Latest / No Latency / No Latency - Ep.24 XIX: Dash Inside.

Transcript

No Latency - Ep.24 XIX: Dash Inside. · No Latency

0:02
Last time, I know latency, this is bullshit and that you expect
0:08
us to storm this Base by ourselves, just because you say.
0:12
So you're going to help me on up and we'll, there'll be a
0:15
stipend. We got some things, I mean, it's
0:17
more about what you need. It is purchase equipment as you
0:20
can bombs explosives. Big guns of these.
0:23
Possibly what you needed? I would love to get a shield.
0:27
The masked man's gonna give you a little upgrade about me.
0:32
Its crew of yours, Justine you seem to be doing alright, for
0:34
yourselves, I'm doing a job. I'm not the best of plans but I
0:38
see that you can go in to investigate.
0:41
I'm waiting for Sano signal and then when I scratch my right
0:45
eyebrow, it'll be time for Action.
0:48
Are you ready? Inside, arisaka lab, 19 oryx.
1:06
Iona is sitting in the guest lobby assumingly as far away
1:11
from the dead body as possible. Outside sano's, walking towards
1:17
the garage and one of the security guards comes out of the
1:22
security office and addresses you Iona.
1:27
Media doll. Yes, that's me.
1:32
All right, your point about to begin, come with make your mind
1:36
into the elevator, the elevator door opens behind you.
1:40
Thank you. Now, where were we?
1:43
We told you before but you're not going to bring three right?
1:47
Yes, that was made very clear. Last time I was here, elevator
1:50
doors, come down and you hear the elevator ping the doors
1:54
open. You see a sign as you walk in?
1:56
There's says level 2 and there's a long Corridor in front of you.
1:59
Do you want to look around before you continue?
2:01
Yeah. What do I see roll perception
2:03
for me? Yes, you notice above you on the
2:07
ceiling that there are two unactivated Did security turrets
2:11
in the ceiling as you walk forward but they're unactivated
2:14
the turned off an inserted into the roof.
2:16
They will come down from the ceiling, okay, so I see the
2:19
circles. Yeah yeah.
2:20
Okay. And as he just leaving me here,
2:23
no, he's walking you towards experimental lab one inside,
2:27
there's a black glass wall and the black glass is turned on so
2:33
it's just dark. What you are staying here.
2:36
Beloved tackle being here in just a moment and he walks out
2:38
the door and door locks. Mind you, I think I may have
2:43
made a mistake, you hear some footsteps outside, a little
2:46
beep, the door slides open. And in walks a, rather short
2:51
tiny man in a white lab coat with tiny round glasses, right?
2:55
Okay, so you'll hear from the media Department, correct?
3:00
Okay, good. Right.
3:01
So, this involves the alleged, please make sure you write that
3:07
down. I write, I start I pull up my
3:09
tile and start. I'm typing the alleged, Domino
3:12
incident again as to corporate policy.
3:15
It's that the a eyes are everywhere, isn't it?
3:19
Very bad, quite unfortunate, good.
3:21
That's all I needed to know. He takes a little remote from
3:23
his pocket. He pushes a button in the black
3:25
glass flashes completely clear and there in front of you on a
3:29
plane, it's just three quarters of Dash his head and his arm.
3:32
The one I is flickering around and the mouse is trying to talk.
3:36
He looks you straight in the eye.
3:38
His eye goes wide, and the arm starts to erratically move.
3:42
Oh, that's weird. I've never really had a reaction
3:45
out of them. For peanut butter idea.
3:50
I'm gonna have to write this down.
3:51
I'm gonna start to scan, is trying to say something.
3:54
And do you mind that horrible screaming's of the, the
3:57
half-dead, I choked back a little bit of vomit that had
4:03
come up now. I can also just turn down my
4:08
hearing a little It. Okay, you got it pushes another
4:10
button and suddenly you hear the clicking whirring of the arm as
4:14
the soundproofing is broken and the voice that's coming out of
4:18
it. Is this broken reanimated
4:20
electronic voice, there are cables coming in the back of his
4:22
disembodied. Head going to large machines
4:24
behind him, and he just keeps saying the same word as he's
4:32
got. Terrible diction, doesn't it
4:33
sounds like, I don't know, I don't know, you don't know.
