Latest / No Latency / No Latency - Ep.5 All Aboard!
Transcript
- 0:01Last time I know links you hear a big from Vanna White.
- 0:09Josh. It don't worry I'll take care of
- 0:12this. You go get those drinks pork.
- 0:15Well I mean I guess we got to fix this up.
- 0:19Fuck is this guy? Yo, what's up TV?
- 0:21Dude I'm reads you guys should check out tuna.
- 0:23Check out the T-shirt, he's got a t-shirt.
- 0:25It says tuna fatty tuna. It's great.
- 0:27I'm Tina. Nice to me as I go.
- 0:29What I'm saying? I was smuggle you something that
- 0:32you ain't been able to get inside the city you'll be back.
- 0:36When this is only 1000, I am currently researching the train
- 0:43Domino database activate, the train information.
- 0:47Playback initiated We've got a plan to get on the
- 1:03train. Yeah, I got it.
- 1:05I only got a plan to get on the train.
- 1:06You were not paying attention. No, I was not there.
- 1:10No. You work.
- 1:11Chuckle fucking around. You came into the bar.
- 1:13Did you come into the bar? Did you not come into the box?
- 1:15No, it was outside the whole time.
- 1:17The whole time. You can you roll back?
- 1:19The tapes, you came in with Steer real slung over your
- 1:23shoulder. I offered you supplements and
- 1:24you said, no. And then I said it helps with
- 1:26drinking and you went. No, so fuck you.
- 1:30You heard the plan will Santo and I paid attention the entire
- 1:34time. Yeah, the fucking attitude.
- 1:37I do actually have a plan but you're a bitch.
- 1:44Could you want to go for the top Rendezvous?
- 1:47The middle Rendezvous or the southern Rendezvous will go to
- 1:50the north? Yeah, X, NE just do that.
- 1:53Yeah, it's ionis plan. Yeah, I remember, I paid
- 1:56attention. You drive your vehicle through
- 1:59night City stopping it, some lights, and you get to a light.
- 2:04And some guy comes out with a rag and a squeegee and start
- 2:08spraying the in cleaning the front window.
- 2:10And Waving and giving their give me some money.
- 2:13Look, don't make eye contact. I see these guys before I will
- 2:18make eye contact and stare like death daggers into his soul here
- 2:25attracts very carefully and just sort of waves and sort of
- 2:29mouthed the word. Sorry.
- 2:31It will go back to Of Mice and Men.
- 2:34I keep driving. Did you put your bike on the
- 2:36back? Oh yeah.
- 2:38It's like you can get like those cool attachments.
- 2:41One of those cool taxes you can put on like a hitch which
- 2:45apparently this VW bug has a hitch.
- 2:47It does not. And say yeah I just kind of goes
- 2:50you know horizontal to the back of the of the book or of the
- 2:55van, sounds good. I also because I've done this
- 2:58run, I'm a Smuggler and this is what I do for a for a living is
- 3:03smuggle things in and out of night City.
- 3:05I imagine I know a place that has if not zero protection And
- 3:12then at least lesser so Romeo, do 1013?
- 3:17Yep. You find your way past the
- 3:20checks. So your vehicle doesn't get
- 3:22checked for weapons or Contraband and you head out into
- 3:26the Badlands towards the Rendezvous point.
- 3:28The Rendezvous point is literally sign in the middle of
- 3:32the desert. Next to it are these two huge
- 3:34Groove marks, really, really far apart, and I imagine some sort
- 3:38of hole ramp that we can launch off of it and on to the Strain
- 3:43sort of yes. Otherwise, how else do we get
- 3:45onto the train? You'll see.
- 3:49So in the distance you can hear a huge Foghorn, which, you know,
- 3:53Jeb to be the signal for. We are reaching a rendezvous
- 3:57Point, here she comes. Ladies and gentlemen, if you
- 4:00ain't seen this before soon, you'll be seeing the train in
- 4:05the Foghorn blares again and outside of the side of their
- 4:07metal pole. There's this little flip sign
- 4:10that just flicks out, And it says, start your engines.
