Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12
From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new methodology for who he will proceed.These opening lines are already packed with the sort of theological and philosophical stumbling blocks that make PARADISO a challenge, not just for a modern reader, but even for a medieval one.Join me, Mark Scarbrough, as we slowly walk throug the first twelve lines of what is assuredly the most imaginative canticle, PARADISO.Here are the segments for this episode…
The skinny
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