4:38
What? Oh, and you know what?
4:46
I might be able to do something to improve his diction.
4:48
Give me one moment should do it. I'm sorry.
4:54
In fact as I have that I own. Is that something left over from
4:58
before the Domino incident? Yes, we're using sort of variant
5:04
of this some technology that you might have heard of that the
5:08
sort of prolongs the mental life of things, you know?
5:12
Sort of sort of thing. And we can grab the residual,
5:16
electrical energy, from a brain, and reanimate the last few
5:20
moments. And do, you know, the last few
5:21
days depending on how much is recovered, sometimes entire
5:25
memories important moments in life.
5:27
Things like that, we turn them into brain things.
5:29
We can also take those experiences and put them in
5:32
other people, that kind of thing.
5:34
Of course, all of that sounds of the classification, number four,
5:36
and if you talk about it will kill you instantly.
5:38
But, you know, it's all very fascinating.
5:40
Very Iona was dissociating me for a moment.
5:44
Just staring at Dash night. I have to look at who will
5:48
watch. Iona is Iona.
5:51
I'm sorry. That's how significant heart
5:53
write that down. I am now.
5:55
I know he worked for biotechnical, I wonder if
5:58
there's anyone who worked with I could.
5:59
Look at, I've got a internet terrible over here.
6:02
Just give me one moment. Of course, make your
6:04
reservations and photographs if you want the guys ever to
6:06
compute from the left and you probably don't have long before
6:10
he's able to find. Information.
6:12
Yeah, as it's happening I'm going to and I'm sending a
6:17
message to everyone. I'm group messaging everyone,
6:22
there is a situation, I'm a very fast typer, I do.
6:26
I live in the corporate world. I'm typing with one hand, about
6:33
the dash situation and I am pulling a knife.
6:40
Out of my clothing. And I'm gonna walk up behind
6:43
this tiny little scientist and try and slit his throat.
6:47
You can fucking kill him. I don't, I don't know what else
6:50
to do. Beautiful.
6:53
Jade, only? No kill and talk.
6:57
We spent so long coming up with the plan, like half an episode.
7:02
What do I do? No, it's beautiful.
7:06
What It's the thing that I have to do.
7:09
Is it martial arts technique melee weapon, right?
7:12
Yeah, melty or is it brawling? Because I have to grab him.
7:17
Which would you like today brawling then deep rolling?
7:22
Yeah, he rolls a three-year-old, a 14, he's a tiny little man
7:26
who's never done any problem in his life.
7:27
He was no brawling skill whatsoever and he fails
7:30
miserably to stop you, and you've got a knife to his neck.
7:38
And he starts to reach his hand, out to a button on the console.
7:41
I slice slice, what his throat, okay?
7:44
It's just a straight d-10 or can I roll brawling again?
7:46
Because I'm still holding him. Yeah, rope rolling again, your
7:49
old at 22, it's so quiet and so clean.
7:54
So what happens? I've grabbed him, I don't even
7:56
know. This man's name, I've grabbed
7:58
him around the shoulder and I've put I put the knife to his neck
8:02
and as I see him, reaching for the button, I throw, my my left
8:06
hand over. My knife as it slices.
8:09
And I hold my hand, they're keeping pressure letting it
8:13
letting his Airway bubble, instead of him bleeding out,
8:16
he's still bleeding. But what's happening is that the
8:19
air? The air is being that he's
8:21
pulling in is being filled with blood.
8:23
So while this is happening, his lungs are filling with blood.
8:30
And the reason I'm so good at this is because I went to beauty
8:32
school, and I had to do straight razor shaves.
8:36
I'm very good with a knife. I have a question, is it death
8:41
by a specific X fixation? It's fixation technically
8:47
because of his blood to his lungs are filling with blood.
8:50
So he drowned, he's drowning. Yes.
8:52
Okay. Technically, he drops the floor
8:54
and you now understand. He's the blood is poured into
8:57
his white coat and it's stained the front of it.
8:59
And he's just Lying there dead in front of you on the screen in
9:02
front of you is your photograph. Yeah.
9:05
Uh-huh registered name. Previous employer of Dash so he
9:09
knew it was you as he died. So I'm going to clear the
9:16
screen, okay? I don't want to try and delete
9:19
the history because I don't want to fuck something up there
9:22
because I sounds like something, I don't know what fuck up but
9:26
what I want to do. Yes, no, thank you.