- 4:14I just, rev Romeo d-10 this for what driving skill, it don't
- 4:19fuck this up, please? Because it also had those little
- 4:21red flashing lights, mmm, gonna and then it's everybody buckle.
- 4:28And that means you too. They're on our seatbelts.
- 4:31In the back, there are seat belts now.
- 4:35Wait, who's riding shotgun? Who you pointing at?
- 4:38You don't let it shut down. I'm riding shotgun.
- 4:43Okay, well, that means that I guess me you're riding shotgun.
- 4:45You have the shotgun It makes makes sense.
- 4:49Somebody hold on too slow for me.
- 4:51Here we go. The light goes Amber.
- 4:54And you hear another horn then another light comes out also
- 4:58Amber you hear another horn at this point?
- 5:01Another sign pops out and it says get to 60 and then the
- 5:05green light goes I punch it. Your all forward.
- 5:07What did you roll 16? I'm sorry.
- 5:10No, it was 20 good good. It was good for me.
- 5:13The train just blares past you and you see eight.
- 5:17Eight cars appear and start rushing past you.
- 5:21There's this long ass vehicle, it's big and is wide and on
- 5:26various pieces of it and these different sections.
- 5:29There's this huge DS logo, standing for Desert steam,
- 5:34there's a guy on the top of the back, car a deck, and he looks
- 5:37at you, and he flashes a light at you, and out of the side of
- 5:40the back car, a big ramp clinks down onto the ground and stuff
- 5:44that I crossed the ground. And he's like, waving you in?
- 5:51You driving? Oh yeah, I'm pushing this baby
- 5:56to its limit. I've hit 60, but I'm going to
- 5:58keep on going. I need that little extra speed
- 6:00with this. And I give her a message, just
- 6:03tug and pull a card left. As I just come right into that
- 6:09writings that ramp as best. I can cool Romeo d-10 so you
- 6:13don't fuck it up. In the meantime, I have gripped,
- 6:17the dash the entire time and, on my television screen, is every
- 6:22single move. He's horrified face of some kind
- 6:26of car right before crash is happening.
- 6:29And then you cut over to Sano and doesn't even look up from
- 6:32the book reading. I own, it has just grasped
- 6:37bundles hand and it's just squeezing, then Del stops
- 6:41drawing to squeeze your hand back.
- 6:43It's going to be okay, I know. No.
- 6:46Oh, and they go back to drawing you guys, reach the ramp.
- 6:53Wiggle on to it in a very, very cool way.
- 6:57Not super amazing. Be get on there and you don't
- 6:59pop any other tires role in the ramp attracts, and closes up the
- 7:03wall and you're now in a relatively large, it's like a
- 7:07little smaller than a city block room as a few vehicles in here
- 7:10and a lot of cargo the train car.
- 7:13You're in is the final one. That's the one you caught up
- 7:16with your now in the eighth car of the train.
- 7:22Don't know this guy that flagged Us in.
- 7:25Yes, it's Greg. Greg, you son of a bitch.
- 7:29Get down here. How you doing my man?
- 7:32Hi there, man, how's it going? And he's like smoking cigarette.
- 7:36How's it going? Motherfucker?
- 7:38Greg, it's been. It's been too long.
- 7:41I tell you he's still got that grand and a half that you want
- 7:44off me. Last time I made it in the more
- 7:48you know me. Dude.
- 7:51You got a posse to ninja, man. How's it going?
- 7:55My man? He strolls.
- 7:57Zup Tucson. Oh I like your he's not touching
- 7:59you. I like your arm.
- 8:01That's some cool-ass cyberware right there.
- 8:04No John's gonna be jealous of that shit.
- 8:06No Greg listen, I got a cut right down to brass tacks Sloane
- 8:11will she she took a bit of a beating did you lose Sloan in a
- 8:15card game? Again, that was a one-time thing
- 8:20and I will never let that happen again.
