Latest / The Steve Harvey Morning Show / James Lopez Full Interview
Transcript
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- 1:02Speaker 1: Another great show another great day. That's what life is about,
- 1:06Speaker 1: experiencing different opportunities. Welcome to Money Making Conversation. That's right,
- 1:10Speaker 1: I'm your host, Rashaan McDonald. Each Money Making Conversation talk
- 1:13Speaker 1: shows about entrepreneurship and entertainment. I provide the consumer and
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- 1:52Speaker 1: they are promoting, how they live a balance life, and
- 1:55Speaker 1: their secrets to success. The show is for you, about you,
- 1:59Speaker 1: and will help you. My next guest is a longtime
- 2:04Speaker 1: relationship back in the Los Angeles. My next test is
- 2:07Speaker 1: a former senior vice president marketing for Atlantic Records. Now
- 2:11Speaker 1: he is the president of Will Packer Productions and is
- 2:15Speaker 1: responsible for developing and overseeing productions on all film projects
- 2:20Speaker 1: through the company's first Look deal with Universal as a
- 2:23Speaker 1: producer his films that grows more than eight hundred million
- 2:26Speaker 1: dollars at the box office. Today, he's on the show
- 2:30Speaker 1: to Day to talk about his career and his new movie,
- 2:33Speaker 1: The Photograph. Please welcome the money making conversations, my man,
- 2:37Speaker 1: James Lopez Rashan. Thanks for having me, brother, Well, well,
- 2:43Speaker 1: thank you. I know you're busy because this promotion week,
- 2:46Speaker 1: another movie, another another line of promotion. This is great.
- 2:50Speaker 1: Got no wheels out there, so I see you getting
- 2:52Speaker 1: out there a lot more promoting projects. Is that part
- 2:55Speaker 1: of the growth of James Lopez. Yeah. You know, I've
- 2:58Speaker 1: been told several times in the past that I need
- 3:01Speaker 1: to get out there a little bit more, you know.
- 3:03Speaker 1: You know me, brother, I'm I'm when it comes to
- 3:07Speaker 1: promoting and publicity and doing the press. I like to
- 3:10Speaker 1: stay behind the scenes and be quiet. But I've been
- 3:14Speaker 1: told that I need to let the people know what
- 3:16Speaker 1: I do and and uh that I definitely have an
- 3:19Speaker 1: inspiring story to tell and that uh, you know that
- 3:24Speaker 1: I provided an example for some folks, so I kind
- 3:28Speaker 1: of have decided not to be as selfish. They talk
- 3:32Speaker 1: about my story a little bit because it might be helpful.
- 3:35Speaker 1: It really is helpful. That's what the format of money
- 3:37Speaker 1: making Conversation is all about. I started in twenty seventeen,
- 3:40Speaker 1: uh and it was supposed to only last six weeks.
- 3:43Speaker 1: And then I realized that through the conversations and bringing
- 3:46Speaker 1: a different type of people I had on the show
- 3:48Speaker 1: and version was just people I know, And then all
- 3:50Speaker 1: of a sudden, now it's just individuals in the industry
- 3:52Speaker 1: to realize I have such a positive, uh you know,
- 3:55Speaker 1: format that allow them to tell their story. And also
- 3:58Speaker 1: it's really about helping people. And when we talk about
- 4:01Speaker 1: helping people, you know, I have to talk about my
- 4:03Speaker 1: relationship with you, and you know you you and when
- 4:06Speaker 1: I was with Steve Harvey, you know, you broke it
- 4:08Speaker 1: our first ring tone deal. And I gotta say that
- 4:11Speaker 1: because you know that that was a skill that you
- 4:14Speaker 1: have and had, you know, because I didn't know you,
- 4:17Speaker 1: but you had a lickability and use a professional And
- 4:21Speaker 1: I remember when Steve said, should be signed this deal?
- 4:23Speaker 1: I said, yeah, yeah, James, things a little I trust
- 4:26Speaker 1: him and for me to say that, it's a lot
- 4:29Speaker 1: because that means that you understand the value of communicating
- 4:33Speaker 1: the honesty of the deal and also the value of
- 4:35Speaker 1: a relationship. I'm sure you've been told that a lot
- 4:38Speaker 1: over the years, correct, James, Yeah, you know. I I've
- 4:43Speaker 1: been told that that. I'm a kind of a no
- 4:46Speaker 1: nonsense type of guy. And I think a lot of
- 4:49Speaker 1: people take my load to me. My my, y'all's quiet.