9:30
If you want to remove it from the screen you have to roll
9:31
basic Tech, it's okay, but it's easy because all you're doing is
9:37
removing it from the screen. So all I'm getting you to do is
9:39
close the window. And let's see if you master
9:45
closing. The window is an eight-year-old,
9:46
a nine, that's fine. I walk up to the glass and dash.
9:52
I am. I am so sorry.
9:56
I know I'm going to I'm going to pick up the that the tile that
10:03
he had and I is there anything that I can do to end dashes
10:10
life. It's a really complicated
10:13
device. You can try and discern
10:15
something. It's a remote control.
10:19
So it's not like the Pewter for it or whatever, most of that's
10:21
behind the glass and it's a Pneumatic chamber of things.
10:24
So there's some controls on there but you're not sure what
10:26
it means, unless you really have a thing.
10:30
Everyone is signing at me to kill him but I can't get through
10:34
the glass who questioned it because I own a still have
10:41
contact with Remy in. Anyway, I sent I sent a mass
10:46
message through that. I had to kill somebody because
10:51
they were about to find out who I was.
10:53
Have you ever had to do like, tech support with your parents?
10:58
Over FaceTime? Yes.
11:01
That's all. I'm gonna hear you calling me.
11:07
You know me? Yeah, okay I I dial my tile and
11:14
I put I put it up to my ear while I cook while I clean the
11:17
blood off of my hands. Cool bro.
11:19
Mission at the cleaning. Yeah.
11:21
The cleaning Remy. You hear your tile ring as you
11:24
watch Sano walk towards the garage.
11:26
That's the entrance to this lab and your tile says that I own is
11:30
ringing you and you can see that they have marked it urgent.
11:34
I'm going to do a high pitched whistle.
11:37
Hopefully. We found out here is it?
11:40
And then answer my phone and go. Hello, hello, while putting one
11:44
finger up as if to say, hold on. Sana, you hear a whistle to your
11:47
stuff? How close are we to base your
11:51
about halfway towards the garage, as there's no guards out
11:54
here right now. See what's inside?
11:56
I'll turn around. I'll keep walking, will turn
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around. Okay, you see Remy with his
12:01
finger. Oh hey, what's going on hoping.
12:04
Everything's all right, no, and things are not All right.
12:10
Write a grave mistake. Like why are you so let me just
12:15
explain I went into the elevator, they put me in an
12:17
experimental lab room scientist came in.
12:20
He showed me what he was going to show the media.
12:22
What it was was Dash. Dash dash Park.
12:27
The gas have been connected to an AI system.
12:29
They're trying to recover his memories from the quote-unquote.
12:32
Alleged Domino incidents and he saw me and recognize me and said
12:39
my name and the scientist went to go look me up and was about
12:44
to discover who I was. So I had to kill him and now I
12:47
have to kill Dash and I can't and I turn on the the video
12:51
access and I show him the three quarters.
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Of dashes head and his mechanical arm and just the part
12:59
of the pile of body parts, okay? And the Hand waves you are me as
13:10
a lot of pain. I don't know if you heard him
13:12
but we that that I'm that I'm going to do something.
13:16
Okay. And I'm very sorry, I know in
13:20
response to this as I own is telling me the story.
13:24
I'm waving Sano back over and then as soon as I see dashes,
13:30
whatever corpse left eye, then start dry heaving.
13:35
Because it sickens me just rule 44 when you guys get your brain
13:42
casing. Yeah.
13:46
Okay. Hey guys.
13:48
So Iona just about got caught and I also sell soap and I also
13:55
painted over to the dead body. Oh, oh A retro URL was gone
14:02
older. I was talking about I'm just
14:05
gonna tap, you know, I'm just gonna AirPlay my tile to my face
14:08
and now everyone else can see disgusted.
14:12
No crash what happened to that guy?
14:16
Hi. So, oh, we're in trouble.
14:21
Okay, what's the matter? You hear a bong noise and over
14:25
this over the speaker you can hear Dr. Radford dr.
14:30
Radford to the lower level doctor Redford's to the lower
14:34
level. Cuts you this name tag.
