 18:44Speaker 1: offset to go grab like some Jamaican patties as a
- 18:47Speaker 1: treat for the crew and everybody, and she's like, you know,
- 18:51Speaker 1: I really want to talk to you. I was like, well,
- 18:52Speaker 1: you don't enroll me while I don't get these patties.
- 18:54Speaker 1: It was like yeah, So she's like, you know, I
- 18:56Speaker 1: really wanted to talk to you because I think I
- 18:59Speaker 1: finally found the script that's gonna be my future my
- 19:02Speaker 1: first future film that I'm going to direct. And I
- 19:04Speaker 1: was like, oh, really, tell me about it. And she's like, well,
- 19:07Speaker 1: it's it's basically I feel like it could be the
- 19:10Speaker 1: next Love Jones. And I was like, Angel, you cannot
- 19:13Speaker 1: say that. Come on, come on, come on, come on
- 19:18Speaker 1: down right. It's like it's like Angel, those are fighting words.
- 19:21Speaker 1: It was not true. So um, but I was very
- 19:24Speaker 1: intrigued and she was really excited. And Angel is you know,
- 19:27Speaker 1: she's very particular, and I knew if it was something
- 19:30Speaker 1: that was that special to her that I wanted to
- 19:32Speaker 1: read it and see um. And so she gave me
- 19:35Speaker 1: the script and I remember that weekend I was just
- 19:38Speaker 1: gonna like take a little peek at it, but I
- 19:40Speaker 1: couldn't stop reading it, and UM, I called her immediately,
- 19:44Speaker 1: and I remember, you know, the first time I sat
- 19:45Speaker 1: down with her and Felicia, I knew that I needed
- 19:48Speaker 1: to bring this into macro and um and yeah, and
- 19:52Speaker 1: then from there we developed it UM and producing that
- 19:56Speaker 1: with Charles and mel Jones, who had reduced all of
- 20:01Speaker 1: Angel shorts prior prior to this. UM, it was just
- 20:05Speaker 1: a really um incredible process. And UM, it's a story
- 20:10Speaker 1: that you know, I don't I wouldn't say that it
- 20:13Speaker 1: is like love Jones. I think it has you know,
- 20:16Speaker 1: this kind of like lasting style and it makes this
- 20:21Speaker 1: impression on you that definitely like let's just talk about
- 20:24Speaker 1: it because so you know, like, uh, Netflix, I love
- 20:27Speaker 1: what they're doing with h for African American culture and
- 20:31Speaker 1: naturally international culture African African Americans and Africans period. Being
- 20:36Speaker 1: able to to launch their projects in a hundred and
- 20:40Speaker 1: ninety countries, you're not being restricted to a domestic audience,
- 20:44Speaker 1: and so your brand is being a showcase worldwide, you know. Uh,
- 20:49Speaker 1: you know, I've been able to learn about wine on Netflix,
- 20:53Speaker 1: you know, and then so that so I I I've
- 20:56Speaker 1: seen this in the art work. Now art my boy
- 20:58Speaker 1: Michael Eally, who you know he did think like a
- 21:01Speaker 1: man and think like a man to that executive produced
- 21:04Speaker 1: with Steve Harvey, started caring art and my boy Will Packers.