- 8:23Yeah, that's what my that was a good game though.
- 8:27Listen, listen. She's come down some hard times
- 8:32and I'm looking, well, I'm looking for a piece.
- 8:36A specific part. Let me see if I can find it
- 8:39here. It's Number here it is about of
- 8:45don't work bet. It's the be 9x 17.
- 8:49You know that part? Whoo.
- 8:51Be 9 x 17. You're asking for a lot there.
- 8:54Boy, I can do a hunt. I was told not to shit.
- 8:57It's one scavenger out here that I know is going to give me a
- 9:00part of that. On me.
- 9:00It's gonna be you Greg. I know that I know that.
- 9:03Yeah. We got some Salvage in cargo 3.
- 9:10Might be worth a look. Dave is in there.
- 9:16Dave's. All right.
- 9:17Should we ask this person about What we're doing here or should
- 9:23we leave it be? Oh Greg can be trusted, I see
- 9:27you. Ask me whatever you need.
- 9:28I ask. What do you need my man?
- 9:32We are on a mission. Have you seen anyone?
- 9:39Come aboard with. Seen a more Z.
- 9:42Alias name of stranger. O.
- 9:47Stranger. Yes.
- 9:48Strangers on board. I mean, I don't know if you're
- 9:52be able to get him off here, but yeah, no, he's on the train.
- 9:56Is he prisoner? That's a very complicated
- 10:01question. I see, I'm not sure I have an
- 10:04answer for that. Well, just kinda tell us where
- 10:08he is and we shall go. What he's in the prison car.
- 10:14The Tyler I assume he is a prisoner.
- 10:18I mean he was a farce, don't lock the door, no more.
- 10:23Why is he being kept in the prison car?
- 10:27Though. It is not locked.
- 10:29Well. RAV RAV wanted someone to fix
- 10:36the vending machines on the train.
- 10:39There ain't no one better. They're doing that.
- 10:41That then then then then stranger.
- 10:45So he offered him an invitation that he couldn't refuse.
- 10:48If he said no we would have just taken him so we brought him in
- 10:53put him in his cell and he said he wouldn't leave.
- 10:55So we leave it open and you make sure the vending machines are
- 10:57working so we can all fuck and eat get cigarettes.
- 11:00He lights up another cigarette. The vending machines.
- 11:05Strangers just helping you fix vending machines.
- 11:10Well, he's like the best guy for fixing vending machines in the
- 11:13whole fucking state. It's a good point.
- 11:16We don't get many vending machine fixes out here in the
- 11:19Badlands. That's why I read brought him on
- 11:21and man, you know, Reverend him, they have conversations
- 11:25sometimes and they take a long time for someone who's just here
- 11:28fixing vending machines. But like, Maybe he's just really
- 11:33into it. I'll tell you what though?
- 11:36There is not one. Well, it might be a broken one
- 11:39on here, but I can't find it. Most of the vending machines you
- 11:42find around here fucking work. So if you're hungry, just go for
- 11:45it. Maybe talk with the stranger
- 11:48then I mean. I guess you'd have to go through
- 11:53the train, though and let's go. Let me look after you look after
- 11:57your car. I do not care.
- 12:00Police, do Greg, would you kindly?
- 12:03Yeah, no words. A great connect.
- 12:05Can I talk to you for a second? Just just us.
- 12:08Sure. I'm going to go off to find a
- 12:11pack of cigarettes, but you find a vending machine and they are
- 12:15five Eddie's. Santa's gonna head to where the
- 12:19strangers, okay? You're going to head into the
- 12:23next car again. Yeah, Greg just between you and
- 12:26my Justice two fellows from the Badlands.
- 12:32I know we also hear us folk of the of the land we understand
- 12:38people, you know, we can just read them.
- 12:42And so I got I asked God I ask You trust a stranger.