14:40
So I was thinking this or any, it doesn't have to be.
14:44
Now we can come back and finish that Ash.
14:48
But this man is dead and I have most likely access to his key
14:54
card. Okay.
14:55
Yeah, let's see if you can get in there.
14:57
Let's, let's see if we can get in real quick.
15:00
He was just called to the lower levels asano in yet.
15:05
No. You've been following because I
15:10
can be right behind him and the lower level.
15:13
Okay, so go go, go, go, go, go, go, go, go.
15:17
Should I go on then Del puts their hand up towards USANA, do
15:21
you need the backup? It's just too dangerous and
15:27
down. Okay.
15:32
You stay out here. Make sure nothing happens to
15:35
everyone else. It got me and had a can do it
15:38
alone. All right.
15:40
The plan isn't changed much. We just have to be aware of I
15:45
own a situation. And me and head, I will walk
15:49
into the building so I know is on the way.
15:54
Do you want to get reme to help you with that?
15:56
Or should we move to us on is doing.
15:58
I send a message to Sano specifically.
16:03
Let me know when you're down there.
16:06
I'll be right behind you. The sanno and retro show is
16:17
recorded in front of a live studio audience.
16:20
Join Sano and retro. The oddest couple in night City
16:24
exclusively on our patreon at patreon.com forward, slash late,
16:30
see why the fuck is my bed made? The microwave isn't working can
16:36
you talk to it? What will these to get up to
16:39
next? I don't know why.
16:40
You keep sticking your finger in that part.
16:42
That's not a bowling ball. Oh God.
16:51
Sano. You and Hannah walk into the
16:57
front of the lobby inside of the garage, there's a stairway down.
17:03
I would also like to point out that I am watching them as well,
17:07
through the scope of my rifle at the same time, until they go in
17:12
that gets you in front of you, a to deactivate is turrets, then
17:16
activated yet and two guys behind glass.
17:20
Do you do anything to look like a prisoner sauna?
17:22
Yes. I will have my hands behind my
17:27
back. There should be some sort of
17:32
cuffs does would happen to have some sort of cuffs on her.
17:36
Hannah gets out some cuffs and does like a little flick of the
17:40
wrist and wax them on both your hands behind your back and grab
17:43
stood, the little reinforced chain between them and walks you
17:47
in. Also tell her to take my heat
17:51
blade. So she has my weapon and my
17:55
heavy metal pistol. Believe my other blade in my arm
18:00
in my rocket launcher. In my arm, got another prisoner
18:04
for testing in the two guys are kind of look at look at USANA
18:08
really weirdly we didn't get a report of testing, that's weird.
18:14
You can only look up historical documents that would go on file
18:17
ha. Um, do you Have like a paperwork
18:21
or files or anything and I kind of looked around and I don't
18:27
seem to have a connection either.
18:31
The kind of look at you a little desperate, you realize that they
18:34
do a lot more like fighting than talking, the waiter way out of
18:37
things and the guy kind of looks at the other one goes or you can
18:42
take them downstairs, I guess. And the door opens they look at
18:47
you by the slyly. As you walk through, you do
18:51
anything else and as you work through, no cool, the elevator
18:57
door, opens, you guys walk in and it descends, easy enough.
19:02
As you get down to the next level elevator doesn't take very
19:05
long. These floors are not that far,
19:06
apart elevator door opens. And you see, a long hallway with
19:12
three doors on the right. One, at the end and one door on
19:16
the left and a big long window on that.
19:19
Left wall with black glass. All right, and Hannah and does
19:22
your handcuffs are you nervous? They put them away a little bit.
19:26
I don't think we're scot-free yet.
19:28
Yeah, I doubt it. Whereas Iona, hmm.
19:31
I suppose smell where the Bloods coming from row.
19:36
Perception. Who you do not notice the
19:43
turrets above you? Just seems like a long Corridor,
19:47
you're pretty sure that I own is in the second room.
19:50
All right. Okay.
19:53
I get on my tile now. Mrs. Aiona, which room are you
19:57
in experimental? Lab 1?
20:02
All right? Anna.
20:03
Yes. Do you know how to get to the
20:06
next floor from here? Because you have to go one floor
20:08
down, correct? Yeah we'll need a will need an
20:12
access card. Okay I will go to the
20:18
experimental lab. One and I'll knock on the door.