- 21:07Speaker 1: So I know Michael Eliot, so I saw him in that,
- 21:09Speaker 1: so okay as my boy. So it started picking up
- 21:11Speaker 1: speed really fast with your boy here, you know what
- 21:14Speaker 1: I'm saying. And I got to watch it, and I
- 21:16Speaker 1: got to watch a really um you know, I would
- 21:19Speaker 1: think that I always say that movies should entertain and educate, yes,
- 21:24Speaker 1: and then when you do when you when it does that,
- 21:27Speaker 1: then it makes an emotional impact on you. You know,
- 21:32Speaker 1: because it doesn't entertain you, you you you out, it
- 21:35Speaker 1: doesn't educate you, then what are you watching? You know
- 21:37Speaker 1: you have to walk away with. I don't know what
- 21:40Speaker 1: I watched it. It It was what okay? So so this
- 21:43Speaker 1: movie gave me the three things that I needed. It
- 21:45Speaker 1: entertained me, it educated me, and it pulled an emotion
- 21:49Speaker 1: and emotion was tied to art. And like you have
- 21:53Speaker 1: a beautiful you if you see this, if you're on
- 21:55Speaker 1: my podcast audio wise, just as beautiful African art behind her,
- 22:00Speaker 1: and it just happens to be women and uh, as
- 22:02Speaker 1: we all know, you know, you know, her company just
- 22:05Speaker 1: a rebel works on project that brings the voices of
- 22:08Speaker 1: black women in their black stories. So this is appropriate
- 22:11Speaker 1: this conversation. We haven't. And so when you tell a
- 22:14Speaker 1: story that's important, especially in any relationship, you're defining the
- 22:18Speaker 1: voice of a woman. What's the key I guess language
- 22:22Speaker 1: are angle that you're looking for to make sure that
- 22:24Speaker 1: the message of empowerment and proper decision making is put
- 22:28Speaker 1: out there correctly. Well, I will say, UM, one of
- 22:33Speaker 1: the things that drew me to it. Uh, you know,
- 22:35Speaker 1: just even from the initial script, I know that UM,
- 22:38Speaker 1: Celicia Pride, the writer who had you know, had been
- 22:43Speaker 1: working on the story for a while. Her mangle was
- 22:46Speaker 1: to show black women, and you know, young black people
- 22:51Speaker 1: as themselves, you know, loving, loving each other, striving together,
- 22:59Speaker 1: striving for their aspirations and UM, and showing that in
- 23:04Speaker 1: a real way where you you you fail, you you
- 23:07Speaker 1: make mistakes. So UM, I think the empowerment comes from
- 23:12Speaker 1: just being able to see yourself as a real whole human. UM.
- 23:21Speaker 1: You know, I don't necessarily go into projects saying Okay,
- 23:25Speaker 1: how can I show the most positive UM, portrayal of
- 23:30Speaker 1: a character. I really go into them thinking, you know,
- 23:35Speaker 1: is this authentic? Is this interesting? Um? Are they're compelling
- 23:40Speaker 1: stakes for this character? And you know whether there's a
- 23:45Speaker 1: comedic ask tone to it or a more serious and
- 23:49Speaker 1: dramatic tone to it. Um. I just wanted to feel,
- 23:53Speaker 1: um real and thoughtful. Well you're thinking this movie touched
- 23:59Speaker 1: me uh in a lot of ways emotionally because of
- 24:02Speaker 1: the fact that Suzanne Douglas. Uh. One of my first
- 24:06Speaker 1: writing projects I did in eight five was with Robert
- 24:09Speaker 1: Townsend's Parenthood and she's one of the co stars in
- 24:13Speaker 1: that series and and so and I'm Blair I Underwood,
- 24:16Speaker 1: who I know as well. But seeing Suzanne and she
- 24:18Speaker 1: was just one of her last projects that she did
- 24:21Speaker 1: before she passed away. But that was I was just
- 24:25Speaker 1: you know, just seeing her the gifts her talent radio
- 24:29Speaker 1: on that screen like that. It really just lets me
- 24:32Speaker 1: know the blessings of seeing people like you who are
- 24:36Speaker 1: now able to tell the voices and all out talents
- 24:40Speaker 1: like like a Blair, like Suzanne, like so many others
- 24:43Speaker 1: that I'm being able to interview on my show. Now,
- 24:46Speaker 1: just a rebel is just doing what it's supposed to
- 24:48Speaker 1: do you you flipping the table? You tell me our stories?
- 24:51Speaker 1: You know, let me so, I really love is a
- 24:55Speaker 1: project that um I did when I was working in Macro.
- 24:59Speaker 1: And know I know all that, but I'm not understanding.