- 4:58Speaker 1: They take my quiet demeanor as a sign that maybe
- 5:02Speaker 1: that I might be angry or maybe I'm not really
- 5:05Speaker 1: trying to mess with folks. It's not that at all.
- 5:08Speaker 1: It's it's that I'm constantly thinking. I'm constantly observing the room.
- 5:13Speaker 1: And you know, I believe that if you don't have
- 5:16Speaker 1: something additive to say in the moment, just don't say it.
- 5:19Speaker 1: But when you do have something to say, it carries
- 5:21Speaker 1: more weight. So that's just the way I operate in life. Um,
- 5:26Speaker 1: And I'm you know, I admitted Rashan, I'm a little
- 5:28Speaker 1: bit socially awkward to you. That's why I quiet. Well,
- 5:32Speaker 1: I would tell you something, man, you know, I've been
- 5:34Speaker 1: around your lot, you know. And and then because you know,
- 5:38Speaker 1: it was in the music business, so yet always are artist.
- 5:40Speaker 1: That's how we connected. And uh, and that's what you
- 5:43Speaker 1: told me A Rashan t I making a lot of
- 5:45Speaker 1: money on these rain tones. Y'all probably want to look
- 5:47Speaker 1: into that. And so you understood that that rain tongs
- 5:50Speaker 1: are popular back there, there was a lot of way
- 5:52Speaker 1: that it was a quick way just using your voice
- 5:54Speaker 1: and ring tones and people are buying them. And then
- 5:57Speaker 1: but of course all things change, and all things you
- 5:59Speaker 1: have to make a transition. And at the time he
- 6:01Speaker 1: was the senior vice president marketing for Atlantic Records. What
- 6:04Speaker 1: did that job entail? Well, back then, you know, I
- 6:08Speaker 1: was largely responsible for the urban roster of artists signed
- 6:13Speaker 1: to Atlantic Records. So artists like t I, Fat Joe, Fabulous, Trick,
- 6:18Speaker 1: Daddy Trenim, M c Elliott, Sean, Paul Naview's little brother,
- 6:23Speaker 1: and the list goes on and on. So I was
- 6:25Speaker 1: responsible for the imaging, packaging and bringing to market those artists,
- 6:30Speaker 1: whether it be album packaging, whether it be promotional touring,
- 6:34Speaker 1: put it together their stage show, award show performances, all
- 6:39Speaker 1: the way up to like you know, music video production.
- 6:42Speaker 1: I was kind of like, um, what a quarterback into
- 6:47Speaker 1: a football team. Is what I was in the building
- 6:49Speaker 1: Atlantic Records when it came to that particular artists, kind
- 6:52Speaker 1: of like an in house manager. I wasn't the artist manager,
- 6:57Speaker 1: but I was the person mostly all in their life
- 7:01Speaker 1: and in that project within the company, um and kind
- 7:05Speaker 1: of like leading the company's charged to bring that album
- 7:10Speaker 1: or that artist to the marketplace. That's what I was
- 7:13Speaker 1: absolutely So then in your intro, I make this statement
- 7:16Speaker 1: as a producer. As a producer, his films about his career.
- 7:21Speaker 1: During his career have exceeded eight hundred million dollars at
- 7:26Speaker 1: the box office. Now, that's from music to film, which
- 7:30Speaker 1: we know. I can't say they're similar because they're different
- 7:33Speaker 1: because once visual you know though you might say music
- 7:36Speaker 1: videos or visual, but that's not a movie or a film.
- 7:38Speaker 1: That's a beginning, middle of the end. That's casting, that's
- 7:42Speaker 1: being at the right publicity, being at the right moment.
- 7:45Speaker 1: How did you make that transition, because I remember you
- 7:47Speaker 1: made it. I told Steve at the time, I said,
- 7:49Speaker 1: my boy doing films now. And I really was happy
- 7:52Speaker 1: because I know that that that you know, music was changing,
- 7:56Speaker 1: you know, record stores were dying out, you know, a
- 7:59Speaker 1: lot more into pinion thought process was being put into
- 8:01Speaker 1: how you released labels. Did you make a decision looking
- 8:05Speaker 1: at the industry, or you said, hey, I really want
- 8:07Speaker 1: to do film. It was it was a combination of both.
