Atlantis and The Young Pretender reviewed, Martin Green, Venice Biennale
Atlantis (2019) was the Ukrainian entry for that year's Oscars. It now seems incredibly prescient in its depiction of a Ukraine set post-war in 2025. Film critic Laruskha Ivan-Zadeh and historian Kathryn Hughes join Front Row to review it. They'll also be talking about Michael Arditti's novel The Young Pretender. It imagines the life of the real-life child star Master Betty as a young adult attempting to re-enter the flamboyant world of Georgian theatre.The Venice Biennale, one of the art world’s most prestigious events, opens to the public this weekend. Art critic Hettie Judah is currently…
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