- 12:46Fill your trust and love me. Really trust him with my food
- 12:53and he can't play cards for shit.
- 12:56All right, nice guy. Real nice guy.
- 13:00Alright, so that's why I appreciate you.
- 13:02Greg. You, you you're a straight
- 13:03shooter. Clad to himself.
- 13:07That's why it's weird to him and rev talk.
- 13:08A lot. That is where you're all right.
- 13:11Grab. Hey you you tell, you tell your
- 13:13wife that you know I miss her already.
- 13:17That's not the months back. So you leaving the voucher in
- 13:20the car, Oh oh yeah yeah Sloane is Greg and Sloan they know each
- 13:27other they I trust my trust sounds good.
- 13:31You move on to the next car and inside there is a ladder that
- 13:37goes up to a cargo container on the top of the train car that
- 13:40you're on you now in the train car marked McBay and there are a
- 13:45bunch of people working on vehicles.
- 13:48It's loud. There's people shouting things
- 13:50from left to right parts being Run across the room expertly and
- 13:55sometimes in kind of an impressive way at least once in
- 13:58a bad way, where someone drops something and does that look
- 14:00around of like, oh, fuck, did anyone see that?
- 14:02And other than you no one did. They're working on bikes and
- 14:05reinforcing things attaching plates, adding turrets and
- 14:09fixing stuff either for themselves or to sell to others.
- 14:12And so I know you're the first person in here Wendell and I are
- 14:17are going with. So no, we are not walking with
- 14:21him though. To let him do his thing.
- 14:23The thing we're giving him space.
- 14:24Oh good. Okay, yes, I'm following behind
- 14:27Iona because I don't want to be near Santa sounds good.
- 14:31I will walk past everything was a great disinterest.
- 14:39Visible disinterest. And try to get to the next
- 14:46dream. The door is closed.
- 14:53To the next car. I asked someone next to me.
- 14:59Excuse me. I need to get to the next train.
- 15:01Can someone please let me add or you won't move forward?
- 15:06Yes. Well, why are you here?
- 15:12I need to speak to stranger. One picture.
- 15:16Stranger. All right.
- 15:19Mmm. I talked to Rave about that.
- 15:24Can't just come in and talk to prisoners.
- 15:26Just willy-nilly. Where is Reve?
- 15:32In the front. How may I speak to him?
- 15:36If I cannot move past this train, you could ask, you could
- 15:40ask nicely and I can give them a call.
- 15:43Yes, please. All right.
- 15:47Oh shit. See saying no, it's important to
- 15:50us out. Here us us, simple folk on the
- 15:53Badlands. A little respect.
- 15:56Goes a long way and I give them a come.
- 15:59Look, give a little side eye. Yes.
- 16:05All right, he gets out his little device and Taps away that
- 16:09you makes phone call. Hey, we got a guard back here in
- 16:13car 7. Wants to speak to stranger.
- 16:20All right. Well what's your name dude?
- 16:24Sino Sarno and Jebediah. Tell him tell him jeopardize
- 16:30back we talk like few months ago people died from what I have one
- 16:37from or jeopardizing my family from the Westwind pack was last
- 16:41winter. I do with you guys maybe a year
- 16:43or so ago. I don't know if there's some guy
- 16:45here from the West Winters. Okay.
- 16:50Yeah, that's gonna nods like yeah, he'll he knows.
- 16:56All right, he lets you through the door in the Next Room is a
- 16:59corridor and you walk beside a ladder that goes up with a
- 17:02little sign that says flight deck.