- 8:11Speaker 1: To be honest with you, I'd always had the passion
- 8:14Speaker 1: for film and television, To be honest with you, Rashaan,
- 8:17Speaker 1: early on in my life in my career, I just
- 8:19Speaker 1: didn't think it was possible for brothers to be honest,
- 8:22Speaker 1: you know, like coming I'm a boy from Houston, Texas
- 8:25Speaker 1: and so like to be involved in film intelligence. There
- 8:31Speaker 1: was no examples for us going up in Houston. There
- 8:35Speaker 1: was no one I could point to and said you
- 8:37Speaker 1: could do that. Like I knew obviously we all know
- 8:40Speaker 1: of actors and directors, um you know, like the Spike
- 8:44Speaker 1: Leaves and John Singleton's and you know, being in college
- 8:47Speaker 1: and watching those guys do their things. But I knew
- 8:50Speaker 1: I wasn't gonna be bad. I had no idea what
- 8:53Speaker 1: the producer did. I didn't know that there were people
- 8:55Speaker 1: behind the scenes, predominantly caucases, that were behind you movies.
- 9:00Speaker 1: So I just took the natural route into music because
- 9:04Speaker 1: there were several examples uh that that we as black
- 9:08Speaker 1: man could point to and say Okay, well Russell Simmons
- 9:11Speaker 1: did it, and this one did it and that one
- 9:13Speaker 1: did it. I could do that, I could be that.
- 9:16Speaker 1: But once I got into the music business and got
- 9:19Speaker 1: in and was more immersed in the culture of entertainment
- 9:23Speaker 1: and meeting different types of executives and then getting involved
- 9:26Speaker 1: in soundtracks. In the music business, I started interacting with
- 9:31Speaker 1: studio executives and producers, and then I started to get
- 9:35Speaker 1: exposed to the possibilities of where where I wanted my
- 9:39Speaker 1: life to go. So it was it was in the
- 9:43Speaker 1: mid two thousands, I would say two thousand and four,
- 9:45Speaker 1: two thousand and five when I consciously made the decisions
- 9:49Speaker 1: that this is what I want to do next, and
- 9:52Speaker 1: I'm gonna work my tail off to get there. Let
- 9:54Speaker 1: me in there. I remember you start telling me you
- 9:57Speaker 1: were writing scripts at that time. Well, I was coming
- 10:01Speaker 1: up with pitchers and decks for ideas and when I
- 10:06Speaker 1: look when I look back at them, they were terrible.
- 10:11Speaker 1: But you had You had energy. Had I had the
- 10:15Speaker 1: energy and what I was doing with conceptualizing projects as well.
- 10:19Speaker 1: And that's that's where my strength lies, is coming up
- 10:25Speaker 1: with concepts or or discussing with other creatives, concepts, concepts
- 10:30Speaker 1: for movies and then bringing them to the marketplace, figuring
- 10:33Speaker 1: it out, you know, finding writers. I think it directed
- 10:38Speaker 1: starting starting projects from scratch. But yeah, I made that
- 10:42Speaker 1: decision in two thousand five, and it took me five years.
- 10:45Speaker 1: It took me five years of networking, of reading tons
- 10:49Speaker 1: and tons of scripts and kind of building up my
- 10:54Speaker 1: chops so that when I got the opportunity, I was
- 10:57Speaker 1: reading and until five years later. Correct, correct, Yeah, I
- 11:05Speaker 1: was hired by gentleman name Quinn Colepepper who gave me
- 11:08Speaker 1: a shot. I had done a soundtrack at Screen James
- 11:11Speaker 1: when I was in Atlantic, and that's how I built
- 11:14Speaker 1: my relationship with him. And then I got even closer
- 11:18Speaker 1: to him on the set of Takers. Uh p. I
- 11:21Speaker 1: introduced me to Quint again on the set of Takers.
- 11:26Speaker 1: And that is the evening that I'm at will for
- 11:28Speaker 1: the first time. My mouth producing party. Now eight hundred
- 11:33Speaker 1: million dollars When I say that, what runs through your mind?
- 11:37Speaker 1: At the box office? Um? Eight million dollars. Now here's
- 11:47Speaker 1: a lesson for your listening audience. Box office numbers are
- 11:53Speaker 1: great if you have a piece of ownership. I don't
- 12:00Speaker 1: have a piece of ownership at any of that eight
- 12:03Speaker 1: million dollars. That's what my movies made. I didn't own
- 12:06Speaker 1: those movies, and studios owners movies. When you've got brothers
- 12:11Speaker 1: like Tyler who owned their films and they get a
- 12:18Speaker 1: majority of that dollar that comes back for every single
- 12:21Speaker 1: dollar that goes out, he's getting a large percent of
- 12:24Speaker 1: that money coming back to me. And that's what we
- 12:26Speaker 1: got to strive as people to work towards. As the ownership.