- 25:02Speaker 1: I'm not I heard that Macro. That's my boys. I
- 25:05Speaker 1: just want to make that I got that. You know
- 25:07Speaker 1: they messed up this interview. I'm talking about you. You okay,
- 25:11Speaker 1: you she she want to get those little B patties
- 25:14Speaker 1: with you, Okay, the Jamaican B patties and ches you
- 25:17Speaker 1: and told you her next project. You said, girl, tell
- 25:20Speaker 1: me about it, okay you yeah, yeah, just rel That's
- 25:24Speaker 1: when I read up there amplifying voices and tries our
- 25:26Speaker 1: best and sure she is showcased an accurate depicting of
- 25:29Speaker 1: black stories. That's you. Yeah you was at Macro. Now
- 25:33Speaker 1: you're just a rebble. Now you gotta first look deal
- 25:35Speaker 1: with CBA Television Studios and being renewed for a second year.
- 25:39Speaker 1: Tell us about those projects. I know how to bring
- 25:41Speaker 1: it back a leah. I love well. Before we do that,
- 25:45Speaker 1: I just do want to say the experience of working
- 25:48Speaker 1: with Sudan Douglas was absolutely incredible. I mean, she was
- 25:52Speaker 1: just a light on set every single time. And I
- 25:55Speaker 1: remember like when she her first day that she came
- 25:57Speaker 1: to set, um uh prety some partner Mel Jones, and
- 26:01Speaker 1: I went to read her and she just like grabbed
- 26:04Speaker 1: our faces and she was like, you two are the producers,
- 26:08Speaker 1: beautiful baby girls. And it's just but it wasn't any
- 26:12Speaker 1: type of like you know, um, there was nothing um,
- 26:19Speaker 1: you know, negative to what she was saying. She was
- 26:21Speaker 1: just saying it was so much love and so much affirmation.
- 26:25Speaker 1: And she just every time, um, every time I saw
- 26:29Speaker 1: her on set, she would always pant with the side
- 26:30Speaker 1: and just and just tell me, like keep going, like
- 26:33Speaker 1: you have to do what you're doing. It's just so
- 26:35Speaker 1: wonderful to see you as a young black woman producing
- 26:39Speaker 1: and um being in charge. And that was just so wonderful. Well,
- 26:44Speaker 1: the the CBS television studios think you're wonderful too, just
- 26:48Speaker 1: like a rebel. Yes, no, they are wonderful partners there.
- 26:54Speaker 1: I love to just tell you this, just like Ms.
- 26:55Speaker 1: Douglas said, do you and this is not condescending. You're
- 26:58Speaker 1: special because I'm gonna jay this. I've been in rules
- 27:02Speaker 1: pitching projects. You know, you have to have a gift
- 27:05Speaker 1: to give against people to give you money to be
- 27:08Speaker 1: creative in this world. Okay, they're not just passing out
- 27:11Speaker 1: checks that they don't because I've been trying to get
- 27:15Speaker 1: a few of them. And people like to believe I'm
- 27:20Speaker 1: really talent, and people like to believe I'm really successful.
- 27:22Speaker 1: So when I meet a talent like you who come
- 27:25Speaker 1: along and was able to tell our stories, you know,
- 27:28Speaker 1: and this is just one example. Really, love is just
- 27:30Speaker 1: one of examples. That gentifier is just one example. Well,
- 27:33Speaker 1: she's gonna go with her voice and her control and
- 27:36Speaker 1: the ability to be able to communicate, whether it's sitcom,
- 27:39Speaker 1: h it's dramas, or whether it's film or whether it's docuseries.
- 27:43Speaker 1: That's your craft. And you know the fact that you
- 27:46Speaker 1: decided one day in New York City said this is
- 27:49Speaker 1: This is fine for somebody else, but this is not
- 27:51Speaker 1: fine for Leah Williams. That's the blessing of who you
- 27:55Speaker 1: are today. Okay, that's the blessing when you saw Malcolm Lee,
- 27:59Speaker 1: you know throughout some names early interview Macom Lee, Charles Kane,
- 28:04Speaker 1: you know, you know, you know, you know, I haven't
- 28:07Speaker 1: dropped the Mike Earl in this interview with Leah Charles Kane.