- 17:05Looks like it's some kind of landing and taking off plant pad
- 17:08for flight Vehicles. Then there is a big plane, very
- 17:12unassuming wall to your left and then the normal train wall to
- 17:15your right is a very very thin Corridor and is taking up a lot
- 17:18of whatever's on this other side of this wall is taking up a lot
- 17:21of space in. There is a very secure door in
- 17:23the middle of it. And then there's a sign at the
- 17:25very end of the room that has the word engine to prison
- 17:29kitchen, whole and faithful on it because, like train cars are
- 17:34like the size of city blocks. So what you're saying is that
- 17:38there's like a small walkway in here and there's what we can
- 17:43only assume is the majority of a city blocks worth of space
- 17:49concealed by a wall. Yes, curious Can we move
- 17:54forward? So notice so that you pass for
- 17:59vending machines near the end and another duel, my open cool.
- 18:04It opens. I walk through.
- 18:08Yeah, what's very move on to the next area and in front of you,
- 18:11is engine to. And there are three dudes in
- 18:14here. All right.
- 18:15Rookie. Now take the empty canister.
- 18:18What would that put? That blue stuff.
- 18:21Yep. Take that and put it in the
- 18:23shoe. Shoot so they can reuse it.
- 18:25Okay. Well don't put anything in the
- 18:28gangway ever engine to is open. So Falcon walk through it.
- 18:34What got it? Holy nutsack, I haven't even
- 18:40looked up yet. That engines fragging here you
- 18:47doing. It might recall.
- 18:49I didn't get no call. We must pass this.
- 18:52Train car to go to the The next dream car.
- 18:55What? And he puts his hand out because
- 18:57he he's suddenly realizing he's very death, what?
- 19:02All right, be cool because it's alright hey hey this is
- 19:05jem'hadar Westwind packed. This we're just passing through,
- 19:09don't you? Worry about it, we'll be right
- 19:11out of your hair, cover hat. All right.
- 19:14All right. What you through here?
- 19:17Who are you big gestures? We're coming.
- 19:22We're fine. It was your man back out that
- 19:25way. It was Greg, Greg, I just threw
- 19:32who's Smeg. Uh-huh.
- 19:35All right. Hey Trent, Do You Wanna Fuck
- 19:40this guy saying? Change that?
- 19:42Illiterate his gun, Bill caught. They'll call you, you know, so
- 19:48you shouldn't you didn't wear earplugs.
- 19:50Yeah, soon as much Trent wasn't training, we're just passing
- 19:56through your Friend over there, just call the head up to up to
- 20:01rev. Okay, said we speak, we're just
- 20:03passing through my friend, okay be careful top.
- 20:09Oh be careful. I've you know he'll actually was
- 20:11back. I was on this train maybe about
- 20:13a year ago. Know if you remember Westwind
- 20:15pack we're dealing with. You had a few helicopters were
- 20:18dropping off. No, that no.
- 20:21Really when you that, okay, don't worry about it.
- 20:39I just been chain smoking this entire time.
- 20:42As Remy is both deeply afraid of everything that's going on, but
- 20:48also extremely excited. As there's so much Tech here
- 20:52that he wants to work on so much.
- 20:56But get cannot because he's too afraid and he's just taking
- 20:59cigarettes and using this fancy gold lighter that he stole.
- 21:03Laughs, somebody one time just to light it and smoke and then
- 21:08starting up another one. Nice, the next car is labeled
- 21:13the prison. It's a big sign that says prison
- 21:15and there's a bolted iron, like a barred door with classic
- 21:20prison looking door. And then inside, you can see
- 21:22they're a bunch of cells. Finally, whoo-hoo, they'll look
- 21:29in charge around here. There's two gods and a guy
- 21:33listening to, or reading a book. Looks like one of your one of
- 21:39those one of them readers uh Read books out here, Badlands.
- 21:46You must not be from around here.
- 21:49You must not be around from around it.
- 21:54All right. Listen.
- 21:56You know, you might actually get along with our with our, my
- 21:59ninja friend here. He's been reading some nonsense.
- 22:02We visiting prisoners, yeah. Rev uh, sent us said we're here
- 22:07to. We're here to talk to one
- 22:09called, stranger works on them. They invented machines.
- 22:14Vending machine guy. Yeah, you got this one working
- 22:17and he Taps the vending machine next to him.