- 12:31Speaker 1: We are formidable, we are peace when it comes to
- 12:35Speaker 1: creating content and in providing entertainment for the audiences, we
- 12:40Speaker 1: create culture. But we have to start having a stake
- 12:44Speaker 1: and ownership in that culture. And right now that is
- 12:48Speaker 1: what Will and I are striving towards is more ownership
- 12:52Speaker 1: of our catalogs um but you know none. Nevertheless, it
- 12:57Speaker 1: is impressive that so many people haven't enjoyed our films,
- 13:02Speaker 1: but we and well you know where the company is headed.
- 13:06Speaker 1: And building up that library of titles. Ownership or that
- 13:11Speaker 1: library is a goal and also diversifying what we do.
- 13:17Speaker 1: Um the movie that's coming out this weekend, it is
- 13:20Speaker 1: our first drama. Like it is a romance drama, It's
- 13:23Speaker 1: not a romantic comedy. It's not a comedy, it's not
- 13:26Speaker 1: a thriller. Is a straight up adult black love romance.
- 13:30Speaker 1: And that's something new for us as a company. And
- 13:33Speaker 1: we're working hard to make sure that we diversify the
- 13:37Speaker 1: types of movies that we're making so that we're not
- 13:39Speaker 1: just eating off of comedy, but off of everything. Right,
- 13:44Speaker 1: I tell you, I'm talking to James Lopez. He's the
- 13:46Speaker 1: president of Will Packer Production. Has a new movie out
- 13:49Speaker 1: this weekend called The Photograph. We'll come back. We're getting
- 13:52Speaker 1: more details because and had a movie out here like this,
- 13:55Speaker 1: like this Love Jones, Bart Lorenz, Tayne alone. That's what
- 13:59Speaker 1: he's talking about. My main conversation, be right back. We'll
- 14:02Speaker 1: be right back with more from McDonald and money making conversations.
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- 16:01Speaker 1: That's O T T E R dot ai. Don't touch that.
- 16:04Speaker 1: Money Making Conversations continues online at www dot money Making
- 16:09Speaker 1: Conversations dot com and follow money making conversations on Facebook, Twitter,
- 16:14Speaker 1: and Instagram. Ladies and gentlemen, it's time you stop thinking
- 16:17Speaker 1: about your dreams and put some plans into action. All
- 16:20Speaker 1: Just Rashan McDonald, you're listening to money Making Conversations. I'm
- 16:23Speaker 1: talking to James Lopez, long time, long time gentlemen. Met
- 16:27Speaker 1: him when he was senior vice president of marketing for
- 16:29Speaker 1: Atlantic Records. Now he's um breaking down information about my listeners,
- 16:33Speaker 1: about about the art of the deal and being a
- 16:37Speaker 1: bigger player in the deal. More importantly, he's on the
- 16:40Speaker 1: show to day to talk about his new movie. Like
- 16:42Speaker 1: he told before we went to break he said, they've
- 16:44Speaker 1: diversifying the portfolio, moving out of the comedy laden drama
- 16:48Speaker 1: where they've had so much success into a romantic drama.
- 16:53Speaker 1: What really pushed this envelope beside a great script and
- 16:56Speaker 1: opportunity to diverse diversify your portfolio, I think the reason
- 17:02Speaker 1: why we sparked to the photograph. First of all, I
- 17:05Speaker 1: started off, yes, with a great script, like Sella McGee
- 17:08Speaker 1: wrote a beautiful project. Um, she is also a director
- 17:13Speaker 1: of This is a very personal project for her, and
- 17:16Speaker 1: we wanted to jump on board and help her fulfill
- 17:20Speaker 1: her vision and bring this screen. So we're very proud
- 17:23Speaker 1: of being a part of this. But um, we just
- 17:28Speaker 1: felt like it's been such a long time since the
- 17:32Speaker 1: core African American audience has received a love story. Um,
- 17:37Speaker 1: and you mentioned Love Jones. You know, that was twenty
- 17:40Speaker 1: plus years ago. So we love Okay, Sven and you know,
- 17:47Speaker 1: we we just felt like it was time to make
- 17:49Speaker 1: another black love story that wasn't based around trauma. You know. Unfortunately, Um,
- 17:57Speaker 1: you know, there's a lot of great films that are
- 17:59Speaker 1: created and cater to the African American audience, but when
- 18:03Speaker 1: it comes to love, there's always a betrayal or out
- 18:07Speaker 1: of wed like child or somebody got killed, stalker. And
- 18:15Speaker 1: you know this is straight just two black folks loving
- 18:19Speaker 1: each other or trying to figure out love, iould say,
- 18:23Speaker 1: But it also is about generations. It's about UM gets
- 18:28Speaker 1: to raise character who has just lost her mother and
- 18:32Speaker 1: through a series of letters, is finding out more about
- 18:35Speaker 1: the woman her mother was and the mistakes and love
- 18:39Speaker 1: that her mother may have made, and to make sure
- 18:43Speaker 1: that she's not going to repeat the same mistakes her
- 18:47Speaker 1: mother made. So we are watching When you watch the film,
- 18:50Speaker 1: you're watching two stories separated by thirty years. So it's
- 18:54Speaker 1: about generational love as well. And it's very movie and touching.