20:24
Iona you hear a knock on the door.
20:28
Is it still locked? Or is it unlocked from when the
20:31
scientist? It's locked.
20:34
Asano, I can't open it, it's locked.
20:38
What do you want us to do? Wait wait.
20:41
I haven't checked his body yet you have no, I'm checking his
20:44
body right now. Checking out that scientist
20:48
body. Checking out that friggin you
20:50
can use burocracy everyone. Okay, great.
20:54
Use them at capitalism 19. Yeah you find it.
21:00
You also find his corporate credit card and it has 1200
21:05
credit on it shopping spree. We're going to we're going to
21:10
get a lot more Firepower. Let me tell you, you find it and
21:14
you find a golden ring key card on a gold ring.
21:18
Is it his wedding ring? Yep.
21:19
I was about to say that leave it on his body.
21:26
Aiyana would not take a wedding ring off.
21:29
A dead body weight. Is it wearing it?
21:31
Or is it just in his pocket? No, he's wearing it.
21:33
Okay, the sanctity of marriage is something that Iota is going
21:37
to defile. I've just not interested in
21:41
taking a man's wedding ring. Would you?
21:44
Wait, would you take it? If it was in his pocket and I on
21:48
his hand? No, probably not.
21:52
Why'd you ask those who I just wanted context?
21:56
Okay, maybe he was the kind of Dirtbag that takes his wedding
21:58
ring, honestly people and knowing that.
22:00
Yeah it would also make sense for a scientist or take as we
22:03
are going to say it makes sense from to take his rings off.
22:05
He's working. No, not a cloud.
22:06
This is what's up, gloves are for you.
22:09
Gloves safety for OSHA. Yes, but also Rings get in the
22:12
way of work. Any Lagoon.
22:14
You have the pass for the door. Great BP.
22:17
The door shuts, open and Sano, and henna a standing right
22:20
there. Hi, I guess, we're in.
22:25
All right, bash his head in the background.
22:30
Do you need to deal with that? We do.
22:34
We do, we do have to deal with it very quickly.
22:39
Remy, are you still on the line? Yep, I'm still here.
22:45
I should, I show him the controller.
22:47
How to help Hannah. Do you also know Hannah looks at
22:51
the face and seeing what was behind that glass yet?
22:56
Wow, my life. Let me not now.
23:00
I don't know. How about you deal with that?
23:02
Well, we go search for the key card to get to the lower levels.
23:06
This goes to the lower levels, they just called him down,
23:09
wonderful, though. I suppose we can go wait, Anna.
23:15
Our Masters on this level right in the vending machines in the
23:18
level below. Yes, I'm not dissing one of the
23:21
these lab rooms. It must be love.
23:24
Sorry, okay. We'll search Lab 3 you get what
23:27
you need to be done in here. Okay.
23:32
Me and have a you. Yep.
23:34
So I know you and Hannah had towards experimental Lab 3 with
23:37
dr. Redford's card and the doors
23:40
locked. I attempt to open it with dr.
23:46
Radford Scar the door. Slides open and says, welcome
23:50
dr. Radford, what's inside.
23:52
There's a big wall in front of you with some black glass, a
23:56
console on the left and it looks almost exactly like the room.
23:59
Yo, Justin can I see what's inside the black glass?
24:03
You can see there's a control panel for it.
24:05
Can I access it? Yep.
24:06
Sure. Well, basic time.
24:07
Mmm. Maybe I should Anna drink.
24:13
Do you have access to this control?
24:16
Can you work at? I was never good with
24:20
technology. I can get a shot.
24:23
Do better than me. And I'm smashes their hands on
24:27
the console. It Fizzles breaks.
24:31
The room goes a little dimmer and the black glass deactivates
24:35
and there in front of you. Is your master suspended by all
24:39
limbs in an X formation. Each hand surrounded by a metal
24:45
piece. That's holding it there in
24:47
space, and there are four different tubes connected to the
24:51
back of his head. There's a helmet placed over his
24:54
eyes and there's a constant light flashing as he Twitches in
24:58
this construction. I will look to my master and
25:05
examine him. Say what?
25:07
Have they done to you? He can't hear you.