- 22:19Wonderful. He's the one may we speak with
- 22:23him, please. I mean, he's not here right now
- 22:29but I mean you can is see you can see this his cells just down
- 22:33there, you can wait for him if you like.
- 22:34Where is he? I don't know, rev took him, I'll
- 22:39be back in a minute, I guess. And you look down and you see
- 22:44that there's one cell and the cell door is wide open and
- 22:46there's like just a foot like a doorstop in the bottom of it and
- 22:50is open and inside, it looks like a desk and you can see
- 22:53through it. Do you want to look at the other
- 22:55cells? Turn right to look at the other
- 22:59cells. There are four other cells.
- 23:04In one, there's a guy with like, a black cloak on to send a
- 23:09looking, sadly at himself. There's a, there's a guy in an
- 23:15era. Soccer uniform looking really
- 23:16angrily at the ground and in the final one.
- 23:22The man covered in gold and he's scribbling on the wall crazily,
- 23:28to Goldman. You can see him from my knee.
- 23:29Hasn't seen you scribbling away on the wall.
- 23:32Does he look like he has a bullet injury?
- 23:35Not okay. And if we take the call poem,
- 23:42And as I do this, I'm gonna kill that our psychic take his hat.
- 23:49Is he a Steve? He might be, I don't fuck with
- 23:54no sleeves. You say that out loud?
- 23:58No, okay, I go into the cell and I look around as I wait for him
- 24:05to stranger to return. Don't, I'm gonna head towards
- 24:09ref? Okay, since I know is looking
- 24:13inside the cell, roll me a perception check perception.
- 24:20Okay. Okay, looking for perception,
- 24:23there are so many skills. There is perception awareness.
- 24:29It's there. It's the bolted one there.
- 24:31Okay, rolling it and I rolled up 70.
- 24:36You're all 17. Whoo, just enough.
- 24:39You find some food. Some clothes.
- 24:42A little bit of water that's branded with the trains logo on
- 24:48it. You also find a heat blade.
- 24:52It's very similar to your sword, except it also Court arises.
- 24:55The wound after you're done so you can continue torturing your
- 24:58enemy. I'll take it.
- 25:01Did you? I'm you walked past the cell
- 25:04with the arisaka guy and as you do come out of that cell?
- 25:07Yes, cool. As you come out.
- 25:09He's staring at you. I will stare back at him.
- 25:14Is it him? Yes.
- 25:17What do you want? I know you are.
- 25:26Is that an invitation for me to end you?
- 25:31Hey, better than what they would do to me.
- 25:34Most likely. Come to the bars.
- 25:39And I'll show you some mercy. He stands up boughs and sticks
- 25:46both of his hands out through the bars.
- 25:49I get my he played out. And this is the same as the
- 25:57regular Katana. Yes.
- 25:59But it does one extra D6. Damage.
- 26:04Is this person talking? Is this the stranger?
- 26:06No. Okay, this is guy in an era.
- 26:08Soccer uniform. Yeah, I'll raise my, he played
- 26:11up, and I'll say a poem to him in Japanese because I know
- 26:17Japanese And sounds very cool. He says, thank you.
- 26:24And I will ya lower my blade. Now, where are you cutting him?
- 26:35I Look to Him. He held his hands out.
- 26:42Yeah, through the buzz Palms facing upwards Palms facing
- 26:46upwards. Do I know exactly what he wants
- 26:50me to do here? He's showing you.
- 26:53He doesn't have a weapon in his hands so he's basically asking
- 26:57for exactly what you're giving because he doesn't want to be
- 27:00here anymore. Yeah.
- 27:04Now, they'll stick my he played into his face.
- 27:10She sucks. All right.
- 27:12Roll a d-10. 17. Yeah.
- 27:17That hit 12 damage. Yeah.