- 18:59Speaker 1: UM And and you know, I think, uh, I think
- 19:02Speaker 1: folks will enjoy it. It's a great date night. It's
- 19:05Speaker 1: a perfect perfect date that the movie is coming out
- 19:08Speaker 1: on Valentine's Day. It's a long weekend, so you know,
- 19:12Speaker 1: everyone listening to take your special someone to go check
- 19:15Speaker 1: this out because you're gonna love it. And the music
- 19:18Speaker 1: is phenomenal. Absolutely, um, it has to be another another
- 19:21Speaker 1: fellow Houston native Robert glasper uh the score awesome, congratulations,
- 19:28Speaker 1: you know were getting out that spread that way you
- 19:30Speaker 1: know the beauty of listening to you talk, James. First
- 19:32Speaker 1: of all, you sound just the same, You sound just
- 19:35Speaker 1: as uh, you know, you give our information. Uh. That's
- 19:39Speaker 1: what always impressed me about you is that you're informative
- 19:42Speaker 1: and you and you really know how to hit all
- 19:44Speaker 1: of the right deal points of the conversation. But one
- 19:47Speaker 1: thing I always liked abuy Will because when I did
- 19:49Speaker 1: the first movie with him, Think like a Man, he
- 19:52Speaker 1: always knew how to select talent that was on the
- 19:55Speaker 1: rise about the pop. He was always good at that.
- 19:59Speaker 1: You look at this movies, he always gets that talent
- 20:02Speaker 1: right when he's about to because he does that really well.
- 20:05Speaker 1: And like in that case it was it was Kevin Hard.
- 20:07Speaker 1: I knew about Kevin Hard, and I know when we
- 20:09Speaker 1: sold the movie Steve and Steve Harming. I sold the
- 20:11Speaker 1: movie to screen James with just Clint and he was
- 20:15Speaker 1: because I told Will Know. At first I said, no, Will, Am,
- 20:18Speaker 1: I gonna do the movie with you? And then he
- 20:20Speaker 1: brought in Clinton. Then they came down to Dallas and
- 20:23Speaker 1: we rode around on Steve's property. Convinced me and hey,
- 20:27Speaker 1: this is the right people. We got the right idea.
- 20:30Speaker 1: We will we will make this, make this be a
- 20:32Speaker 1: winning And then he said, I said, who goes? Who's
- 20:34Speaker 1: gonna do the lead? He said Karen Hard. I said
- 20:36Speaker 1: Kevin Hard. He said, he's he's about to break. Man,
- 20:41Speaker 1: He's he's about to break. He's about to do that.
- 20:43Speaker 1: And so I turned on. I look over the two
- 20:45Speaker 1: stars that are at the top of your list. Here
- 20:48Speaker 1: he'sa Ray and the key Stanfield. Yeah, okay, now Stanford,
- 20:53Speaker 1: let's could it go back a little bit the Atlantic series. Okay,
- 20:57Speaker 1: that's when I first discovered him, and I went and
- 20:59Speaker 1: I was telling my friend right here, this dude is talented.