25:10
And I did, you did you know this was happening?
25:14
They're trying to take his mind. I knew this would happen.
25:17
I knew this would happen. They want to just download his
25:21
skill into people, remove the honor of training.
25:23
Wow, gosh, why didn't you leave with me?
25:28
This is going to be you one day, not if we stop it now, stop it.
25:33
How, how do we get him out of this thing?
25:35
I gotta look at something, you know, anything about technology
25:39
or computers or something? No.
25:43
But I know someone that does how we gonna get him down here?
25:48
Let's go. See if Iona as Solved her
25:53
problem. Maybe she can help with this
25:55
one. All right.
25:56
Over in experimental. Lab One, Iona, you and retro
26:02
have been spending the last few minutes.
26:04
Trying to communicate what's on the screen using the tiles
26:07
camera on the remote know Remi, not not this on the left, not
26:15
know, not your left this one, okay?
26:17
Yeah, yeah. I think so.
26:19
All right, just making sure that it is not Mirrored.
26:23
Okay. Okay, so that looks like an ex
26:26
M23 size panel, okay? Got 16 screws on the inside XLR
26:32
cables. Have come outside for the power
26:34
structure for it. Okay.
26:36
Is this the panel for getting into the room or is it
26:39
controlling? This is controlling the the
26:43
environment around Dash and his sort of activation mechanism.
26:47
It's his remote, okay? Let's see what I can remember in
26:54
my mind about these particular x 10 23.
26:57
Let's see if I enter communicated.
26:58
Well, Iona, roll, bureaucracy, be Rock, Rusev!
27:04
Yes! Sorry, I'm just being partially
27:07
because it's what I'm best at. Yes, Aunty.
27:09
Cool I did. Okay, you did okay.
27:12
And so there's any case, one it there's any - 12 this role for a
27:16
basic tag for retro. I think I kind of maybe
27:25
somewhat. Yeah yeah you wrote 21.
27:28
So you push the right buttons. You find the nested folder in
27:34
there at the very bottom is a button that says kill switch.
27:41
Yeah. So what you're going to have to
27:42
do after finishing that is you're going to have to press
27:45
down on that kill switch. Three times.
27:50
But yet the hold it for three seconds each time so that
27:53
doesn't push down. Hold it between.
27:55
S that go push it down, hold it for three seconds ago.
27:58
Push down the final time, hold it for two seconds ago.
28:01
You can't go any more than three years.
28:03
If you do is we start the whole thing over again.
28:06
Okay, this is a very complicated kill switch, but I think that
28:09
I've got it, it's the most humane way to do it.
28:14
Okay, okay. I I need this moment alone with
28:19
Dash and I hang up. I go up to the glass.
28:25
Dash a sweetheart. I know, I know you're sorry and
28:30
I'm it was a trap. I know, I know the stove is a
28:39
trap. I'm I know you're here with
28:44
arisaka. That's a whole, all the whole
28:46
thing's a trap i-i'm going to end your life now, okay?
28:56
No dash. I'm sorry.
28:58
And you can see Tears start to well up in iona's eyes, a little
29:03
bit. I never meant to hurt you like
29:07
this, and I press the kill switch for three seconds and I
29:14
was like, oh, and I press it for three more seconds and I let go
29:21
and I press it for three more seconds, and I let go and his
29:28
head explodes. The last bits of Flesh, splatter
29:33
against the glass and there's nothing left in the room.
29:38
Dash, finally has peace. I straighten up.
29:45
And I leave the room. You see at the end of the whole
29:48
experimental Lab 3, the doors still open.
29:51
Jade is crying. Iona is not.
29:57
Yeah, I'll walk out to see Iona and the hallway did something
30:03
happen. I was successful but were, you
30:07
know, we need your help. We need someone freed from this
30:12
prison. Not just Killed.
30:16
All right there. So I will follow us on our back
30:19
into room 3. And there in front of you is a
30:24
quite upsetting site, the body is jittering, in a way that
30:27
feels very unnatural, it's incredibly unsettling.
30:31
So we have to release him from this.
30:34
We need Remy. Remy barely helped me.
30:37
Figure out how to dispose of Dash and now to get someone out
30:44
alive. I think we're going to need him
30:46
in person. Hmm.