- 27:21Well I'm gonna call that stuff to play through his face
- 27:25essentially. Yeah, don't really know how it's
- 27:27going to survive that. So you stuff that he played
- 27:30through his face and I'm sort of twist it as it comes out because
- 27:35it's a whole body to spin and you can smell cooked.
- 27:38Human flesh as he falls to the ground dead.
- 27:42Oh my God. So no J's is sewn up.
- 27:46I just God stands up. Did you just kill that guy?
- 27:50Bye-bye. I'm Jesus kneel down in front of
- 27:53them and do a slight bow. I don't know.
- 27:55This guy. The god pulls out his gun.
- 28:00No. Now, if asano demonetized this
- 28:05prisoner, I'm sure there was a good reason to you as arisaka.
- 28:09Yeah. You see.
- 28:11He was arisaka. And why is that a good reason
- 28:14they almost died? Well, yeah, but we needed him.
- 28:19I do apologize. So so, my friend here, has a
- 28:24mission and makes him a little You know, tunnel blind.
- 28:32If you deal with arisaka, you must die as well.
- 28:34So now I'm trying to help you here.
- 28:35Shut the fuck up. We got paid more.
- 28:39If he was alive. Fuck money.
- 28:43Should not be your only objective in this world.
- 28:46Yeah, money doesn't make the train go forward though.
- 28:48Does it? Mean I do not know what piece of
- 28:50chain go forward. And you want because frankly, as
- 28:56a closely guarded secret, we just give me a second and he
- 29:01hits a button on the side of the wall and then alarm goes off.
- 29:03Yeah, listen the Dead. All right.
- 29:07Well, you guys, you guys do that.
- 29:11So sorry about this misunderstanding, you guys seem
- 29:13to be having here, Remy. She's still wanna go take a look
- 29:19at that. Dr. Richter Talk to rev, talk to
- 29:23the stranger. I'm not there shit as you walk
- 29:26towards the door towards the next car.
- 29:27It shuts in front of you because the alarm.
- 29:31But here's my question, did I, did I see that and I or no, you
- 29:36don't know why the door shut in front of you.
- 29:37It just goes shopping right in front of you.
- 29:42I tapped well but help button for customer help the door.
- 30:03Please hang up your own butt. Now, there's a bomb going off,
- 30:09you here on the other side of the door, there's like a corrupt
- 30:11as a kerfuffle. There's a lot of noise happening
- 30:14after a few moments the door slides open and barreling
- 30:17through and past you for dudes all heading towards the prison.
- 30:21And you can hear two dudes coming from the other side as
- 30:23well. And now there are six guys
- 30:26standing at the entrance to the prison.
- 30:29All pointing guns at sauna, who has a blade that still on?
- 30:33I have I have stepped away from Sano.
- 30:37I put my hand on Vandal shoulder who who is now alert and I have
- 30:42taken out my agent and I'm currently taking notes while
- 30:48looking like I'm taking notes just trying to look a little
- 30:53busier. And keep a very corpo are here,
- 31:01fair enough? Jebediah just has his hand over
- 31:07his face, like, trying to like, I don't know these people.
- 31:12Sorry, fellows, that I can't help you.
- 31:17I'm one of the one of the guards push past the other guys.
- 31:24Is this about? He's much shorter than everyone
- 31:27but he's wearing chief officer on his badge.
- 31:32I took the life of someone who has wronged me.
- 31:39Kill your soccer guy. Did you?
- 31:41Welcome. I did wait.
- 31:45Was worth more alive. Oh why don't you stop him?
- 31:48So in my book was really good enough, excuse your books
- 31:52anymore. Do that the opens a window and
- 31:54throws the book out of a window right?
- 32:00Well you owe me five grand. Otherwise, I have to fucking
- 32:06kill you. You really should have your
- 32:11priorities in a different place. Yeah.
- 32:13Well maybe this is how we make our money.
- 32:16He was a contract. I'm fairly certain.
- 32:18We're going to fucking kill him anyway but that are alive are
- 32:23Yes, dead is better. It's also less money.