- 21:02Speaker 1: D Yeah. I mean, you know mckith thought, you know,
- 21:08Speaker 1: he wasn't get out as well. Um, he was in
- 21:12Speaker 1: Uncut Gems with Adam Sandler that that had a nice
- 21:15Speaker 1: run a couple of months ago. Keith been mckith has
- 21:19Speaker 1: been working. He's been working. He has been working, I mean,
- 21:23Speaker 1: but but all platforms, all platforms. Oh yes, yes, he
- 21:28Speaker 1: has been working. And obviously you know he's used to
- 21:31Speaker 1: used to raise the queen, like you know, creating the
- 21:34Speaker 1: show Insecure for HBO and all the things that she's
- 21:37Speaker 1: been doing. Um, but we yeah, we we take pride
- 21:41Speaker 1: on on you know, making sure that in every one
- 21:45Speaker 1: of our movies we have, um, people who are about
- 21:49Speaker 1: the pop or or or or have have recently come
- 21:53Speaker 1: on the scene. In this particular one, I think you
- 21:57Speaker 1: guys are gonna really enjoy an actress by the name
- 22:01Speaker 1: of Schante Adams. She played Ray's mother in the past
- 22:06Speaker 1: thirty years in the past. And when I tell you
- 22:10Speaker 1: this girl put his work, her performance is amazing. Um,
- 22:15Speaker 1: your listeners may or may not know her from a
- 22:19Speaker 1: Netflix movie on the rapper Rocksman Shante. It was a
- 22:23Speaker 1: Netflix movie called Roxman Roxton. Remember that played the Roxanne
- 22:29Speaker 1: in that movie in our Netflix Um, and she is
- 22:33Speaker 1: just an incredible performer and she does such a beautiful
- 22:37Speaker 1: job of racing this in this song. So let me
- 22:41Speaker 1: ask you this. Let me ask you this because your
- 22:43Speaker 1: producer on the movie. What exactly does a producer do
- 22:46Speaker 1: on this especialist particular movie with the photograph? Well, I'll
- 22:50Speaker 1: tell you my role in this one. Um. When when
- 22:53Speaker 1: Will and I first started producing together, Um, before I
- 22:57Speaker 1: joined the company, he took the meet it was star
- 23:01Speaker 1: regarding this particular project. She had not written it yet,
- 23:05Speaker 1: it was just a treatment. And UM, when I joined
- 23:11Speaker 1: the company, which was like a year later. She had
- 23:15Speaker 1: written the script and it was floating around town and uh,
- 23:20Speaker 1: I've read it. And I was like, oh man, we
- 23:22Speaker 1: need to be doing this movie. This this could be
- 23:24Speaker 1: this generation. And I said, word for it. This could
- 23:28Speaker 1: be this generations love Jones. We should be making this movie.
- 23:32Speaker 1: So I go to Will. I'm like, I read the photographs.
- 23:35Speaker 1: I know you took a meeting with her about a
- 23:37Speaker 1: year ago, but you should read this script. It's really good.
- 23:40Speaker 1: He read it. He was like, I agree. I said,
- 23:43Speaker 1: we need to take this into universal and fright for
- 23:45Speaker 1: it and set it up. So we did. They brought
- 23:50Speaker 1: the script and we spent the next year and alfter
- 23:53Speaker 1: two years developing it from several drafts and got it
- 23:57Speaker 1: to the point where we got the student of the
- 24:00Speaker 1: dream like this now. Um. So, during that process and
- 24:05Speaker 1: producer and working with the writer to hone in on
- 24:08Speaker 1: the script, get it to the you know, get it,
- 24:11Speaker 1: get it, addressing notes, getting it ready to share with cast.
- 24:17Speaker 1: We talked about cast, who's available in the time frame
- 24:20Speaker 1: that we want to shoot the film. You know, who
- 24:24Speaker 1: who do we think would have the best chemistry. You
- 24:26Speaker 1: go through that process, you know, I'm you know, I'm
- 24:30Speaker 1: hiring a line producer who comes up with the schedule
- 24:33Speaker 1: and budget. We're making decisions about where we're going to
- 24:36Speaker 1: shoot the film. You know, the New York plays a
- 24:39Speaker 1: character in the film, so we you know that it
- 24:41Speaker 1: was a filmmaker's vision to shoot the film in New
- 24:44Speaker 1: York and not a lot of films shoots here. Um,
- 24:49Speaker 1: and you know, so we we won that battle. Then
- 24:53Speaker 1: then it's about putting the crew together. You know who's
- 24:57Speaker 1: going to be the director of photography, is going to
- 25:00Speaker 1: be the cost and designer. You know who's going to
- 25:03Speaker 1: be the production designer, who's gonna help cast the movie?
- 25:07Speaker 1: The casting right there, so we you know, you put
- 25:09Speaker 1: all those people together, get them approved, get them on
- 25:13Speaker 1: on the team, and you start building your crew to
- 25:18Speaker 1: execute this script all the time while you're sharing the
- 25:22Speaker 1: script with agents and managers to get the casting want.
- 25:28Speaker 1: Once you get through all that, you go into pre production.
- 25:31Speaker 1: Pre production on this film was eight weeks and in
- 25:36Speaker 1: that eight week time period, you're scouting your building sets
- 25:41Speaker 1: if you needed. You know, the cost and designer is
- 25:45Speaker 1: showing options for the characters. You have your director photography,
- 25:49Speaker 1: who's building their crew their camera operators with the lighting
- 25:53Speaker 1: is gonna look like your story boarding, shot listing. So
- 25:57Speaker 1: much goes into it before you start, and then you're
- 26:02Speaker 1: on set. We shot this movie over seven weeks six
- 26:06Speaker 1: which we're in uh New York in one week and
- 26:11Speaker 1: muse in and then you go into post production, which
- 26:15Speaker 1: is a twenty two week period where you're editing your
- 26:19Speaker 1: sound mixing. During that time period, our director, she has expressed, um,
- 26:26Speaker 1: the desire to have Robert Glass for score the film.