30:49
So it seems like there are no other guards besides the one up
30:54
there and maybe ones down below if we do a two-pronged attack
31:01
them from the front desk from the back, I believe we could
31:03
eliminate them pretty easily get everyone down here.
31:07
What about the turrets? Chimes in Vermont.
31:17
Now, well, how fast is that activation system?
31:20
It's for my business. Yes, we kill them before it
31:25
activates or we get to the security room and turn it off.
31:28
If it does you hear from behind the glass even though there's
31:34
soundproofing There's a lot of pain and you hear your Masters
31:38
scream. You can feel the glass almost
31:41
vibrate. You did this to yourself old
31:49
man. Okay, let's go and attack the
31:56
guards. Make sure we disable the
31:58
turrets. And then once we do, we get the
32:00
signal for those upstairs to come down and join us that sound
32:05
like a plan. It's a, are they not helping us
32:10
take out the guards in the front?
32:12
Yes. But you were concerned about the
32:14
turrets so we can take out towards First.
32:17
And then they can help us. Or they can help us at the same
32:21
time. Could we take them from both
32:22
sides upstairs? They could, if they don't mind
32:26
the turrets, I'll follow your lead.
32:30
Okay. Before we go up, I do want to
32:35
take a peek and the big room that is on the left side of the
32:41
hallway, that's not a lab as you walk out of the room, when you
32:45
Romeo perception. Do you hear the shuffling of
32:52
cards coming from the locker room and sort of the general
32:55
banter of what you're guessing is, some kind of small poker
32:59
game, you rolled well enough that you can actually count the
33:02
voices as you pass by the door in.
33:05
There are three guys off duty playing cards in that room from
33:11
what you can hear. You don't know if they're facing
33:12
the door, you don't know if they're facing the walls, you
33:16
know, they're talking to Each other and that they're playing
33:18
cards. I hold up a finger to my lip.
33:22
Point to the locker room and have motion us to all sneak to
33:27
the locker room. We are standing outside the
33:29
door. It's not locked.
33:31
Can I hit can hear what they're saying?
33:35
Nor do I want to complain because you keep losing.
33:43
All right, answer you. All right, I Look to Hannah, I
33:51
give A silent motion to do a combo strike that we have
33:58
practice when we were kids that will easily dispatch three
34:04
unarmed guards. Okay.
34:07
Iona a you trying to join in on this so you hiding in
34:11
experimental three. I have come out because I
34:14
thought sauna wanted all of us. But after I see their Silent
34:20
Communication, I will just stand back with my knife. all right,
34:26
Hannah knots before before shit goes down, I think that like Jeb
34:34
is probably getting pretty like impatient just waiting and I
34:39
imagine that Jeb would say something along the lines of A
34:44
retro. I can't say no anymore.
34:46
We, they've been talking a lot about them turret.
34:49
So why don't we get over there? Try to get on the roof of that
34:53
thing and take out the terrorists for, you know, better
34:56
than sitting here. Twisting our thumbs.
34:59
Well, he did say we weren't allowed inside Restless scale
35:04
that building you know, after before I saw you were doing a
35:08
tick support through the interwebs.
35:10
So why don't you, you know, just do the same thing?
35:13
Me, I'll scold over there. Tell me which buttons to push,
35:17
or which wire's to could do whatever the hell you do.
35:19
Those things and cut the power to them turns, come on.
35:25
Let's get our hands dirty Rancho.
35:27
Do you think you could try and hack the turrets from slightly
35:30
closer? We my yeah, I would have to get
35:34
closer to use to wirelessly. Be able to do that.
35:37
Yeah, well, let's go a little closer in case something goes
35:41
wrong, no one's come out for a little bit and then we'll just
35:44
assumes everyone's coming with with them and they start walking
35:46
towards the garage there. So I need to hear, I'm following
35:53
I'm just gonna look around soon that I'm all by myself and just
35:56
all right hold on. Wait wait, wait.
36:00
Start walking. I've been do gets close to the
36:03
garage and just has a look around on the outside.
36:07
All right, look, I'm gonna go do a little more immature check,
36:11
make sure things. Alright, see the, what the
36:14
easiest way to get on top of that roof is.
36:16
All right, all right, study abroad back.