- 28:11Speaker 1: You know, I heard him Michael Lee. That's why I
- 28:15Speaker 1: was blessed to hear them speak and share their experience. UM.
- 28:19Speaker 1: I was really blessed to connect with James White, who
- 28:22Speaker 1: wrote the movie Ray that had come out the year before,
- 28:25Speaker 1: and UM, you know, in our conversations, UM, we you know,
- 28:30Speaker 1: we exchanged information and he asked me like, have you
- 28:32Speaker 1: ever read a professional script before? Like no, but I
- 28:36Speaker 1: haven't actually, and he was like, tell me about the
- 28:38Speaker 1: type of movies that you like and so. And he
- 28:42Speaker 1: had asked for my address, and I remember like a
- 28:45Speaker 1: week or so later, I got this package, UM that
- 28:48Speaker 1: had all these printed out scripts uh closer, UM, Thomas
- 28:54Speaker 1: Crown Affair after Sunset, some other some other things. Because
- 28:58Speaker 1: he wanted to meet her. You know, we read a
- 29:01Speaker 1: range of scripts and he was like, and if you
- 29:03Speaker 1: ever want to talk about them, let's talk about um.
- 29:06Speaker 1: And because at the time I had a former classmate
- 29:09Speaker 1: who had a script that she wanted me to produce.
- 29:12Speaker 1: And I was like, I don't how do you give notes?
- 29:14Speaker 1: And James White walked me through that. UM, And obviously
- 29:18Speaker 1: I learned some more. Once I came to l A
- 29:20Speaker 1: and started working for a lot of the wonderful folks
- 29:22Speaker 1: that I've had the opportunity to work for and taking
- 29:25Speaker 1: classes with Film Independent and all of that good stuff. Um,
- 29:29Speaker 1: but it was it all started with that amazing conference
- 29:32Speaker 1: from the Ron Brown Scholar Program. I'm speaking with the
- 29:35Speaker 1: leoh Williams. She's the rebel of Just the Rebel production
- 29:39Speaker 1: company focuses on television and film that shifts the culture forward.
- 29:43Speaker 1: Their home to the fearlessly creative, those who are on
- 29:45Speaker 1: a bashed specific ethic coloration that we all can relate to,
- 29:51Speaker 1: that will tell our stories that we feel that us
- 29:53Speaker 1: so important to us. I want to thank you for
- 29:55Speaker 1: coming on money making Conversations. I am a fan, okay,
- 29:58Speaker 1: I'm a fan of you. You know, you know, don't
- 30:01Speaker 1: don't don't don't throw that sweet out there. This is
- 30:03Speaker 1: all about professionalism, okay, Just like I'm saying, it's just
- 30:08Speaker 1: like when remember Susan Dugtas grabbed your face and go, girl,
- 30:11Speaker 1: I'm so happy to see you because I'm You're younger
- 30:14Speaker 1: than me, so you know, I know, like I said,
- 30:16Speaker 1: I met Susanne nineteen five. Robert Townsond gave me my Really,
- 30:20Speaker 1: I always tell him he saved my writing career as
- 30:22Speaker 1: a sitcom writer. If he didn't give me that job,
- 30:25Speaker 1: then I wouldn't be interviewing you today. So we all
- 30:28Speaker 1: have these these mentors, these these angels who coming to
- 30:32Speaker 1: our lives, who keep us moving forward. And you're an angel,
- 30:35Speaker 1: and I want you to continue to share these creative
- 30:38Speaker 1: blessings with us on the screen, long form, short form,
- 30:42Speaker 1: big screen, small screen, digital, social media, YouTube, whatever you
- 30:46Speaker 1: got out there, you keep dealing and I keep watching. Okay,
- 30:49Speaker 1: thank you so very much, thank you for coming on
- 30:53Speaker 1: my show. Mrs Leiah Williams. You have a bless absolutely.
- 30:58Speaker 1: If you want to see any my interviews on Monty
- 31:00Speaker 1: Making Conversations, please go to Money Making Conversation dot com.
- 31:04Speaker 1: I am rou Sean McDonald. I am your host. In
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