- 26:31Speaker 1: So without her knowing, I went off and got Robert Glass.
- 26:35Speaker 1: You know, I got ahold of them. We had a meeting.
- 26:39Speaker 1: I'm like, look with you ashtown boys, let's do this.
- 26:42Speaker 1: I took him to the studio. Robert had never scored
- 26:45Speaker 1: a movie. Um, So I convinced the studio, hey, give
- 26:50Speaker 1: this brother shot. Um, he's the world over now, jazz musicians,
- 26:55Speaker 1: you could scored it. He could scored his music. He
- 26:58Speaker 1: could score this film with his eyes. Um. And then
- 27:02Speaker 1: I know want the studio approved. And then I haven't
- 27:05Speaker 1: sit down with Sella and they worked out the vision
- 27:08Speaker 1: for what she wanted the sound to be in this movie. Um,
- 27:13Speaker 1: and now we're here. That is producing, my man, that's
- 27:17Speaker 1: a journey. A lot of people needed to hear for
- 27:19Speaker 1: the first time on my show because the shooting period
- 27:24Speaker 1: is just seven weeks. You know, pre was a and
- 27:27Speaker 1: post pre was eight and then post was twenty two.
- 27:31Speaker 1: That was thirty weeks, and then there was almost two
- 27:33Speaker 1: and a half years to get it approved. And when
- 27:37Speaker 1: you first when you first walked was introduced to it.
- 27:40Speaker 1: She didn't even have a script. She said, she had
- 27:42Speaker 1: her treatment our concept. So so there's a lot of
- 27:45Speaker 1: trust in that process to get to the point that
- 27:48Speaker 1: we see the movie photograph. But I don't want to
- 27:50Speaker 1: link on the process. There's a couple of there's more
- 27:52Speaker 1: people in this movie. My Man coortinately advances in this
- 27:54Speaker 1: movie where I love even though there was a drama,
- 27:57Speaker 1: you got my Man, A Little Real who everybody old
- 28:00Speaker 1: some get out. One of the funniest comics. One of
- 28:03Speaker 1: the has a specialized last November that was outstanding called
- 28:06Speaker 1: Little Real Man. He plays mckith brother in this movie.
- 28:10Speaker 1: And then uh, and then and LOOKI he's funny too.
- 28:13Speaker 1: And so then you have Issa Ray, who I saw
- 28:16Speaker 1: a little and I became a bigger fan. I actually
- 28:18Speaker 1: became a bigger fan of her in the movie Little
- 28:21Speaker 1: that you guys also did and did very well at
- 28:23Speaker 1: the box office. I think last May and uh, and
- 28:26Speaker 1: it's playing right now. If you don't know, it just
- 28:28Speaker 1: goes it's it's on pay per view. Is also view
- 28:32Speaker 1: video on the Man yet to HBO. Little And So
- 28:37Speaker 1: when you when you see a movie like this being
- 28:39Speaker 1: put out there, you still have a little touch of
- 28:43Speaker 1: I think that you know you can you can bring
- 28:45Speaker 1: You're not trying to do a comedy movie, but you
- 28:47Speaker 1: do have guys who can bring that comedy moment just
- 28:50Speaker 1: to break the ice. Correct, Yeah, correct, there's moments where
- 28:54Speaker 1: you know, the audience, we break the ices. It's not
- 28:57Speaker 1: a drama all the way through. Um. So every every
- 29:01Speaker 1: once in a while you'll get a chuckle, you'll get
- 29:03Speaker 1: a laugh in the right places. Um. But it does
- 29:07Speaker 1: tug at the heart string. There's another actor I want
- 29:09Speaker 1: to bring up who's in there. There's two of them actually, Um,
- 29:12Speaker 1: Calvin Harris Jr. Who the audience may not be familiar
- 29:17Speaker 1: with the name, but you are familiar with his face.
- 29:19Speaker 1: He this young brother is I see, I feel it
- 29:23Speaker 1: is going to be up for Academy Award one day.
- 29:26Speaker 1: He is. He's done phenomenal work in so many other
- 29:29Speaker 1: movies this past two years. But he's working literally nonstuff.