36:20
Wendell doesn't really find anything on the outside of the
36:22
garage. Can I roll for stealth to try to
36:26
guess? Hop, on top of the, you know,
36:29
clamor up without being seen. Oh yeah.
36:35
Larry mourn. You you you get on top of the
36:39
garage in a very cool way. It's very cool.
36:43
Your hat comes off, but you managed to catch him in there
36:45
and put it back on. And as you land right in front
36:47
of you is a big box and your other critical.
36:50
So on top of it is a label that says turret control opt I go.
36:55
All right and I clamor over to the to the edge of the roof.
36:59
Peer down at my friends below and go.
37:02
I found it retro and he just did a really cool flip and he's
37:08
trying to get our attention. I didn't fly it.
37:10
Good job, buddy. Totally sucks.
37:12
I know but but I but I also found the control panel.
37:18
It's clearly late. Okay, you want to disengage the
37:25
connection that says power disengage.
37:31
The connection of. All right?
37:32
Yeah, I'll go take a look. All right, Leo.
37:35
Well power. Oh, shit.
37:40
So the side of the panel comes up and there are three cables.
37:44
They're not labeled as a red as a green one.
37:47
And there's a white one. Wow!
37:48
It was the top of the box was so clearly labels.
37:53
No, I don't see here. Red green or blue, right?
38:00
Don't cut the green wire. What about the red wire?
38:04
Well, off of my basic electrical knowledge, Robin zigzag, Can't
38:10
even use my actual knowledge. Yeah, sure.
38:11
Go for it. Using my actual knowledge, which
38:14
would be is that our power is coming from the red.
38:17
Clearly lined power source is those white is going to be the
38:20
neutral, which will send off a regular poetry out regular
38:24
polarity, which will then set off the alarms in which the
38:28
green is just a ground, but that will also cause a massive short
38:31
which could cause everything to go off.
38:32
So to cut power, it's going to be the red wire.
38:36
All right, red wire that's it. Got my bonus right.
38:41
Snip this sucker Romy, basic Tech, no boy.
38:47
Do I get some sort of Advantage here?
38:50
Cuz I got my friend on because retro help you.
38:53
All right, I'll take it. Well, could we were says it's an
38:57
unique, the other wire and you make a connection across the red
39:01
and the green wire and electrocute your hand a little
39:04
bit. And your knife gets tarnished
39:06
and you take one damage. No.
39:09
Yeah. You hear like a?
39:13
As the actual box itself. Capacitor just let's all the
39:17
energy out. You hear the turrets downstairs.
39:19
Engage drop and shut down. And someone go.
39:29
I'm gonna go see what's going on and you can get here someone
39:33
downstairs. Start to walk towards the stairs
39:35
in the garage towards Remy who's just standing there along with
39:39
vendor. I'm almost clear back over to
39:42
the, to the edge of the, the, the seal on the roof.
39:47
And I'm just trying to do hand gestures at this point because I
39:51
don't want to tip him off. Well, I don't want to tip off
39:54
the bad, guys. Thought I do want to buff my
39:55
friends. He shot himself, Tony, Little
40:04
120. Next up on Nolan's.
40:18
He fucking doing it. I got stranded out here, I'm
40:21
waiting on a ride, I'm a, well, they're all shit, hitting the
40:26
fan Sama, shoot this motherfucker.
40:29
Take out my own rifle, with my grenade launcher on it, and I'm
40:33
on fire off, grenades at that motherfucker.
40:36
Yeah, yeah. Let's March, sorry.
40:39
It's just a flesh wound. Oh, thank you so much.
40:42
Jeb and retro for making our job easier.
40:46
Yeah, it's, I I should be disappointed but this is just
40:49
what I expect from them. The elevator just left without
40:53
me. That is concerning.
40:56
So you know how it is with arisaka there.
40:59
I just I got a little bit of trouble, HR screwed everything
41:03
up and they didn't give me my password and time.
41:04
So I don't have the pass code and then if you can see, they
41:07
changed it over. So yes, my name is Andrew, but
41:10
they put me down as Arthur. We good.
41:38
Thank you for joining us on our adventure once again here at no
41:42
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42:12
We literally couldn't do this without you and of course, we'll
42:16
see you next time in night City. Thanks for listening gym.
42:20
Thanks for listening gym.