- 32:30You keep saying this but you truly know what that means.
- 32:36You owe me five grand. Otherwise, with fucking killing
- 32:38you. You have 10 seconds to give you
- 32:41five grand. I do not have the money.
- 32:45Are you gonna pay me then First suggestion.
- 32:51What's that noise? I am a work for hire.
- 32:58I am a street Samurai. Hmm, I will cure anyone, you
- 33:02desire and if it is the trade-off is for the purpose of
- 33:09killing than arisaka. I must do some Duty for you then
- 33:13so be it. Roll, roll me persuasion.
- 33:31Okay. 27. That's a crit.
- 33:45You just created a all right. Yeah.
- 33:52And everyone loves their weapons.
- 33:54Okay? You did kill him.
- 33:59Farrell shit. It right.
- 34:03Well right, here's my Heap at hands, you a very plain card
- 34:08which will you can tap on to your tile and get his
- 34:10information. Yes, it will do.
- 34:14So I'm gonna hire you, you know what, I'll fucking pay you as
- 34:18well. Did you got correct?
- 34:20Fucking pay you? And a guy named killing look at
- 34:24message in 24 hours. It will be done right?
- 34:29You book nerd? Yeah.
- 34:31Look that clean up this Blood. Oh shit.
- 34:33There's no blood. The fuck did you do that?
- 34:37You die. Yeah, hold up.
- 34:40My flame sword. He saw earlier.
- 34:52YouTube ninja man. Can ID heat the sword?
- 34:58Yeah, it's a button. Okay?
- 35:00No. Press the button and I'll put it
- 35:02in my sash like it. You definitely could fold into
- 35:06your arm piece. If you wanted to do that at any
- 35:08point, it would mean youyou only allowed to keep one in there.
- 35:10So your regular sword, I would have to come out.
- 35:12Yes, I will for now, put it in a sash as if it is shift.
- 35:18Cool. You don't currently have a
- 35:20Scabbard. You'd have to find one by one
- 35:22do. Something.
- 35:22And if you do that, give you a bonus to drawing it.
- 35:25When you fight, cool. I will Drew one eventually.
- 35:29Yeah, fine. Just do me one favor.
- 35:36Don't fucking kill any more people here.
- 35:37Right almost turned into a. I'm not I must have to call in a
- 35:42cleaner. Clean up all the blood and is a
- 35:45core part here. That's extra paperwork.
- 35:49Hmm. Anyway right?
- 35:51You get the fuck out of prison and you lucky bastards is too
- 35:55much fucking trouble and he hits another button and there's a
- 35:59noise, he goes that was up to one dead but it's just a
- 36:03prisoner and we've got a we've got a new Assassin and the alarm
- 36:11turns off We are looking for stranger point to Student,
- 36:18please. Using the in the front of the
- 36:22train. Can you take us there?
- 36:26Take your own way. There, I'll go.
- 36:27Fill out. Paperwork for the fucking dead
- 36:29guy. You just killed me huffily, like
- 36:31walks away. And that the security doors on
- 36:34either side of the car sloosh up and you are now free to keep
- 36:39exploring the train. You are free to move side, the
- 36:42cab. Next time on Nolan's.
- 37:05Does there need to be a distraction while these things
- 37:08happen? Or can we just do them silently
- 37:10and quietly? Oh, well, do you think that you
- 37:14can do that without? You know, they monetizing
- 37:18yourself. I'm going to try to put on my
- 37:22bravest face even though don't have one.
- 37:26We're here cuz we're trying to find the stranger.
- 37:33Obviously Jim does. I don't know who you are.
- 37:38You're just strange to me it had I'm stranger.
- 37:43Motherfucker and a good lies. Mostly the truth.
- 37:47Anyway, no reason to lie to you. Stranger.
- 37:52Wait, Domino. Went to the other side of the
- 37:54wall. Yeah, he's in trouble.