- 29:33Speaker 1: I believe the photograph whether it's fifth movie that he
- 29:37Speaker 1: shot in twenty twenty nineteen. Sorry, Um, he did five
- 29:43Speaker 1: movies last year. Um. He's in a movie called Ways,
- 29:47Speaker 1: He's in another movie called Rise, He's in a movie
- 29:53Speaker 1: called Loose opposite. Uh, I'll tell miss Spencer. But he's
- 29:57Speaker 1: just a phenomenal young actor. He's in the movie Jasmin
- 30:01Speaker 1: sepas Jones within the movie, and so is my boy
- 30:06Speaker 1: Rob Morgan. Right, I don't know if I don't know
- 30:09Speaker 1: if you've seen Just Mercy, but Rob, if y'all seen it, Robbert,
- 30:12Speaker 1: the one that went to the electric chair. Oh yeah,
- 30:16Speaker 1: oh yeah, when they when when you were planing all
- 30:19Speaker 1: the the let him know that they were with him,
- 30:22Speaker 1: let him know he wasn't he was not down there
- 30:24Speaker 1: by himself. It's a very good movie. There was a
- 30:26Speaker 1: powerful moment that movie. Yeah, that brother has some powerful
- 30:29Speaker 1: moments in our movie. Um read emotional uh moment. Well,
- 30:34Speaker 1: you know my biggest takeaway when I listened to your
- 30:36Speaker 1: projects and watch your project again, congratulations graduations, Will and
- 30:40Speaker 1: Will know I've been a fan before he brought any
- 30:43Speaker 1: movie project to him, to me, to Steve and all
- 30:46Speaker 1: just start promoting on our radio show for mat And
- 30:49Speaker 1: that's why I kind of I built this format to
- 30:50Speaker 1: be able to have power, to be able to put
- 30:52Speaker 1: another layer of information, not only about the people who
- 30:56Speaker 1: are who are starting in front of the cameras behind
- 30:58Speaker 1: the camera, but you guys all have stories, you know, Sam,
- 31:01Speaker 1: Let's say with Sammy State University is proud of what
- 31:04Speaker 1: you're doing. Four years playing football over there before you
- 31:07Speaker 1: roll out to l A, had realized that you can
- 31:10Speaker 1: your dreams can't be possible. And then this movie again,
- 31:13Speaker 1: the photograph. I want to call my friend because of
- 31:16Speaker 1: the fact that I trusted him and we've we've known
- 31:18Speaker 1: each other over years and I followed him and he's
- 31:20Speaker 1: followed by my success. And we were on the phone
- 31:23Speaker 1: that they just talk about another great moment, a great
- 31:26Speaker 1: moment in our lives where we're about to, you know,
- 31:28Speaker 1: set a different pattern for what the movie could be.
- 31:31Speaker 1: I know that they always project have they put a
- 31:33Speaker 1: projection on what the box office? Maybe this weekend? Yeah,
- 31:37Speaker 1: I don't even like to talk about it. Now, don't
- 31:39Speaker 1: talk about, don't talk about don't talk about this. Don't talk,
- 31:42Speaker 1: don't all. I don't wanted to do well, and I
- 31:45Speaker 1: want I want our folks to come out and support
- 31:49Speaker 1: and really talk about this film. And I want them
- 31:51Speaker 1: walking out with a greater sense of love for who
- 31:54Speaker 1: they're with, who they want to be with. But also
- 31:57Speaker 1: I think a lesson that's learned from this film is
- 32:02Speaker 1: we learned how to love from our parents. And when
- 32:06Speaker 1: you watch the film and you're watching the Parallel Stories
- 32:09Speaker 1: thirty years apart um, you know, we pick up a
- 32:13Speaker 1: lot of positive things from our parents as well as negative.
- 32:16Speaker 1: And we learned how to love because we've watched them love,
- 32:20Speaker 1: and that's what this movie is talking about. That's a
- 32:22Speaker 1: beautiful to statement again starting the East Array or man
- 32:26Speaker 1: uh Keith Stanfield. It's called the Photograph. It's coming out
- 32:29Speaker 1: this weekend for all you couples out there, for all
- 32:33Speaker 1: you people who want to sit down and hold hands
- 32:35Speaker 1: as we can. This is the movie to watch. James Lopez,
- 32:38Speaker 1: thanks for coming to much show, talking about your talking
- 32:41Speaker 1: about your pass and talking about your future. My friend,
- 32:43Speaker 1: eight hundred million dollars in counting, because they're gonna start
- 32:46Speaker 1: counting this weekend. Man again, money making Conversations dot com.
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